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All Journal Journal Of English Literature, Linguistic, and Education (JELLE) Journal Corner of Education, Linguistics, and Literature Madani: Multidisciplinary Scientific Journal ELite Journal: International Journal of Education, Language and Literature
Kirana, Kheista Sasi
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Evelyn’s Sense of Meaninglessness in Her Existential Despair in Everything Everywhere All at Once Movie Script Kirana, Kheista Sasi; Pasopati, Rommel Utungga
Madani: Jurnal Ilmiah Multidisiplin Vol 3, No 2 (2025): March
Publisher : Penerbit Yayasan Daarul Huda Kruengmane

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5281/zenodo.14855476

Abstract

This article examines how the movie script Everything Everywhere All at Once by Daniel Kwan and Daniel Scheinert portrays one of the characteristics of existential despair: a sense of meaninglessness. A sense of meaninglessness is a situation when an individual is at a loss of meaning or feels there is no point in their existence. The movie tells the journey of Evelyn Wang, who feels helpless as she struggles to maintain her relationships, particularly with her husband and daughter, while also facing overwhelming responsibilities in her daily life. Through the lens of Søren Kierkegaard’s existential despair theory, this study analyzes how Evelyn’s experience reflects the crisis of meaning and self-identity. The research explores how her journey across multiple realities serves as a metaphor for her search for purpose and self-acceptance, ultimately questioning whether true meaning can be found amidst chaos. By applying an existentialist framework, this article aims to provide deeper insight into how Everything Everywhere All at Once illustrates the modern struggle with meaning, identity, and personal agency.
THE SUBSTANTIAL SIDES OF PURITY IN HONORE DE BALZAC’S INNOCENCE Oktavia, Salsabila Adinda; Pasopati, Rommel Utungga; Kirana, Kheista Sasi; Pangestu, Imelza Novia Rakhmadani; Riza, Dwi Ainur
ELite Journal : International Journal of Education, Language and Literature Vol. 4 No. 3 (2024): ELite Journal (Volume 4 Number 3, July 2024)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/elitejournal.v4n3.p148-157

Abstract

This article explores the matter of purity in Honore de Balzac’s flash fiction entitled Innocence. Purity refers to the idea that certain actions or behaviors are considered morally pure or impure based on societal norms and values. Innocence is a Honore de Balzac’s flash fiction that talks about innocence or a high curiosity spirit possessed by children. Through qualitative method and explorative approach, it is analyzed through this flash fiction that innocence is the main symbol of purity. Little Francis and Margot are two little pure spirits who live. They try new things. They notice a portrait of two figures, which is actually an image of Adam and Eve. However, because the children's minds have not matured enough and they have not been exposed to more knowledge, they do not recognize which one is Adam and which is Eve, because the figure does not wear clothes, therefore Little Francis and Margot are unsure which is Adam and which is Eve. The purity of the children is a direct mirror of innocence, which is the essence of Balzac's flash fiction. Children will only know some things because they are still pure. Purity is a natural aspect that all children have. In conclusion, adult people will laugh at them, but the children are still pure since they reflect their childhood matters.
Persistent Doubts and Uncertainties of Evelyn’s Despair in Everything Everywhere All at Once Movie Script Kirana, Kheista Sasi; Nurdin, Dewi Syifanaya Firdausy; Wijayanto, Bagus Pratama; Hizbullah, Akmal Dafa; Pasopati, Rommel Utungga
JELLE Vol. 6 No. 02 (2025): JOURNAL OF ENGLISH LITERATURE, LINGUISTICS, AND EDUCATION AUGUST 2025
Publisher : LPPM Universitas Pekalongan

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This article explores how the movie Everything Everywhere All at Once, written by Daniel Kwan and Daniel Scheinert, depicts existential despair through Evelyn Wang’s persistent doubts and uncertainties. As the story unfolds, Evelyn is thrown into the multiverse, where she encounters numerous versions of herself, overwhelming her with never-ending possibilities. These encounters lead her to question her choices, as well as her sense of purpose and self-worth. The ongoing uncertainty about which version of herself is “right” or “real” drives Evelyn into a state of existential despair, intensifying her feelings of hopelessness. By applying Kierkegaard’s theory of existential despair and qualitative method, this research analyzes how Evelyn’s internal conflict reflects the dread and disorientation that emerge when individuals face the uncertainty of their existence. In conclusion, through an examination of Evelyn’s perception of freedom and identity, also shaped by her doubts, the psychological and philosophical weight of uncertainty in the quest for authenticity and purpose are underscored further.
The Intricateness of Adaptation of Literature to Film in Today’s Crisscrossed World Pasopati, Rommel Utungga; Suyaji, Fransisca Irnidianis Magdalena; Kirana, Kheista Sasi; Ramadhani, Riska Dewi; Wijaya, Kusuma
Journal Corner of Education, Linguistics, and Literature Vol. 3 No. 4 (2024): May
Publisher : CV. Tripe Konsultan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54012/jcell.v3i4.282

Abstract

This paper investigates the realities of literature adaptation to film in today’s world of literary criticism. People enjoy motion pictures and compare them with its original textual Literature. By focusing on literary criticism theories, this article explains modern to postmodern aesthetic points, especially in the era of definitions in romanticism, reflectionism and its auto, empiricism until pragmatism, and the age of language beyond communication. Through those former points, the adaptation of Literature to film brings in a wider point: the world itself. The adaptation is shown to broaden concepts and interpretations among writers, directors, and also audiences. Every aspect is so active to interpret in today's crisscrossed world that meanings vary from critical and evaluation perspectives. The adaptation is not about merely fixed definitions or even market orientations but open meanings on dialogues among realities. Any measurement from Literature or film is never enough to compare adaptation to its original form since it is located between individualities and societies. In conclusion, the adaptation of Literature should indicate that dominations must be minimized by maximizing hospitality of differences.
POSEY’S VOLUNTARY AND INTENTIONAL BEHAVIORS IN MITCH ALBOM’S FOR ONE MORE DAY Ramadhani, Riska Dewi; Kirana, Kheista Sasi; Nurdin, Dewi Syifanaya Firdausy; Wijayanto, Bagus Pratama; Pasopati, Rommel Utungga
ELite Journal : International Journal of Education, Language and Literature Vol. 5 No. 4 (2025): ELite Journal (Volume 5 Number 4, October 2025)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/elitejournal.v5n4.p48-59

Abstract

This study explores the altruistic qualities of Posey, the main character in Mitch Albom’s novel For One More Day, focusing on her voluntary and intentional behaviors as expressions of altruism. Altruism is defined as selfless concern for the welfare of others, often manifested without expectation of reward. Using qualitative methods and character analysis, this study examines Posey’s acts of sacrifice, emotional support, and moral guidance, specifically in her relationship with her son, Charley Benetto. Her behaviors—from defending her son against unfair judgment to creating lasting emotional bonds—are voluntary and intentional, reflecting a deep commitment to the welfare of others. In conclusion, this study confirms that altruism in the literature can be explained by consistent and intentional actions that prioritize the needs of others over personal gain.
Co-Authors Hizbullah, Akmal Dafa Nurdin, Dewi Syifanaya Firdausy Oktavia, Salsabila Adinda Pangestu, Imelza Novia Rakhmadani Pasopati, Rommel Utungga Ramadhani, Riska Dewi Riza, Dwi Ainur Suyaji, Fransisca Irnidianis Magdalena Wijaya, Kusuma Wijayanto, Bagus Pratama