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All Journal Jurnal Dimensi Seni Rupa dan Desain Jurnal Pengabdian Bukit Pengharapan
Damarjati, FX
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Arts Humanities Other

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CONTENT VISUAL UNTUK SOSIAL MEDIA BERSAMA PUSAT PENGEMBANGAN ANAK (PPA) GKI SOROGENEN SURAKARTA Damarjati, FX; Faskaharianto, Kristian; Adinugroho, Suryo; Djong, Alexander Mario Retto
Jurnal Pengabdian Bukit Pengharapan Vol. 3 No. 2 (2023)
Publisher : LPPM Institut Teknologi dan Bisnis Kristen Bukit Pengarapan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61696/jurdian.v3i2.385

Abstract

The large amount of internet use and developments in digital technology today, brought significant influence on all aspects of life. Based on data from We Are Social, 60.4% of the total population in Indonesia or 167 million people are active social media users, and are dominated by young people, both the millennial generation and Z generation. according to that, of course, its require a large amount of a massive stronger visual content today. Visual content on social media is the main thing nowadays. Good social media utilizes the power of visuals to convey a message in an interesting and memorable way. in fact, for today now the campaign of Content is a king has emerged in the public, which means the extraordinary power of content. However, in fact, there are still many young people who do not understand properly how to produce and use good, quality visual content. Therefore, Organization of Pusat Pengembangan Anak (PPA) from Gereja Kristen Indonesia (GKI) Sorogenen Surakarta invites the Bukit Pengharapan Institute of Technology and Christian Business to collaboration and contribute in sharing knowledge through FGDs and counseling regarding Visual Content for Social Media to young people from PPA GKI Sorogenen. The focus of the training material is more on the basic techniques of photography and videography in creating good quality visual content. This community service activity went well without any obstacles, but to have an even greater impact on young people, the suggestion for the future is that activities like this be held with three (3) to four (4) Child Development Center partners from several churches other
RELASI SUBJEK, OBJEK, DAN NILAI PADA PENCIPTAAN KARYA FOTOGRAFI SENI NICO DHARMAJUNGEN Damarjati, FX
Jurnal Dimensi Seni Rupa dan Desain Vol. 19 No. 2 (2023): Jurnal Dimensi Seni Rupa dan Desain
Publisher : Fakultas Seni Rupa dan Desain, Universitas Trisakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25105/dim.v19i2.16454

Abstract

In the discourse of fine arts, photography is a medium for expressing the expression of its artists whose practice has been similar to other processes of art creation. Expressive photography has become more subjective than other genres such as journalistic and commercial. It is this difference that makes expression photography an interesting discourse to research from the creation process, the embodiment of the work to the presentation technique. An important element in the process of embodiment of expressive photography is the relationship between the subject, object and the value of the artist’s thoughts. The subject as a photographer/creator/artist undergoes aesthetic and artistic experiences that are heavily influenced by his own history, formal education in art schools, experience of undergoing continuous photography practice, experience of observing and seeing the development of photography both in Indonesia and western country. It is this influence that makes the subject become more mature in choosing objects so that they have value and meaning for their photography career journey as well as being wiser in choosing the stories implied in their photographic works of art. In this study, the figure of Nico darmajungen was deliberately chosen considering the criteria above in accordance with his figure. Moreover, his photography styles have brought about a change in the paradigm of photography in Indonesia. The conclusion of this study is that the aesthetic experience experienced by artists and spectators becomes a major stage before works of art are created. Aesthetic experience has stimulated the brain to create works in accordance with the artistic experience that is practiced. The stages that occur subconsciously but are always repeated in the creation of a work of art seem to be a bridge to read an artist’s creative process.Keywords: Art Photography, Nico Dharmajungen, Art Objects, Art Value, Art Subjects
Co-Authors Adinugroho, Suryo Djong, Alexander Mario Retto Faskaharianto, Kristian