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Prasetya, Laras Shinta
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Arts Humanities

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Mitos Kecantikan Perempuan dalam Karya Seni Tiga Dimensi Prasetya, Laras Shinta; P.A, Albertus Rusputranto
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 15 No. 1 (2023)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v15i1.5393

Abstract

The creation of this Tugas Akhir Course (Final Project) departs from the writer's anxiety about people's response to women who are considered not beautiful. This is one of the impacts of beauty myths that are felt by women. On this Final Assignment the writer creates three dimensional works of art with a source of inspiration the myth of female beauty. On the creation of these three dimensional works of art, an experiment was carried out with stick glue medium. This Final Assignment departs from the visual concept and method of creation by Joris Kuipers. Kuipers creates installation art in the figurative abstractionism style. Joris Kuipers' method of creation and figurative abstractionism style the basis for the realization of these three dimensional works of art. The creation method used by Kuipers has three stages; the idea exploration stage, the initial idea development stage, and the media experiment stage. The creation of Final Assignment aims to criticize the myth of female beauty.
PATUNG KESEIMBANGAN SEBAGAI REPRESENTASI CITRA KAMPUS II ISI SURAKARTA Prasetya, Laras Shinta; Marwanto, Aries Budi
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 17 No. 1 (2025)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v17i1.7070

Abstract

Penelitian ini bertujuan untuk mengkaji makna pada Patung Keseimbangan yang menjadi penanda visual bagi Kampus II Institut Seni Indonesia (ISI) Surakarta. Fenomena banyaknya patung yang hadir untuk menghiasi ruang publik sebagai landmark, merepresentasikan citra dari pada suatu wilayah. Patung Keseimbangan, yang terletak di tengah taman melingkar pada lanskap menuju Gedung Dekanat Fakultas Seni Rupa dan Desain (FSRD), Kampus II ISI Surakarta, merupakan sebuah landmark yang membentuk citra dari kampus tersebut. Pada karya abstrak dari pematung bernama Effy Indratmo menjadi bukti bahwa sebuah patung bukan hanya sekedar menjadi elemen dekoratif ruang publik, melainkan bagian penting dalam membangun identitas dari institusi. Penelitian ini menggunakan metode kualitatif deskriptif dengan perspektif semiotika. Teori semiotika diterapkan untuk membaca tanda dan menganalisis makna, sehingga dapat mengungkap esensi patung tersebut. Hasil dari analisis menunjukkan bahwa, Patung Keseimbangan memiliki makna simbolis yang selaras dengan nilai-nilai seni, serta sejalan dengan visi di fakultas FSRD ISI Surakarta.
Mitos Kecantikan Perempuan dalam Karya Seni Tiga Dimensi Prasetya, Laras Shinta; P.A, Albertus Rusputranto
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 15 No. 1 (2023)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v15i1.5393

Abstract

The creation of this Tugas Akhir Course (Final Project) departs from the writer's anxiety about people's response to women who are considered not beautiful. This is one of the impacts of beauty myths that are felt by women. On this Final Assignment the writer creates three dimensional works of art with a source of inspiration the myth of female beauty. On the creation of these three dimensional works of art, an experiment was carried out with stick glue medium. This Final Assignment departs from the visual concept and method of creation by Joris Kuipers. Kuipers creates installation art in the figurative abstractionism style. Joris Kuipers' method of creation and figurative abstractionism style the basis for the realization of these three dimensional works of art. The creation method used by Kuipers has three stages; the idea exploration stage, the initial idea development stage, and the media experiment stage. The creation of Final Assignment aims to criticize the myth of female beauty.
Co-Authors Marwanto, Aries Budi P.A, Albertus Rusputranto