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All Journal Gelar : Jurnal Seni Budaya Jurnal Bahasa Rupa Jurnal Bahasa Rupa
Bima Wicaksana, Inovensius Hugo
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Arts Humanities Education Languange, Linguistic, Communication & Media

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Estetika Visual dan Naratif pada Video Musik "Saat Kau Telah Mengerti" oleh Virgoun: Analisis Komposisi Visual dan Emosi Audiens Bima Wicaksana, Inovensius Hugo; Prasetyo, Martinus Eko
Jurnal Bahasa Rupa Vol. 8 No. 1 (2024): Jurnal Bahasa Rupa Desember 2024
Publisher : Prahasta Publisher (manage by: DRPM Institut Bisnis dan Teknologi Indonesia)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31598/bahasarupa.v8i1.1724

Abstract

This study aims to analyze the visual and narrative aesthetics in the music video "Saat Kau Telah Mengerti" by Virgoun. The music video serves as a medium for conveying emotions and messages, where visual and narrative elements play a crucial role in shaping audience perceptions. This research employs a qualitative descriptive approach focused on audience meaning, utilizing Edmund Feldman’s formal analysis method through the stages of description, analysis, interpretation, and evaluation. Elements such as composition, lighting, color grading, and camera movement are analyzed to understand how they enhance the audience's emotional experience. The results reveal that these visual elements are effectively utilized to create a profound emotional narrative and strengthen the audience’s connection to the conveyed message. This study provides valuable insights into how visual aesthetics can be leveraged to amplify emotional impact in music videos.
Zine “Satu Darah Juang” as an artistic practice to reconstruct Ambon family memories: a practice-led research approach Akyuwen, Ardiles; Bima Wicaksana, Inovensius Hugo; Tanrere, Rezki Gautama
Gelar: Jurnal Seni Budaya Vol. 23 No. 1 (2025)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v23i1.7061

Abstract

“Satu Darah Juang” is a photography zine work produced through artistic practice based on research, or commonly called practice-led research, which explores religious and cultural values in the family of Petrus Mailoa (the author's grandfather), who lives in Ambon City, Maluku. Based on a collection of family photo archives, this zine reconstructs collective memory and local spirituality through a process of selecting photo archives, recalling conversations with Opa Petu, Oma Bo, Mama Nel, Aunt Poppy, and Aunt Noor, sequencing stages, digital collage, to creating illustrations analogously. This process produces a photo narrative that is effective, visual, and historical, and creates a dialogue between the personal realm and communal culture. The practice-led approach functions to integrate visual experience with the concept of visual communication (the concept of punctum Barthes), cultural psychoanalysis (Freud & Lacan), and visual anthropology. This work is a visual artifact, has the function of being a medium for introspection, a space for dialogue between the private and the public, and then becomes a form of expression beyond the limitations of conventional documentary photography. “Satu Darah Juang” has gone through exhibition curation and audience interaction; this process is the answer that there is potential for cultural communication and social reflection. Therefore, this research provides a clear affirmation of the position of art practice as a valid research method to record, transform, and then inherit cultural values through an interdisciplinary approach.
Estetika Visual dan Naratif pada Video Musik "Saat Kau Telah Mengerti" oleh Virgoun: Analisis Komposisi Visual dan Emosi Audiens Bima Wicaksana, Inovensius Hugo; Prasetyo, Martinus Eko; Ardyansyah, Ardyansyah
Jurnal Bahasa Rupa Vol. 8 No. 1 (2024): Jurnal Bahasa Rupa Desember 2024
Publisher : Institut Bisnis dan Teknologi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31598/bahasarupa.v8i1.1724

Abstract

This study aims to analyze the visual and narrative aesthetics in the music video "Saat Kau Telah Mengerti" by Virgoun. The music video serves as a medium for conveying emotions and messages, where visual and narrative elements play a crucial role in shaping audience perceptions. This research employs a qualitative descriptive approach focused on audience meaning, utilizing Edmund Feldman’s formal analysis method through the stages of description, analysis, interpretation, and evaluation. Elements such as composition, lighting, color grading, and camera movement are analyzed to understand how they enhance the audience's emotional experience. The results reveal that these visual elements are effectively utilized to create a profound emotional narrative and strengthen the audience’s connection to the conveyed message. This study provides valuable insights into how visual aesthetics can be leveraged to amplify emotional impact in music videos.
Co-Authors Akyuwen, Ardiles Ardyansyah Ardyansyah Prasetyo, Martinus Eko Tanrere, Rezki Gautama