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All Journal Journal of Music Science, Technology, and Industry (JOMSTI) Melodious : Journal of Music Global Art Creativity Conference
Putra, I Pt. Lukita Wiweka Nugraha
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Kuin Daren, Violiendra Calvin; Ardini, Ni Wayan; Putra, I Pt. Lukita Wiweka Nugraha
MELODIOUS : JOURNAL OF MUSIC Vol 4 No 1 (2025): Melodious : Journal of Music
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/melodious.v4i1.5107

Abstract

“Kuin” merupakan komposisi yang terinspirasi dari pengalaman empiris penggarap dalam fase perubahan diri, menjadi pribadi yang lebih baik dan positif. Karya musik Kuin akan diwujudkan dalam bagaimana proses penciptaan karya komposisi musik instrumental Kuin, bagaimana tema yang diwujudkan dalam komposisi Kuin, bagaimana relevansi makna antara musik instrumental Kuin dengan kisah yang diangkat. Tahapan penciptaan dilakukan melalui metode Alma Hawkins yakni, Eksplorasi, Improvisasi, Forming. Karya ini memiliki 6 poin (atau tema), setiap perpindahan dari poin satu ke poin lain akan menggambarkan fase-fase perubahan. 6 poin tersebut diklasifikasikan menjadi 3 tema, tema 1 yaitu kehadiran, tema 2 penolong, dan tema 3 perjalanan. Setiap perubahan yang terjadi akan diimplementasikan pada rhythm pattern, time signature, harmony, riff, teknik, dan solo dari setiap instrumen yang digunakan. Makna dari karya ini, diwakilkan oleh setiap tema. Karya  musik instrumental ini ditampilkan di gedung Candra Metu, Institut Seni Indonesia Denpasar pada tanggal 10 Januari 2024.
BOUNDLESS COLLABORATION OF VIRTUAL MUSIC IN THE DIGITAL AGE Holong, Kenan Bagas; Putra, I Pt. Lukita Wiweka Nugraha
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 4 (2024): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v4i1.510

Abstract

Virtual Music's Boundless Collaboration in the Digital Age Collaboration in Music has grown rapidly along with the advancement of digital technology, creating a new boundless space for musicians from different parts of the world. “Collaboration Without Borders: Virtual Music in the Digital Age” examines how digital platforms, music production software, and streaming technologies enable musical collaboration across geographies, cultures, and genres. Through the use of virtual musical instruments, remote recording, and cloud-based applications, musicians can now collaborate in real time by combining different sonic elements to produce more innovative and experimental works. In addition, this study also explores the impact of virtual collaboration on the music industry, including increased accessibility, utilization of global market potential, and challenges faced in terms of copyright and distribution. Virtual music collaboration provides musicians with an opportunity to express themselves more freely, share creative ideas, and access global opportunities without being hindered by physical boundaries.
PENTAGRAM: FROM COMPLEXITY TO EMOTION THROUGH SOFTWARE SEQUENCERS Yudhistira, I Gede Raditya; Putra, I Pt. Lukita Wiweka Nugraha
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 4 (2024): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v4i1.579

Abstract

Pentagram investigates the integration of technology in modern music composition, focusing on the use of software sequencers to merge human creativity with machine precision. The study highlights how these tools transform live performance by enhancing technical and expressive dimensions. The research aims to explore the roles of sequencers in Pentagram, focusing on complex pattern execution, real-time effect manipulation, expressive outcomes, and the intricate communication between the musician and the sequencer. This study employs a qualitative descriptive approach with a focus on music analysis, examining how sequencers contribute to technical precision, real-time responsiveness, and emotional storytelling in live performances. The research demonstrates that sequencers enable complex pattern execution, real-time effect manipulation, and intricate communication between the musician and the sequencer, offering new possibilities for composition and live performance. Pentagram highlights the transformative potential of sequencers in music, showcasing their ability to expand creative boundaries by combining precision, expressiveness, and innovation in live performance.
Digital Audio Workstation (DAW) sebagai Media Alternatif Penyusunan Komposisi Karawitan Bali Dinata, Komang Wahyu; Putra, I Pt. Lukita Wiweka Nugraha
Journal of Music Science, Technology, and Industry Vol. 8 No. 2 (2025)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

Purpose:Balinese karawitan is a cultural heritage characterized by its intricate musical structures and profound philosophical meanings. However, its conventional composition process, transmitted orally and through direct interaction among musicians, faces limitations in documentation, experimentation, and efficiency. This study aims to explore the potential of Digital Audio Workstations (DAWs) as an alternative medium for composing Balinese karawitan, while also examining the opportunities and challenges that arise from integrating digital technology with gamelan traditions.Method:This research employs a qualitative approach using literature study. Data were collected from academic journals, conference proceedings, and books relevant to the use of DAWs in traditional music, particularly Balinese gamelan. The analysis focused on the role of DAWs in timbral experimentation, rhythmic visualization, digital documentation, remote collaboration, and hybrid innovations, and compared these aspects with conventional practices of karawitan composition.Result and Discussion:The findings indicate that DAWs offer significant potential as tools for creative experimentation, long-term digital archiving, and cross-cultural collaboration. They also enable hybrid innovations that merge traditional gamelan instruments with modern electronic elements, thereby expanding the artistic spectrum of Balinese karawitan. Nonetheless, challenges persist, including the limited authenticity of digital sound reproduction, cultural conservatism, unequal technological literacy among traditional musicians, and intellectual property issues regarding gamelan sampling. Therefore, DAWs should be regarded as complementary rather than substitutive to conventional methods, ensuring that Balinese karawitan maintains its cultural authenticity while adapting to the dynamics of modern music technology.
Pemanfaatan MIDI dalam Rekaman dan Pertunjukan Musik Putra, I Pt. Lukita Wiweka Nugraha; Dinata, Komang Wahyu
Journal of Music Science, Technology, and Industry Vol. 8 No. 2 (2025)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

Purpose: The topic of this research is the use of MIDI in recording and musical performances in general, and in Bali in particular. This research focuses on how MIDI technology makes the process of recording and musical performances run effectively and efficiently. Method: The approach used in this research is a qualitative approach. The phenomenon of the use of MIDI in recording and musical performances is the subject of study in this research. Documentation studies were conducted by researching musical recordings and performances in Bali. The data analysis technique used is qualitative descriptive analysis, namely analyzing data that has been obtained through qualitative descriptive analysis. Result and Discussion: The recording process using MIDI will be more effective and efficient, because it allows for maximum results without requiring a lot of costs to present musical instruments such as bass, orchestra, drums, and others. Likewise, in musical performances, composers can use MIDI as an alternative to real instruments with various media such as keyboards, pads, MIDI guitars, and others. Implication: In the era of globalization, technology is a necessity, including the need for musical artists or musicians to realize their works. The realization of musical works can be done through recording and performance activities. MIDI, as a technological product, can be a solution for composers and musicians in creating musical works. MIDI can make the process of recording and performing musical works effective and efficient.
Co-Authors Daren, Violiendra Calvin Dinata, Komang Wahyu Holong, Kenan Bagas Ni Wayan Ardini, Ni Wayan Yudhistira, I Gede Raditya