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Riris Kesawamurti Anggarani
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Pembuatan Ready To Wear Fantasy The New Srikandhi Style Excotic Dramatic Menggunakan Pendekatan Semiotika Mien Zyahratil Umami; Riris Kesawamurti Anggarani
Garina Vol. 14 No. 2 (2022): Desember: Garina : Jurnal Pengembangan IPTeks Seni Kuliner, Tata Rias, dan Des
Publisher : Akademi Kesejahteraan Sosial Ibu Kartini Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69697/garina.v14i2.15

Abstract

Clothing is a cultural phenomenon that cannot be separated from the meaning of signs. It can be studied using a semiotic approach. A fantasy dress with the source of the Srikandhi puppet idea was associated with a fashion meaning. The purpose of this final project was to know the process of making ready to wear fantasy the new Srikandhi exotic dramatic style using a semiotic approach. The method used in this research was qualitative method. The data collection techniques used were observation, literature, interviews, and documentation. The process of making ready to wear fantasy, the new Srikandhi exotic dramatic style includes; determine fashion design, fashion design analysis, preparation of tools and materials, determine sizes, basic pattern making, material cutting, exhibitions, ironing of upholstery materials, process of sewing clothes, and finishing. Making ready to wear fantasy, the new Srikandhi exotic dramatic style using a semiotic approach must pay attention to various elements, such as designs, motifs, colors, and accessories so that it can be meaningful. The suggestions of this Final Project were; in making fantasy clothing should not eliminate the characteristics of the source of the idea. So that clothing can be created that matches the source of the idea.
Busana Pengantin Wanita Modifikasi Kebaya dari Indonesia dan Lehenga dari India Mien Zyahratil Umami; Riris Kesawamurti Anggarani
Garina Vol. 13 No. 1 (2021): June : Garina : Jurnal Pengembangan IPTeks Seni Kuliner, Tata Rias, dan Desain
Publisher : Akademi Kesejahteraan Sosial Ibu Kartini Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69697/garina.v13i1.56

Abstract

The bridal clothing modification kebaya and lehenga is expected to be an innovation in fashion products and can increase the variety of bridal clothing. The objectives of this study is to knowing the process of making modified bridal dress Kebaya from Indonesia and Lehenga from India. The method used in this research is the R&D method (Research and Development), literature, questionnaires, and documentation. The making of Modified Bridal Dress Kabaya and Lehenga was carried out at the Fashion Laboratory of the Fashion Design Study Program of the Kartini Academy of Social Welfare, st. Sultan Agung, No. 77 Gajah Mungkur Village, Gajah Mungkur District, Semarang City. Data analysis in this research was carried out using descriptive analysis. The result of this research is the kebaya as the superior of the lehenga which is equipped with chunri (shawl). The process of making this modified bridal dress Kabaya and Lehenga includes designing, measuring, making patterns, cutting materials, sewing material that has been patterned or cut, set the application, and finishing by sequencing the Lehenga and kebaya.
Co-Authors Mien Zyahratil Umami