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All Journal Tuturan: Jurnal Ilmu Komunikasi, Sosial dan Humaniora Filosofi: Publikasi Ilmu Komunikasi, Desain, Seni Budaya Misterius: Publikasi Ilmu Seni dan Desain Komunikasi Visual
Wiyata Wiyata
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Pengaruh Komunikasi Interpersonal pada Pilihan Destinasi Wisata Studi Kasus Film 500 Days of Summer Handya Aulia Dananjaya; Muhammad Pandu Sakha Setiawan; Mohammad Imam Al Baihaqi; Damon Pius Wiryatmoko; Trisakti Trisakti; Arsih Amalia Chandra Permata; Wiyata Wiyata
Filosofi : Publikasi Ilmu Komunikasi, Desain, Seni Budaya Vol. 2 No. 2 (2025): Mei : Filosofi : Publikasi Ilmu Komunikasi, Desain, Seni Budaya
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/filosofi.v2i2.649

Abstract

The movie 500 Days of Summer represents the complexity of interpersonal communication in romantic relationships through a multidimensional and realistic approach. This study analyzes the communication dynamics between the main characters, Tom Hansen and Summer Finn, by focusing on the misalignment of verbal and nonverbal messages that trigger ambiguity and miscommunication. In addition, this study explores the implications of the emotional dynamics in the relationship for tourist behavior, especially the phenomenon of emotional tourism as a form of escape and recovery after a breakup. This study also examines the utilization of emotional experience-based tourism as a destination marketing strategy to meet the needs of tourists in emotional transition. The results of the analysis confirm the importance of integrating an understanding of interpersonal communication and emotional dynamics in the development of tourism oriented towards affective and reflective experiences. The findings provide an academic contribution to the study of interpersonal communication and its implications in the tourism industry, particularly in designing destinations that are responsive to the psychological needs of visitors.
Studi Komunikasi Interpersonal dalam Film Penyalin Cahaya : Dinamika Trauma, Relasi Kuasa, Kepercayaan, dan Pengungkapan Kebenaran Amanda Yonnie Citagami; Assyafa Rania Putri; Destya Maharani; Reginna Quena; Arsih Amalia Chandra Permata; Wiyata Wiyata
Filosofi : Publikasi Ilmu Komunikasi, Desain, Seni Budaya Vol. 2 No. 2 (2025): Mei : Filosofi : Publikasi Ilmu Komunikasi, Desain, Seni Budaya
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/filosofi.v2i2.660

Abstract

The study aims to analyze interpersonal communication in the film Photocopier, focusing on trauma, power relations, trust, and the process of truth revelation. The film reflects a social phenomenon of sexual violence and abuse of power in a university environment. And how the protagonist copes with conflict and social pressure through interpersonal communication. This research uses a qualitative phenomenological approach and content analysis. The findings show that interpersonal communication in the film potrays the individual struggle against power dynamics, the search of support, and the articulation of truth. This study is relevant as a reflection of communication dynamics within cultural and social insitituations. In addition, this study also reflects how a sense of safety, and trust are essential factors in the tourism industry, particualry in shaping the image of destinasions that are inclusive and welcoming to all individuals.
Peran Film Dilan 1990 dalam Membangun Imajinasi Wisata Kota Bandung Melalui Interaksi Tokoh Utama Recta Yogi Widi Astutik; Tava Julia Putri; Muhammad Athoillah; Muhammad Shofaul Fahmi Priyono; Ariel Dimas Hidayatullah; Arsih Amalia Chandra Permata6; Wiyata Wiyata
Filosofi : Publikasi Ilmu Komunikasi, Desain, Seni Budaya Vol. 2 No. 2 (2025): Mei : Filosofi : Publikasi Ilmu Komunikasi, Desain, Seni Budaya
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/filosofi.v2i2.680

Abstract

This research explores the role of the film Dilan 1990 in shaping the tourism imagination of Bandung through the interaction of its main characters and the representation of urban space within the narrative. Employing a descriptive qualitative approach with semiotic analysis and cultural representation theory, the research examines how visual and narrative elements in the film influence audience perceptions of Bandung as a cultural and nostalgic tourist destination. The findings reveal that Dilan 1990 successfully reconstructs collective memory of 1990s Bandung through cultural symbols, youth communication styles, and the depiction of urban spaces such as schools, streets, and city landmarks like Gedung Merdeka and Jalan Asia Afrika. The interpersonal communication between Dilan and Milea enhances the emotional depth and appeal of these urban settings, embedding them within a romantic narrative that resonates with viewers. This representation fosters an emotional connection between the audience and the locations portrayed, contributing to the emergence of film-induced tourism. The study concludes that film can serve as an effective medium for promoting cultural tourism, while also emphasizing the importance of interpersonal communication in enhancing tourism appeal through emotional and symbolic engagement.
Dari Netflix Ke Negeri Gingseng: Komunikasi Budaya dan Pariwisata dalam Film 20th Century Girl Bella Afithreea Sari; Putri Dara Maulina; Aurahaliza Mega Narwastu; Andien Ayu Valentina Putri; Arsih Amalia Chandra Permata; Wiyata Wiyata
TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora Vol. 3 No. 2 (2025): Mei: TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora
Publisher : Institut Nalanda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47861/tuturan.v3i2.1842

Abstract

In the context of globalization, film functions as a strategic medium for cultural exchange and the reinforcement of national identity. This study investigates 20th Century Girl (2022), a South Korean film distributed by Netflix, as a vehicle for intercultural communication and film-induced tourism. Employing a descriptive qualitative method and content analysis, the paper explores how narrative nostalgia, thematic depth, and cultural representation generate emotional engagement and stimulate interest in South Korea as a travel destination. The study also highlights the pivotal role of Netflix in globalizing Korean audiovisual content and strengthening the Korean Wave (Hallyu). Findings indicate that the film not only illustrates essential Korean cultural values such as the importance of friendship, family, and school traditions but also indirectly showcases cultural tourism assets, including filming locations and local lifestyles. These insights affirm the significance of cinema as a tool of cultural diplomacy and soft power for enhancing South Korea’s image on the global stage.
Komunikasi Interpersonal dan Representasi Identitas Lokal dalam Serial When Life Gives You Tangerines: Namira Jasmine Aiswari; Alya Attalya; Vivianne Verna Yedija; Alysha Amanda Adityaputri; Arsih Amalia Chandra Permata5; Wiyata Wiyata
TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora Vol. 3 No. 2 (2025): Mei: TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora
Publisher : Institut Nalanda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47861/tuturan.v3i2.1843

Abstract

This study investigates how the Korean television series When Life Gives You Tangerines (2025) depicts the local identity of Jeju Island. The research analyzes dialogue, scenes, and visuals that portray interpersonal communication among characters and Jeju culture using a descriptive qualitative approach with content analysis. The findings show that local values can be transmitted through interpersonal communication via Jeju dialect and calm communication style. Jeju Island is portrayed as a living identity rather than merely a backdrop, the series positions Jeju as a meaningful cultural destination, landscapes and artifacts strengthen cultural identity, and the narrative emphasizes authenticity. Additionally, the series conveys messages of Korean cultural preservation through the depiction of 1950s traditions.
Analisis Dampak Penayangan Film 5 CM sebagai Media Komunikasi terhadap Sektor Pariwisata di Kawasan Gunung Semeru Devista Tria Ananda; Arsya Amala Rosyada; Eva Zahra Hayunda Abadi; Fina Rifa’Tun Nami; Alea Syafa Alfarelia; Arsih Amalia Chandra Permata; Wiyata Wiyata
TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora Vol. 3 No. 2 (2025): Mei: TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora
Publisher : Institut Nalanda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47861/tuturan.v3i2.1845

Abstract

The tourism sector is a strategic industry that plays a significant role in economic development. One of the most effective forms of tourism promotion is through film media. This study aims to examine the impact of the film 5 cm on the tourism sector in the Mount Semeru area. The research method used is descriptive qualitative with data collected through literature studies. The results indicate that the screening of the film 5 cm had a significant influence on the increase in tourist visits. Moreover, the film also affected tourists’ motivation to visit Mount Semeru. However, the surge in visitors following the film's release has led to various challenges, such as increased waste generation, pressure on environmental carrying capacity, and potential conflicts between conservation efforts and tourism activities. This study concludes that film-based promotion must be accompanied by sustainable tourism management to ensure that economic benefits do not come at the expense of environmental preservation..
Peran Komunikasi Keluarga dalam Interaksi Wisata pada Film Keluarga Cemara Naswa Fajriah; Rania Azelia Afra; Nadia Cesya Aurelia; Laudi Sinta Bela; Arsih Amalia Chandra Permata; Wiyata Wiyata
TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora Vol. 3 No. 2 (2025): Mei: TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora
Publisher : Institut Nalanda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47861/tuturan.v3i2.1847

Abstract

This study examines how verbal and nonverbal cues in the movie represent interpersonal communication among family members using a qualitative-descriptive methodology, semiotic analysis and Lasswel theory. The results show that openness, empathy, collaborative decision-making, and togetherness—all essential components of good family communication are major themes that influence the characters' ability to bounce back from both emotional and financial adversity. Abah is a crucial character who represents accountability, love, and tenacity. She also illustrates how communication may be used to fortify family ties in times of adversity. According to the study's findings, family communication is essential for settling disputes and building social support within the family in addition to preserving emotional intimacy.
Representasi Komunikasi Remaja dalam Film Dilan 1990 dan Pengaruhnya terhadap Citra Pariwisata Kota Bandung Vanadia Putri Prameswari; Beryl Athalariq Ramadhan; Nazwa Natania Maulidya; Zaskia Alya Maura Alfia; Nur Syifaa Fazilatun Nisaa; Arsih Amalia Chandra Permata; Wiyata Wiyata
TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora Vol. 3 No. 2 (2025): Mei: TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora
Publisher : Institut Nalanda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47861/tuturan.v3i2.1850

Abstract

This study explores the representation of teenage communication in the film Dilan 1990 and its impact on the image of Bandung as a tourist destination. Using a descriptive qualitative approach and open-ended questionnaires, the research analyzes patterns of interpersonal communication between characters and viewers' emotional responses. Findings reveal that Dilan’s character demonstrates a poetic, humorous, and confident communication style, while Milea exhibits a more reflective and expressive approach. The balance of verbal and nonverbal language in the film fosters emotional closeness between the audience and the characters. Additionally, the portrayal of Bandung with a romantic and nostalgic atmosphere enhances its visual appeal, shaping a positive perception of the city. Filming locations such as Milea’s House, Warung Bi Eem, and Buah Batu Street have become tourist attractions through film-induced tourism. These findings indicate that film can serve as a strategic medium in constructing destination imagery through emotional and symbolic representation.
Pengaruh Narasi dan Budaya Lokal dalam Film Ngeri-Ngeri Sedap terhadap Komunikasi Pariwisata melalui Ulasan Penonton Hasan Hasan; Hengky Dar Praguseno; Muhammad Fattah Rinjani; Nabila Putri Hendriyani; Echa Ghaissani Putri Anugerah; Nariswari Nismara Nitisara; Arsih Amalia Chandra Permata; Wiyata Wiyata
TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora Vol. 3 No. 2 (2025): Mei: TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora
Publisher : Institut Nalanda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47861/tuturan.v3i2.1853

Abstract

This research aims to analyze the representation of Batak culture in the film Missing Home by Bene Dion Rajagukguk in relation to interpersonal communication and its impact on the development of tourism in North Sumatra, particularly Bukit Holbung. The method used is a qualitative approach with in-depth analysis of questionnaire data based on audience reviews. The findings indicate that the film successfully portrays the values of custom, interpersonal communication, and the dynamics of Batak families authentically, thereby increasing public interest in visiting the filming locations. Additionally, the increase in tourist visits to Bukit Holbung following the film's screening has a positive impact on the local economy through the development of facilities and products managed by local BUMDES (village-owned enterprises). The implications of this research emphasize the importance of film media as an effective means of promoting culture and tourism, while also encouraging the preservation of traditional values in a modern context. This research is expected to serve as a reference for the development of culture-based tourism and intercultural communication in Indonesia.
Belajar Komunikasi dan empati melalui Film Jumbo dan Inovasi Promosi Wisata Indonesia melalui Industri Kreatif Siti Syawwa Himmatul Alya; Sthiti Prabawati Pranaiswari; Talenta Maharawi; Raishalika Khairunnisa A; Arsih Amalia Chandra Permata; Wiyata Wiyata
TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora Vol. 3 No. 2 (2025): Mei: TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora
Publisher : Institut Nalanda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47861/tuturan.v3i2.1868

Abstract

This research examines the Indonesian animated film “Jumbo” on how communication between individuals and empathy are displayed in the story, as well as its promotional efforts towards the tourism sector. This research aims to reveal how these elements can be optimized in a creative industry-based promotion program. The results of this study show the importance of good interpersonal communication, teaching empathy, and strategic tourism promotion innovation. Thus, this research can be a strong basis to encourage the production of creative content that effectively integrates culture and positive interpersonal communication as tourism promotion assets.
Co-Authors Airumi Qanitah Sari Alea Syafa Alfarelia Alya Attalya Alysha Amanda Adityaputri Amanda Yonnie Citagami Andien Ayu Valentina Putri Andika Saputra S Aqillah Awanissa S Ariel Dimas Hidayatullah Arsih Amalia Chandra P Arsih Amalia Chandra Permata Arsih Amalia Chandra Permata5 Arsih Amalia Chandra Permata6 Arsya Amala Rosyada Assyafa Rania Putri Aurahaliza Mega Narwastu Bella Afithreea Sari Beryl Athalariq Ramadhan Bintang Halim Triasanda Damon Pius Wiryatmoko Destya Maharani Devista Tria Ananda Dwiwin Aldikia W Echa Ghaissani Putri Anugerah Eva Zahra Hayunda Abadi Fellah Dahayu R Fina Rifa’Tun Nami Handya Aulia Dananjaya Hasan Hasan Hengky Dar Praguseno Hira Choir Robbani Laudi Sinta Bela Maulana Raya Rizky Mohammad Imam Al Baihaqi Muhammad Afzaal Parvez Muhammad Athoillah, Muhammad Muhammad Fattah Rinjani Muhammad Pandu Sakha Setiawan Muhammad Shofaul Fahmi Priyono Muhtalifan Rizki A Nabila Putri Hendriyani Nadia Cesya Aurelia Nadiatus Sholihah Namira Jasmine Aiswari Nariswari Nismara Nitisara Naswa Fajriah Nazwa Natania Maulidya Nur Syifaa Fazilatun Nisaa Putri Dara Maulina Raishalika Khairunnisa A Rania Azelia Afra Rava Putra Suyono Recta Yogi Widi Astutik Reginna Quena Shella Fadhilah Siti Syawwa Himmatul Alya Sthiti Prabawati Pranaiswari Talenta Maharawi Tava Julia Putri Trisakti Trisakti Vanadia Putri Prameswari Vania Anindya Cahyono Putri Vivianne Verna Yedija Zaskia Alya Maura Alfia