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All Journal Melodious : Journal of Music Global Art Creativity Conference
Dinata, Komang Wahyu
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Arts Humanities Education

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Proses Penciptaan Karya Komposisi Musik Labyrinth Tamalawe, Michael; Dinata, Komang Wahyu
MELODIOUS : JOURNAL OF MUSIC Vol 4 No 1 (2025): Melodious : Journal of Music
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/melodious.v4i1.5109

Abstract

Labyrinth diangkat untuk menggambarkan perjalanan mental dan emosional yang penuh dengan kebingungan, tantangan, dan pencarian makna. Suasana dalam karya ini menggambarkan intensitas kebingungan yang semakin memuncak. Melalui pemilihan tema ini, karya ini bertujuan untuk menggambarkan kompleksitas dan pencarian makna dalam kehidupan serta pencapaian tujuan yang lebih dalam, seiring dengan perkembangan teknologi dan inovasi dalam musik elektronik. Dengan mengangkat pengolahan elemen musik elektronik dan modern yang inovatif, karya ini semakin menarik karena mampu memadukan teknologi terkini dengan kreativitas tanpa batas, menghasilkan komposisi yang kompleks, dinamis, dan penuh ekspresi dengan Penggunaan teknik-teknik canggih seperti sintesis suara, manipulasi efek, dan sampling. penggarap mengarah pada metode tahap penciptaan yang dituliskan yaitu (1) tahap eksplorasi, (2) tahap improvisasi, (3) tahap pembentukan/komposisi, (4) realisasi konsep kedalam berbagai media seni dan (5) menyelesaikan ke dalam bentuk akhir karya seni.
PROCESSING OBJECT SOUNDS, AN EXPLORATION OF SAMPLING IN DIGITAL MUSIC Wijaya, Gabrielle; Dinata, Komang Wahyu
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 4 (2024): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v4i1.508

Abstract

The practice of sampling-capturing, manipulating, and recontextualizing sounds from the physical world-has become the cornerstone of digital music production. Among the diverse ranges of sampled sounds, object sounds-auditory impressions derived from everyday items and environments-offer unique creative possibilities. This study explores the process of incorporating object sounds into digital music, examining how they can be recorded, manipulated, and transformed through various digital tools and techniques. The ability to sample objects provides musicians and sound designers with a rich palette to create unconventional textures, rhythms, and sonic landscapes. Additionally, this exploration delves into the psychological and emotional impact of object-based sounds on listeners, considering how they evoke memories, sensations, or associations. By investigating the intersection of field recording, digital processing, and music composition, this study underscores the artistic potential of object sounds in shaping the future of experimental and mainstream music production. As digital tools evolve, the role of object sounds continues to expand, thereby encouraging new forms of auditory expressions and interactivity in the music industry.
Co-Authors Ni Wayan Mudiasih Suratni, Ni Wayan Tamalawe, Michael Wijaya, Gabrielle