Oktafiyani, Elve
Faculty Of Adab And Humanities, Islamic State University Syarif Hidayatullah Jakarta

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The Representation of Kiai Ahmad Arrifai Kalisalak in Repen Ripangi M. Adib Misbachul Islam; Elve Oktafiyani
Insaniyat : Journal of Islam and Humanities Volume 4 Number 2, May 2020
Publisher : Faculty of Adab and Humanities, Syarif Hidayatullah State Islamic University of Jakarta.

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (13760.282 KB) | DOI: 10.15408/insaniyat.v4i2.15128

Abstract

This study aims to discuss the meaning of Repen Ripangi as a literary narrative manuscript of Adipati Panji Suryakusuma, Regent of Semarang which was then composed in the form of macapat song by Panji Jayasubrata. By placing it in the context of social and political history in Java in the nineteenth century, the text reveals the tension between the two social elites during the colonial period in a form of narrative poetry. This research used qualitative method with representation theory. The results show that the writing of Repen Ripangi in the form of narrative poetry was not merely an aesthetic expression of the author Javanese priayi, but also a means of representation which goal is the stigmatization of Kiai Ahmad Arrifai as a kiai who brings apprehension in society. In addition, another goal of the representation in Repen Ripangi was to strengthen of the penghulu as one of religious authorities in Java during the colonial period and the defense of priyai interests and their political patrons, namely the colonial government in Java.
Bride and Prejudice sebagai Film Transnasional dan Heritage Elve Oktafiyani
Buletin Al-Turas Vol 20, No 1 (2014): Buletin Al-Turas
Publisher : Fakultas Adab dan Humaniora, UIN Syarif Hidayatullah Jakarta, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (726.354 KB) | DOI: 10.15408/bat.v20i1.3752

Abstract

AbstrakFokus penelitian ini adalah membuktikan film Bride and Prejudice sebagai film bergenre transnasional dan heritage. Melalui proses produksi serta naratif film, ditemukan ciri-ciri film transnasional dan heritage pada Bride and Prejudice. Genre tersebut menjadi alat yang digunakan Gurinder Chadha untuk memperkenalkan India pada penonton universal, serta menjadi media penetrasi budaya India ke dunia internasional.---AbstrackThis research focuses on prooving the evidences from the Bride and Prejudice films categorized as transnational and herritage genre. Through the production proses as well as film narrative, both films having characteristics as transnational and herritage film. The genre becomes the instruments to use Gurinder Chada to introduce India to the universal viewers, and become the media to penetrating Indian culture into the world.
Pendekatan Psikoanalisis Terhadap Film Master and Commander Elve Oktafiyani
Buletin Al-Turas Vol 14, No 1 (2008): Buletin Al-Turas
Publisher : Fakultas Adab dan Humaniora, UIN Syarif Hidayatullah Jakarta, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1244.445 KB) | DOI: 10.15408/bat.v14i1.4258

Abstract

Movie and psychoanalysis have similar characteristic. Movie creation as an art form is the process of emerging unconscious impulse and that process is the objects in psychoanalysis. Thecharacters, all of them are male in the film Master and Commander: The Far Side of The World, havethe most primitive unconscious impulse. Those impulse then expressed in many constructive and destructive form. By applying psychoanalysis on the film, the process of conducting the unconscious impulse can be explicitly described.
Unconventional Narrative Structure and The Problem of Latency Phase in Peter Pan Novel Elve Oktafiyani; Diva Salsabila Anindita
Buletin Al-Turas Vol 28, No 2 (2022): Buletin Al-Turas
Publisher : Fakultas Adab dan Humaniora, UIN Syarif Hidayatullah Jakarta, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/bat.v28i2.23610

Abstract

PurposeThis research aimed to explain the human’s latency phase through child characters in Peter Pan novel and its relation to the novel unconventional narrative structure. MethodThe research was qualitative using a descriptive case design. The novel’s intrinsic elements were analyzed to see the complexity of this children's literature that led to the analysis of the latency phase of the child characters through the make-believe play. The analysis made uses of Sigmund Freud’s concept of psychosexual personality development. Results/FindingsThis research found that the novel’s complexity came from its unconventional narrative structure such as the layered sub-plots, unique settings, and characters with complex personalities that were uncommon in children’s literature. It then led to the further analysis of the children who were processing their latency phase through their activities. Focusing on Peter as a captain and a father and Wendy as a mother, all the roles manifested their wishes and desires. ConclusionThe research concluded that the unique, inconsistent, and illogical points from the unconventional narrative structure could be explained through the analysis of the story’s issue about the latency phase, which shows complexity found despite its status as children’s literature.