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The Representation of Kiai Ahmad Arrifai Kalisalak in Repen Ripangi M. Adib Misbachul Islam; Elve Oktafiyani
Insaniyat : Journal of Islam and Humanities Volume 4 Number 2, May 2020
Publisher : Faculty of Adab and Humanities, Syarif Hidayatullah State Islamic University of Jakarta.

This study aims to discuss the meaning of Repen Ripangi as a literary narrative manuscript of Adipati Panji Suryakusuma, Regent of Semarang which was then composed in the form of macapat song by Panji Jayasubrata. By placing it in the context of social and political history in Java in the nineteenth century, the text reveals the tension between the two social elites during the colonial period in a form of narrative poetry. This research used qualitative method with representation theory. The results show that the writing of Repen Ripangi in the form of narrative poetry was not merely an aesthetic expression of the author Javanese priayi, but also a means of representation which goal is the stigmatization of Kiai Ahmad Arrifai as a kiai who brings apprehension in society. In addition, another goal of the representation in Repen Ripangi was to strengthen of the penghulu as one of religious authorities in Java during the colonial period and the defense of priyai interests and their political patrons, namely the colonial government in Java.

Bride and Prejudice sebagai Film Transnasional dan Heritage Elve Oktafiyani
Buletin Al-Turas Vol 20, No 1 (2014): Buletin Al-Turas
Publisher : Fakultas Adab dan Humaniora, UIN Syarif Hidayatullah Jakarta, Indonesia

AbstrakFokus penelitian ini adalah membuktikan film Bride and Prejudice sebagai film bergenre transnasional dan heritage. Melalui proses produksi serta naratif film, ditemukan ciri-ciri film transnasional dan heritage pada Bride and Prejudice. Genre tersebut menjadi alat yang digunakan Gurinder Chadha untuk memperkenalkan India pada penonton universal, serta menjadi media penetrasi budaya India ke dunia internasional.---AbstrackThis research focuses on prooving the evidences from the Bride and Prejudice films categorized as transnational and herritage genre. Through the production proses as well as film narrative, both films having characteristics as transnational and herritage film. The genre becomes the instruments to use Gurinder Chada to introduce India to the universal viewers, and become the media to penetrating Indian culture into the world.

Pendekatan Psikoanalisis Terhadap Film Master and Commander Elve Oktafiyani
Buletin Al-Turas Vol 14, No 1 (2008): Buletin Al-Turas
Publisher : Fakultas Adab dan Humaniora, UIN Syarif Hidayatullah Jakarta, Indonesia

Movie and psychoanalysis have similar characteristic. Movie creation as an art form is the process of emerging unconscious impulse and that process is the objects in psychoanalysis. Thecharacters, all of them are male in the film Master and Commander: The Far Side of The World, havethe most primitive unconscious impulse. Those impulse then expressed in many constructive and destructive form. By applying psychoanalysis on the film, the process of conducting the unconscious impulse can be explicitly described.

Unconventional Narrative Structure and The Problem of Latency Phase in Peter Pan Novel Elve Oktafiyani; Diva Salsabila Anindita
Buletin Al-Turas Vol 28, No 2 (2022): Buletin Al-Turas
Publisher : Fakultas Adab dan Humaniora, UIN Syarif Hidayatullah Jakarta, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/bat.v28i2.23610

PurposeThis research aimed to explain the human’s latency phase through child characters in Peter Pan novel and its relation to the novel unconventional narrative structure. MethodThe research was qualitative using a descriptive case design. The novel’s intrinsic elements were analyzed to see the complexity of this children's literature that led to the analysis of the latency phase of the child characters through the make-believe play. The analysis made uses of Sigmund Freud’s concept of psychosexual personality development. Results/FindingsThis research found that the novel’s complexity came from its unconventional narrative structure such as the layered sub-plots, unique settings, and characters with complex personalities that were uncommon in children’s literature. It then led to the further analysis of the children who were processing their latency phase through their activities. Focusing on Peter as a captain and a father and Wendy as a mother, all the roles manifested their wishes and desires. ConclusionThe research concluded that the unique, inconsistent, and illogical points from the unconventional narrative structure could be explained through the analysis of the story’s issue about the latency phase, which shows complexity found despite its status as children’s literature.

Borderline Personality Disorder of Josh's Character in Sonia Mael's No Ordinary Love Novel Rohmah, Tsaniah Yaumil; Oktafiyani, Elve
Vivid: Journal of Language and Literature Vol. 12 No. 1 (2023)
Publisher : English Department, Faculty of Humanities, Andalas University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/vj.12.1.89-104.2023

This research aims to investigate the psychological conditions of Josh's character in Sonia Mael's No Ordinary Love novel through borderline personality disorder theory by John G. Gunderson. A borderline personality disorder is an intense emotional dysregulation that can affect someone's personality. The research uses a qualitative method, and the writers are the instrument themselves. In order to analyse Josh's character, the writers use the characterisation theory by Richard Gill. Besides that, the writers focus on character psychological problems with borderline personality disorder theory by John G. Gunderson, which has several concepts; signs and symptoms, causes and impacts, and its developed traits. The result of the research is that Josh's character has a distortion in his personality growth because of his childhood trauma which developed his personality and emotion in what he experienced and perceived. As an educated person, he is good at positively managing things, as his thoughts try to stay sane in living his life. However, his emotional-behavioural management is disturbed by how his experience and self-growth developed his perceptions. In addition, he has developed all nine signs and symptoms of BPD which is also added by several other traits associated with how he acted out as a high-functioning BPD type. Although he has grown up unconsciously developing it, the positive traits also remain to keep it together in himself. In sum, his behaviour is proven to be borderline personality disorder symptoms caused by the personality growth he passed since traumatic experiences in his childhood.

Muslim Youth: Prejudice and Responses in Saadia Faruqi’s Yusuf Azeem is not a Hero Teguh, Ayudya Salsabila; Zakky, Akhmad; Oktafiyani, Elve
Muslim English Literature Vol 3, No 2 (2024): Muslim English Literature
Publisher : UIN Syarif Hidayatullah Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/mel.v3i2.42640

This research aims to investigate the prejudice experienced by young Muslims in the United States and examine their responses as portrayed in Saadia Faruqi’s Yusuf Azeem is not a Hero (2021). The writers use close textual analysis in analyzing the primary text to examine the prejudice and responses portrayed by the young Muslims in the novel. In doing so, the writers employ Gordon Allport's theory of prejudice to comprehend the prejudice experienced by young Muslims and Simpson & Yinger's theory of response to prejudice to examine the responses of young Muslims. The results of the analysis reveal that young Muslim-Americans experience prejudice in various forms, which affects their social lives and shapes their identities. Their responses to this prejudice also vary, depending on the specific situation, their personal experiences, and their understanding of the 9/11 tragedy. Thus, responses were seen in the form of resistance and negotiation of their identities. This study reveals that the 9/11 tragedy significantly impacted the Muslim community, especially Muslim youth who did not experience the tragedy but being subjected to discrimination and physical violence.

Binary Oppositions in Atia Abawi’s A Land of Permanent Goodbyes Ghazali, Meka Mona; Oktafiyani, Elve
Muslim English Literature Vol 4, No 1 (2025): Muslim English Literature
Publisher : UIN Syarif Hidayatullah Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/mel.v4i1.47202

This research explores the binary opposition between the East and the West in A Land of Permanent Goodbyes and analyzes how these oppositions reinforce Edward W. Said's Orientalism. The method of the research is using a qualitative descriptive method by identifying, interpreting, and describing specific passages from the novel to examine the depiction of Muslim identity in the limited frame of Western perceptions. Said’s theory serves as the theoretical framework for this research. The findings reveal that the binary opposition between the East and the West creates stereotypes in which the East, often associated with Islam, is portrayed as inferior, while the West is depicted as superior to maintain white supremacy. This aligns with Said’s argument that Orientalist discourse creates a biased understanding of the East, positioning the West as the standard against which the East and, by extension, Islam are measured in old-fashioned ways. As a result, the narrator appears to adopt an Orientalist viewpoint, representing Islamic traditions as backward while portraying the West as a symbol of rationality and progress to maintain colonial manners. Such representations lead to a perception in which the Islamic world is seen as falling behind the West in terms of both culture and civilization. These stereotypes, rooted in Orientalism, also affect how Muslims view themselves in Western society.

A Binary Oppositions in Atia Abawi’s A Land of Permanent Goodbyes Ghazali, Meka Mona; Oktafiyani, Elve
Muslim English Literature Vol. 4 No. 1 (2025): Muslim English Literature
Publisher : UIN Syarif Hidayatullah Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/mel.v4i1.46635

This research explores the binary opposition between the East and the West in A Land of Permanent Goodbyes and analyzes how these oppositions reinforce Edward W. Said's Orientalism. The method of the research is using a qualitative descriptive method by identifying, interpreting, and describing specific passages from the novel to examine the depiction of Muslim identity in the limited frame of Western perceptions. Said’s theory serves as the theoretical framework for this research. The findings reveal that the binary opposition between the East and the West creates stereotypes in which the East, often associated with Islam, is portrayed as inferior, while the West is depicted as superior to maintain white supremacy. This aligns with Said’s argument that Orientalist discourse creates a biased understanding of the East, positioning the West as the standard against which the East and, by extension, Islam are measured in old-fashioned ways. As a result, the narrator appears to adopt an Orientalist viewpoint, representing Islamic traditions as backward while portraying the West as a symbol of rationality and progress to maintain colonial manners. Such representations lead to a perception in which the Islamic world is seen as falling behind the West in terms of both culture and civilization. These stereotypes, rooted in Orientalism, also affect how Muslims view themselves in Western society.

Muslim Youth: Prejudice and Responses in Saadia Faruqi’s Yusuf Azeem is not a Hero Teguh, Ayudya Salsabila; Zakky, Akhmad; Oktafiyani, Elve
Muslim English Literature Vol. 3 No. 2 (2024): Muslim English Literature
Publisher : UIN Syarif Hidayatullah Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/mel.v3i2.42640

This research aims to investigate the prejudice experienced by young Muslims in the United States and examine their responses as portrayed in Saadia Faruqi’s Yusuf Azeem is not a Hero (2021). The writers use close textual analysis in analyzing the primary text to examine the prejudice and responses portrayed by the young Muslims in the novel. In doing so, the writers employ Gordon Allport's theory of prejudice to comprehend the prejudice experienced by young Muslims and Simpson & Yinger's theory of response to prejudice to examine the responses of young Muslims. The results of the analysis reveal that young Muslim-Americans experience prejudice in various forms, which affects their social lives and shapes their identities. Their responses to this prejudice also vary, depending on the specific situation, their personal experiences, and their understanding of the 9/11 tragedy. Thus, responses were seen in the form of resistance and negotiation of their identities. This study reveals that the 9/11 tragedy significantly impacted the Muslim community, especially Muslim youth who did not experience the tragedy but being subjected to discrimination and physical violence.

Muslim Identity Construction in Nadine Jolie Courtney’s All-American Muslim Girl Fahira, Dhea Faridatul; Oktafiyani, Elve
Muslim English Literature Vol. 4 No. 2 (2025): Muslim English Literature
Publisher : UIN Syarif Hidayatullah Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/mel.v4i2.49574

This research examines the construction of Muslim identity in the main character of Nadine Jolie Courtney’s All-American Muslim Girl. This research used a qualitative textual analysis with a content analysis approach, focusing on how identity is represented through the character’s dialogue, actions, and internal thoughts. Data were collected by systematically coding narrative units in the novel that reveal aspects of Allie’s identity formation. The theory of character and characterization from DiYanni is used to analyze Allie’s character, while James Marcia’s four identity status framework is used to interpret the stages of identity construction. The findings reveal that Allie develops a passive American Muslim identity, shaped by her gradual learning of Islam and practice of religious rituals. Her identity’s construction follows Marcia’s stages: (1) identity diffusion, where Allie hides her Muslim identity while benefiting from her white appearance; (2) foreclosure, where she avoids Islamic practices due to family judgement; (3) moratorium, marked by exploration and confusion in her spiritual journey; and (4) identity achievement, where she embraces her muslim identity, commits to continue learning, and chooses to stand up for Muslim rather than conceal her faith.

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