Wiyata Wiyata
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Kupas Tuntas Keterkaitan Film Jumbo dengan Komunikasi Interpersonal dan Peningkatan Kunjungan Bioskop Vania Anindya Cahyono Putri; Muhammad Afzaal Parvez; Maulana Raya Rizky; Hira Choir Robbani; Nadiatus Sholihah; Arsih Amalia Chandra Permata; Wiyata Wiyata
TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora Vol. 3 No. 2 (2025): Mei: TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora
Publisher : Institut Nalanda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47861/tuturan.v3i2.1877

Abstract

This study aims to examine the relationship between the animated film Jumbo and interpersonal communication and its influence on increasing cinema visits in Indonesia. The Jumbo film raises the themes of friendship, bullying, courage, and adverse childhood experiences (ACEs). This is considered capable of building strong emotional resonance with the audience and increasing the audience's visits to the cinema as a place to watch. Through a descriptive qualitative approach with the content analysis method, the researcher examined the visual elements, dialogue, and storyline in the film. The results of the study show that the Jumbo film effectively represents interpersonal communication theory, such as symbolic interactionism and the concept of self-reflection that encourage empathy and shape the audience's self-perception and sociality. In addition, the visualization of the amusement park in the film triggers feelings of nostalgia as a tourism motivation with the support of digital marketing strategies and electronic word of mouth (eWOM) which have an impact on the spike in visits to the cinema. Jumbo is not only an entertainment medium, but also an effective cultural and tourism promotion tool. Thus, Jumbo proves that local animated works can shape cultural narratives and increase tourism motivation.
Peran Komunikasi Interpersonal dan Representasi Budaya Lokal dalam Menumbuhkan Minat Wisata melalui Film “Agak Laen” Andika Saputra S; Aqillah Awanissa S; Fellah Dahayu R; Dwiwin Aldikia W; Muhtalifan Rizki A; Arsih Amalia Chandra P; Wiyata Wiyata
TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora Vol. 3 No. 2 (2025): Mei: TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora
Publisher : Institut Nalanda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47861/tuturan.v3i2.1879

Abstract

Film, as part of the creative industry, plays an important role in tourism promotion by presenting local cultural narratives in an engaging way. This study aims to analyze how the film Agak Laen (2024), which highlights Indonesian local cultural elements, can generate tourism interest through interpersonal communication between characters and authentic cultural representation. Using a qualitative approach with a literature study method, this research finds that the use of regional languages, visual symbols, and social interactions typical of local communities contribute to shaping the audience's perception of a tourist destination. Moreover, the interpersonal dynamics between characters strengthen social solidarity and create emotional attachment with the audience. The findings indicate that film can serve as a strategic medium for destination branding and cultural identity reinforcement.
Komunikasi Interpersonal dan Representasi Emosi dalam Film Avengers: Endgame (2019): Studi Kasus Dinamika Tokoh dan Implikasi terhadap Wisata Populer Airumi Qanitah Sari; Shella Fadhilah; Bintang Halim Triasanda; Rava Putra Suyono; Arsih Amalia Chandra Permata; Wiyata Wiyata
TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora Vol. 3 No. 2 (2025): Mei: TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora
Publisher : Institut Nalanda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47861/tuturan.v3i2.1880

Abstract

This research discusses interpersonal communication and emotional representation in the film Avengers: Endgame (2019), focusing on how the dynamics between the main characters shape emotional resonance that influences the audience's tourism behavior. The background of this study departs from the phenomenon of film-induced tourism, where the emotional attachment of the audience to fictional characters and locations triggers the desire to visit the actual filming locations of the film. The aim of the research is to identify forms of interpersonal communication in films and to examine their implications for tourist interest in filming locations. With a descriptive qualitative approach and the Stimulus–Organism–Response (S–O–R) model analysis, data were collected through scene observation and media documentation. The results show that verbal and nonverbal communication in the form of expressions of loss, empathy, social support, and sacrifice build a strong emotional bond with the audience. This elicits a tangible response in the form of tourist visits to locations such as Stark Cabin and St Abbs. This research concludes that interpersonal communication in films not only strengthens the narrative but also serves as an affective bridge that shapes the image of the destination. These findings have implications for cinema-based tourism promotion strategies and the use of emotional narratives in the creative industry.
Studi Komunikasi Interpersonal dalam Film Penyalin Cahaya : Dinamika Trauma, Relasi Kuasa, Kepercayaan, dan Pengungkapan Kebenaran Assyafa Rania Putri; Amanda Yonnie Citagami; Destya Maharani; Reginna Quena; Arsih Amalia Chandra Permata; Wiyata Wiyata
Misterius : Publikasi Ilmu Seni dan Desain Komunikasi Visual. Vol. 2 No. 2 (2025): Juni : Misterius : Publikasi Ilmu Seni dan Desain Komunikasi Visual
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/misterius.v2i2.647

Abstract

The study aims to analyze interpersonal communication in the film Photocopier, focusing on trauma, power relations, trust, and the process of truth revelation. The film reflects a social phenomenon of sexual violence and abuse of power in a university environment. And how the protagonist copes with conflict and social pressure through interpersonal communication. This research uses a qualitative phenomenological approach and content analysis. The findings show that interpersonal communication in the film potrays the individual struggle against power dynamics, the search of support, and the articulation of truth. This study is relevant as a reflection of communication dynamics within cultural and social insitituations. In addition, this study also reflects how a sense of safety, and trust are essential factors in the tourism industry, particualry in shaping the image of destinasions that are inclusive and welcoming to all individuals