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All Journal Journal of Music Science, Technology, and Industry (JOMSTI) Melodious : Journal of Music Global Art Creativity Conference
Dinata, Komang Wahyu
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Proses Penciptaan Karya Komposisi Musik Labyrinth Tamalawe, Michael; Dinata, Komang Wahyu
MELODIOUS : JOURNAL OF MUSIC Vol 4 No 1 (2025): Melodious : Journal of Music
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/melodious.v4i1.5109

Abstract

Labyrinth diangkat untuk menggambarkan perjalanan mental dan emosional yang penuh dengan kebingungan, tantangan, dan pencarian makna. Suasana dalam karya ini menggambarkan intensitas kebingungan yang semakin memuncak. Melalui pemilihan tema ini, karya ini bertujuan untuk menggambarkan kompleksitas dan pencarian makna dalam kehidupan serta pencapaian tujuan yang lebih dalam, seiring dengan perkembangan teknologi dan inovasi dalam musik elektronik. Dengan mengangkat pengolahan elemen musik elektronik dan modern yang inovatif, karya ini semakin menarik karena mampu memadukan teknologi terkini dengan kreativitas tanpa batas, menghasilkan komposisi yang kompleks, dinamis, dan penuh ekspresi dengan Penggunaan teknik-teknik canggih seperti sintesis suara, manipulasi efek, dan sampling. penggarap mengarah pada metode tahap penciptaan yang dituliskan yaitu (1) tahap eksplorasi, (2) tahap improvisasi, (3) tahap pembentukan/komposisi, (4) realisasi konsep kedalam berbagai media seni dan (5) menyelesaikan ke dalam bentuk akhir karya seni.
PROCESSING OBJECT SOUNDS, AN EXPLORATION OF SAMPLING IN DIGITAL MUSIC Wijaya, Gabrielle; Dinata, Komang Wahyu
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 4 (2024): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v4i1.508

Abstract

The practice of sampling-capturing, manipulating, and recontextualizing sounds from the physical world-has become the cornerstone of digital music production. Among the diverse ranges of sampled sounds, object sounds-auditory impressions derived from everyday items and environments-offer unique creative possibilities. This study explores the process of incorporating object sounds into digital music, examining how they can be recorded, manipulated, and transformed through various digital tools and techniques. The ability to sample objects provides musicians and sound designers with a rich palette to create unconventional textures, rhythms, and sonic landscapes. Additionally, this exploration delves into the psychological and emotional impact of object-based sounds on listeners, considering how they evoke memories, sensations, or associations. By investigating the intersection of field recording, digital processing, and music composition, this study underscores the artistic potential of object sounds in shaping the future of experimental and mainstream music production. As digital tools evolve, the role of object sounds continues to expand, thereby encouraging new forms of auditory expressions and interactivity in the music industry.
Digital Audio Workstation (DAW) sebagai Media Alternatif Penyusunan Komposisi Karawitan Bali Dinata, Komang Wahyu; Putra, I Pt. Lukita Wiweka Nugraha
Journal of Music Science, Technology, and Industry Vol. 8 No. 2 (2025)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

Purpose:Balinese karawitan is a cultural heritage characterized by its intricate musical structures and profound philosophical meanings. However, its conventional composition process, transmitted orally and through direct interaction among musicians, faces limitations in documentation, experimentation, and efficiency. This study aims to explore the potential of Digital Audio Workstations (DAWs) as an alternative medium for composing Balinese karawitan, while also examining the opportunities and challenges that arise from integrating digital technology with gamelan traditions.Method:This research employs a qualitative approach using literature study. Data were collected from academic journals, conference proceedings, and books relevant to the use of DAWs in traditional music, particularly Balinese gamelan. The analysis focused on the role of DAWs in timbral experimentation, rhythmic visualization, digital documentation, remote collaboration, and hybrid innovations, and compared these aspects with conventional practices of karawitan composition.Result and Discussion:The findings indicate that DAWs offer significant potential as tools for creative experimentation, long-term digital archiving, and cross-cultural collaboration. They also enable hybrid innovations that merge traditional gamelan instruments with modern electronic elements, thereby expanding the artistic spectrum of Balinese karawitan. Nonetheless, challenges persist, including the limited authenticity of digital sound reproduction, cultural conservatism, unequal technological literacy among traditional musicians, and intellectual property issues regarding gamelan sampling. Therefore, DAWs should be regarded as complementary rather than substitutive to conventional methods, ensuring that Balinese karawitan maintains its cultural authenticity while adapting to the dynamics of modern music technology.
Pemanfaatan MIDI dalam Rekaman dan Pertunjukan Musik Putra, I Pt. Lukita Wiweka Nugraha; Dinata, Komang Wahyu
Journal of Music Science, Technology, and Industry Vol. 8 No. 2 (2025)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

Purpose: The topic of this research is the use of MIDI in recording and musical performances in general, and in Bali in particular. This research focuses on how MIDI technology makes the process of recording and musical performances run effectively and efficiently. Method: The approach used in this research is a qualitative approach. The phenomenon of the use of MIDI in recording and musical performances is the subject of study in this research. Documentation studies were conducted by researching musical recordings and performances in Bali. The data analysis technique used is qualitative descriptive analysis, namely analyzing data that has been obtained through qualitative descriptive analysis. Result and Discussion: The recording process using MIDI will be more effective and efficient, because it allows for maximum results without requiring a lot of costs to present musical instruments such as bass, orchestra, drums, and others. Likewise, in musical performances, composers can use MIDI as an alternative to real instruments with various media such as keyboards, pads, MIDI guitars, and others. Implication: In the era of globalization, technology is a necessity, including the need for musical artists or musicians to realize their works. The realization of musical works can be done through recording and performance activities. MIDI, as a technological product, can be a solution for composers and musicians in creating musical works. MIDI can make the process of recording and performing musical works effective and efficient.
Co-Authors Ni Wayan Mudiasih Putra, I Pt. Lukita Wiweka Nugraha Suratni, Ni Wayan Tamalawe, Michael Wijaya, Gabrielle