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Melawan Kemiskinan Melalui Peningkatan Umkm di Dusun Pancuran, Desa Buluh Telang, Kecamatan Padang Tualang, Kabupaten Langkat Hasibuan, Ramsil Huda; Alparizky, M; Gultom, Amalia Nurhanisah; Adelia, Putri; Asmelia, Fithri; Margolang, Dinda Pratiwi; Naldo, Jufri
Jurnal Akuntansi Hukum dan Edukasi Vol 1, No 2 (2024): November 2024
Publisher : CV. Rayyan Dwi Bharata

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.57235/jahe.v1i2.3805

Abstract

Program pengabdian ini bertujuan untuk meningkatkan kapasitas Usaha Mikro, Kecil, dan Menengah (UMKM) di dusun pancuran, desa buluh telang, kecamatan padang tualang, kabupaten langkat. Bertujuan untuk melawan kemiskinan melalui peningkatan UMKM. Topik ini di pilih karena potensi pembuatan sabun cuci piring bisa melawan kemiskinan pada masyarakat yang kini belum di maksimalkan dalam pemasaran dan pengemasan yang efektif. Hasil dari kegiatan ini menunjukkan bahwa UMKM di dusun pancuran desa buluh telang berhasil meningkatkan kualitas produk dan memperluas pemikiran masyarakat demi pengembangan desa. Kesimpulan penting dalam program ini adalah bahwa pemanfaatan pembuatan sabun cuci piring dapat secara signifikan melawan kemiskinan serta mendukung keberlanjutan usaha UMKM di daerah tersebut.
Artikel Analisis Semiotika Roland Barthes Dalam Film "Tuhan Izinkan Aku Berdosa" Alparizky, M; Bahri, Andini Nur
Jurnal Khabar: Komunikasi dan Penyiaran Islam Vol. 7 No. 1 (2025): Juni
Publisher : STAI Bumi Silampari

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37092/khabar.v7i1.1153

Abstract

This study aims to analyze the meaning of signs in the film "Tuhan Izinkan Aku Berdosa" using Roland Barthes' semiotic approach, which includes denotation, connotation, and myth. The film was chosen because it explores themes of sin, forgiveness, and the search for identity, closely linked to social and religious values in Indonesian society. A qualitative descriptive method was used, with data collected through in-depth observation of visual elements, dialogues, and symbols within the film. The analysis results reveal that the film not only portrays individual inner conflicts when facing social and religious norms but also deconstructs social constructions of morality through rich visual symbolization. At the denotative level, the film depicts the protagonist’s journey in confronting moral dilemmas. At the connotative level, the use of colors, expressions, and settings deepens the emotional nuance of the story. Meanwhile, at the myth level, the film represents ideological struggles between religious values and individual freedom. This research concludes that "Tuhan Izinkan Aku Berdosa" serves notmerely as entertainment but also as a medium of social critique, encouraging audiencesreflect deeply on the meanings of sin, forgiveness, and personal freedom within the context of society.