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ANGGREK SEBAGAI SUMBER IDE PENCIPTAAN MOTIF BATIK UNTUK BUSANA PENGANTIN Mia Helmi Eka Putri; Aries Budi Marwanto
Ornamen Vol 16, No 2 (2019)
Publisher : Institut Seni Indonesia Surakarta

Penciptaan karya Tugas Akhir dengan judul Anggrek Sebagai Sumber Ide Penciptaan Motif Batik Untuk Busana Pengantin bertujuan untuk mempublikasikan dua anggrek langka yang dilindungi oleh pemerintah Indonesia yakni anggrek tebu dan anggrek jamrud. Masing-masing memiliki ciri khas tersendiri. Anggrek tebu dikenal sebagai anggrek raksasa karena anggrek tersebut merupakan anggrek terbesar dari jenis anggrek lainnya. Anggrek ini disebut dengan nama tebu karena tumbuhan ini mirip dengan tebu. Anggrek jamrud dikenal dengan nama jamrud karena anggrek ini berwarna hijau pucat seperti jamrud. Jamrud adalah salah satu jenis batu berwarna hijau yang sangat berharga. Setelah itu anggrek tersebut divisualisasikan menjadi motif batik ke dalam bentuk busana pengantin. Metode yang digunakan adalah metode penciptaan meliputi pengumpulan data yang meliputi observasi dan studi pustaka, eksplorasi yang meliputi eksplorasi bentuk motif dan eksplorasi bentuk busana, perancangan yang meliputi pra desain dan desain, perwujudan, deskripsi dan presentasi. Hasil yang dicapai adalah terciptanya busana dengan motif batik anggrek tebu dan anggrek jamrud. Karya berjumlah 4 pasang busana pengantin. Adapun nama-nama motif yang diciptakan meliputi: 1. Khaalidah, 2. Warrahma, 3. Gania, dan 4. Mauhibah. Pendeskripsian dijabarkan dalam bentuk visual dan filosofi. Penciptaan busana pengantin dengan konsep anggrek tebu dan anggrek jamrud tersebut bersifat baru. Karya disajikan dengan stilasi anggrek mengutamakan kreativitas bentuk dan komposisi warna, sehingga menghasilkan karya busana batik yang bernilai estetis. Kata kunci : anggrek langka, batik

ASPEK TANGIBLE DAN INTANGIBLE KOTA SEBAGAI ASPEK PENDUKUNG PENCITRAAN KOTA SOLO Marwanto, Aries Budi
Acintya Vol. 2 No. 2 (2010)
Publisher : Institut Seni Indoensia Surakarta

The study entitled â€œIMAGE STRATEGY OF SOLO AS A CITY OF CULTUREâ€ includes excavation of a city image that is communicated through marketing efforts. Image of the city includes aspects of artifacts (tangible) and values (intangible). Excavation of the two aspects of imaging supports Solo as a City of Culture.Tangible aspects of the city of Solo is quite diverse as palaces, villages, buildings,temples, reservoirs, recreation areas, plateaus and many interesting sights to visit. Intangible cultural heritage, among others in the field - a field as follows oral traditions and expressions, including language; performing arts; social customs, rites, and celebrations - celebrations; knowledge and practices about nature and behavior of the universe; and traditional craft skills. Keywords: Strategy, image, city.

PERANCANGAN IKON WISATA BERBASIS POTENSI WILAYAH Marwanto, Aries Budi
Acintya Vol. 12 No. 1 (2020)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v12i1.3138

ABSTRAK Perancangan Ikon Wisata dilakukan di Embung “Mbah Mangun” Desa Juron, Kec. Nguter, Kab. Sukoharjo. Metode yang digunakan untuk merealisasikan rancangan dilakukan melalui metode eksplorasi, inspirasi dan elaborasi. Tahap eksplorasi meliputi pengumpulan data di lapangan, dokumentasi, kajian literatur dan wawancara. Tahap inspirasi dilakukan dalam pengembangkan gagasan atau pun konsep ide berdasarkan analisis data yang telah diperoleh. Tahap elaborasi pada kegiatan perancangan ini merupakan tahap kristalisasi ide dengan memperkuat konsep filosofi bentuk. Pada tahap ini sekaligus mempertimbangkan secara matang aspek-aspek realisasi perancangan yang berkaitan dengan tata letak ikon, material, konstruksi dan teknik perwujudan. Kata kunci: embung, ikon, wisata. ABSTRACT The design of the tourism icon is carried out in the “Mbah Mangun” Embung in Juron Village, Subdistrict Nguter, District Sukoharjo. The method used to realize the design is through exploration, inspiration and elaboration. The exploration includes data collection in the field, documentation, literature studies and interviews. Inspiration stage is carried out in developing ideas or concept of ideas based on the analysis of data that has been obtained. The elaboration stage in this design activity represents the crystallization of ideas by strengthening the concept of the philosophy of form. This stage also considers the aspects of design realization related to the layout of icons, materials, construction and embodiment techniques.Keywords: embung, icons, tour.

Eksperimentasi Penciptaan Karya Keramik Monumental Dengan Tungku Rekayasa Marwanto, Aries Budi
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 1 No. 1 (2009)
Publisher : Institut Seni Indoensia Surakarta

In the process of creating ceramic art, the size scale is a problem. When making large ceramic works, meaning the risk of failure too great. This relates well with the chemical composition of clay and the right mixture. After the drying process is also longer, but the longer the drying period is the longer the duration of the crack or rupture prone. Last is a burning issue that must use a big oven. Larger furnace is also more expensive. Some of these cons-traints which ultimately makes ceramic artists in Indonesia did not dare to experiment making great work. Complex process coupled with the limitations of the furnace equipment (oven) for high-priced, making leaps of the idea of creation of ceramic artists and Indonesia not seprogresif dyna-mic branch other art. Es-pecially in terms of its magnitude. Noted, functional ceramics produced most only 2 meters, which is in Plered West Java, while the ceramic art ever created by Dadang Chris-tanto very monu-mental in his "1000 man land". The fact is captured by the author. Article "Creation Experi-mentation Stove Works Engi-neering Ceramics Using" this merrupakan exploration of the possibility of aspects of the main raw material composition (clay structure and all materials mixed), initial combustion process, and the main thing is burning stove model development, which is inspired from the stove burning bricks. Keywords: Experimentation, Cera-mics, Sculptures Monumental, Furnace Combustion Engineering.

Studi Model Tungku Pembakaran Untuk Pembuatan Patung Keramik Monumental Marwanto, Aries Budi
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 2 No. 1 (2010)
Publisher : Institut Seni Indoensia Surakarta

In the process of creating works of ceramic art, the amount of size is a problem. When making large ceramic works, meaning the risk of failure too great. This relates very well with the chemical composition of clay and mixtures that fit. After that also the longer the drying process, whereas the longer period of drying, the longer the duration also susceptible crack or rupture. Last is the burning issue that must use a large fireplace as well. Larger furnace means also more expensive. Some of these constraints which ultimately makes ceramic artists in Indonesia do not dare to make the work of a great experiment.Complex process coupled with the limited equipment furnace (oven) because high-priced, making leaps of idea creation Indonesian ceramic artist does not as dynamic as the other branches of art. Especially in terms of its magnitude. Noted, functional ceramic wares produced at large is only 2 meters, which is in Plered West Java, while the ceramic art ever created by Dadang Christanto very monumental in his work "1000 man land".The fact is captured by the researcher. In "Burning Furnace Model Development Study for the Preparation of Ceramic Sculpture Monumental", has researched and explored various aspects of the composition of the possibility of major raw materials (clay structure and all material pencampurnya), initial combustion process, and most important is the development model of the furnace combustion . Keywords:Â ceramics, furnace, monumental ceramic sculpture.

Studi Penciptaan Batu Bata Ekspos Bermotif Lokal Marwanto, Aries Budi
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 3 No. 2 (2011)
Publisher : Institut Seni Indoensia Surakarta

The focus of this study is divided into two major parts, the first is the search for material composition mixture of clay as the main material of brick making and the second is the development of product design to conventional brick-patterned brick exposed locally. The long term goal of this research in addition to improving product variants that have a competitive national and global markets. Research design in the creation of this study is exploratory research, a process of â€œtrial and seeâ€ or controlled trial. Techniques of data collection was conducted by researchers observations (the process of making brick and clay soil sampling is used), interviews brick craftman in the district. Mojolaban (associated with a brick making technology) and literature searches (related on the clay-forming elements and some chemical elements as reinforcing material clay). Data is processed and tested in the laboratory with a ceramic combustion process, then selected a mixture of clay formula which is most suitable for making bricks. After successfully making quality bricks (strong and precision), then make the exposed brick with ornamnetal motifs develop tradition of batik motifs develop in Surakarta. Keywords : brick,ornamnet, batikÂ

'MONUMEN KREWENG' 3D ANIMATION VIDEO AS A VISUAL BRANDING STRATEGY FOR JURON TOURIST VILLAGE Marwanto, Aries Budi; Afrianto, Damar Tri; Dwi Atmaja, Nur Rahmat Ardi Chandra
Capture : Jurnal Seni Media Rekam Vol. 12 No. 2 (2021)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v12i2.3572

The development of tourist destinations in this digital era focuses on using technology to develop successful tourism recovery during the pandemic era. We use this principle to develop a tourism strategy using 3D animated videos to introduce Juron Village as a tourist village. Specifically, this study analyzes the visual strategy of a 3D animation video entitled "Monumen Kreweng" using Marty Neumeier's visual branding analysis. The findings provide insight into the animated video's visual branding strategies, including differentiation, collaboration, innovation, validation, and cultivation. The differentiation is found in the work of the Kreweng monument as the focal point of attention and local wisdom, followed by validation through the use of social media platforms to solicit consumer feedback on visual branding. Finally, the cultivation concept encourages various stakeholders to participate in realizing Juron Village's tourism branding.

PATUNG KESEIMBANGAN SEBAGAI REPRESENTASI CITRA KAMPUS II ISI SURAKARTA Prasetya, Laras Shinta; Marwanto, Aries Budi
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 17 No. 1 (2025)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v17i1.7070

Penelitian ini bertujuan untuk mengkaji makna pada Patung Keseimbangan yang menjadi penanda visual bagi Kampus II Institut Seni Indonesia (ISI) Surakarta. Fenomena banyaknya patung yang hadir untuk menghiasi ruang publik sebagai landmark, merepresentasikan citra dari pada suatu wilayah. Patung Keseimbangan, yang terletak di tengah taman melingkar pada lanskap menuju Gedung Dekanat Fakultas Seni Rupa dan Desain (FSRD), Kampus II ISI Surakarta, merupakan sebuah landmark yang membentuk citra dari kampus tersebut. Pada karya abstrak dari pematung bernama Effy Indratmo menjadi bukti bahwa sebuah patung bukan hanya sekedar menjadi elemen dekoratif ruang publik, melainkan bagian penting dalam membangun identitas dari institusi. Penelitian ini menggunakan metode kualitatif deskriptif dengan perspektif semiotika. Teori semiotika diterapkan untuk membaca tanda dan menganalisis makna, sehingga dapat mengungkap esensi patung tersebut. Hasil dari analisis menunjukkan bahwa, Patung Keseimbangan memiliki makna simbolis yang selaras dengan nilai-nilai seni, serta sejalan dengan visi di fakultas FSRD ISI Surakarta.

THE CREATION OF “REPURPOSING” CERAMIC USING ROOF TILES WASTE Marwanto, Aries Budi; Wahyudi, Johan Ies; Prasetyo, Raden Ersnathan Budi
ARTISTIC : International Journal of Creation and Innovation Vol. 3 No. 2 (2022)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v3i2.4528

There was a lot of used roof tile discovered throughout the village. However, the community did not turn it into usable items. The roof tile waste motivated us to turn it into artwork. This artistic research focused on the production of repurposing ceramic pieces utilizing roof tile waste materials. This creative study made use of the experimentation, reflection, and formation phases of Dharsono's artistic creation approach. This artistic creation process resulted in a jug of art entitled "Wanawarih." This artwork is full of symbolic expression values about the trilogy of vitality, namely forest preservation, water function maintenance, and earth manifestation

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