Garuda - Garba Rujukan Digital

Influential The Dynamics of Religiosity of Online Game Players Mobile Legends: Bang Bang in Kudus Fanani, Ahmad Farid
Asketik: Jurnal Agama dan Perubahan Sosial Vol. 9 No. 1 (2025): Asketik: Jurnal Agama dan Perubahan Sosial
Publisher : Prodi Sosiologi Agama

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30762/asketik.v9i1.1539

Initially, online games were engaged solely to occupy leisure time or for pure entertainment. However, contemporary evidence suggests that online games have become an integral facet of many individuals' lives, particularly among adolescents. Mobile Legends: Bang Bang has emerged as one of the most downloaded games and boasts the highest number of monthly active users in Indonesia. This study aims to examine the impact of online games on the religiosity levels of adolescents. Utilizing an explanation quantitative approach, this article utilizes statistical methods to explore the relationship between online game engagement and religiosity among adolescents. The study's participants were adolescents aged 16 to 18 years from Kudus. Surveys were distributed to collect data, and the statistical analysis was conducted using SPSS 23 for Windows software. The results indicated a statistically significant relationship between the engagements with the mobile game Mobile Legends: Bang Bang and the religiosity of adolescents. This association was further confirmed by the statistical test, which yielded a value of tcount (4.296) greater than the tabulated tvalue (2.000) at a significance level of 0.000 <0.005. This finding suggests a signifikan impact of mobile legends: bang bang on the religiosity levels of adolescents, with a percentage level of 29.1%.

Tekotok’s Digital Satire and Public Sentiment in Response to the Realities of Work in Indonesia Fanani, Ahmad Farid
Jurnal Politik Vol. 11, No. 1
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Inequities within Indonesia's labor system remain a prominent issue, particularly in terms of fair access and protection for all segments of the workforce. As digital media continues to evolve, critiques of labor policy are increasingly expressed through new mediums, including satirical animations. This study aims to explore how the satirical animated videos from the YouTube channel Tekotok represent critiques of labor policy using Critical Discourse Analysis (CDA) and public sentiment analysis. A mixed-methods approach is employed, combining Fairclough’s three-dimensional model for narrative analysis with the IndoBERT model to classify sentiment in 875 YouTube comments. The results demonstrate that Tekotok’s animations effectively highlight issues such as age discrimination, unrealistic recruitment criteria, and weak worker protections. Audience responses were predominantly positive, indicating the animation’s success in conveying socially relevant critique. These findings confirm that digital animation has the potential to be a powerful and participatory medium for public criticism of employment policies in the digital era.

Moral Character and Virtue in Anime: An Aristotelian Reading of Wind Breaker Season 2 Episode 10 Fanani, Ahmad Farid
Asian Journal of Media and Communication Vol. 9 No. 2 (2025): Volume 9, Number 2, 2025
Publisher : Department of Communications, Universitas Islam Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20885/asjmc.vol9.iss2.art3

The rise of social apathy in modern society reflects a deeper moral disconnection that calls for renewed ways of engaging with ethical reflection. This study examines how Wind Breaker Anime Season 2 Episode 10 represents Aristotelian virtue ethics as a narrative form of moral imagination within popular culture. Rather than assessing audience impact, this study highlights the representational potential of anime as a medium that recontextualizes classical virtue ethics within modern moral discourse. Employing a qualitative content analysis, the research explores how arete (moral excellence), phronesis (practical wisdom), and eudaimonia (flourishing) are expressed through the characters’ actions and emotional transformations, particularly those of Suzurin. The episode’s portrayal of apology, empathy, forgiveness, and self-acceptance reflects Aristotle’s doctrine of the golden mean and the process of moral habituation, while collective support and the granting of second chances manifest justice and friendship (philia) in a social context. The findings suggest that Wind Breaker articulates the moral possibilities of virtue ethics within contemporary youth narratives, illustrating how classical ethical concepts can be reinterpreted through visual storytelling.

Epistemological Anarchism and Methodological Pluralism: Reassessing Paul Feyerabend’s Thought in Relation to Islamic Ijtihad Efendi, Rifat Syauqi; Fanani, Ahmad Farid; Ramananda, Vici; Pradipta, Raihan
Islamic Thought Review Vol. 3 No. 2 (2025): December 2025
Publisher : Universitas Islam Negeri Sjech M. Djamil Djambek Bukittinggi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30983/itr.v3i2.10348

This study aims to critically examine the relevance of Paul Feyerabend’s epistemological anarchism to the Islamic tradition of ijtihad, particularly in addressing methodological rigidity within contemporary Islamic scholarship. The increasing dominance of singular methodological frameworks in Islamic studies has contributed to epistemic stagnation and limited interpretive creativity. Employing a qualitative research design based on library research, this study analyzes Feyerabend’s major philosophical works alongside classical and contemporary Islamic epistemological sources. Using descriptive and comparative methods, the analysis explores conceptual convergences between Feyerabend’s critique of methodological absolutism—encapsulated in his principle of “anything goes”—and the inherently pluralistic nature of ijtihad as practiced by classical Muslim jurists. The findings demonstrate that both frameworks emphasize intellectual freedom, contextual reasoning, and the legitimacy of diverse methodological approaches in the pursuit of knowledge and truth. Rather than advocating epistemic relativism, the integration of Feyerabend’s insights with Islamic epistemology offers a model of methodological openness grounded in ethical responsibility and revelatory norms. This study argues that such an epistemological synthesis can contribute to the revitalization of ijtihad by promoting an inclusive, adaptive, and context-sensitive paradigm of Islamic knowledge production, capable of engaging constructively with modern scientific rationality while remaining faithful to the normative foundations of Islamic thought.

Moral Character and Virtue in Anime: An Aristotelian Reading of Wind Breaker Season 2 Episode 10 Fanani, Ahmad Farid
Asian Journal of Media and Communication Vol. 9 No. 2 (2025): Volume 9, Number 2, 2025
Publisher : Department of Communications, Universitas Islam Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20885/asjmc.vol9.iss2.art3

The rise of social apathy in modern society reflects a deeper moral disconnection that calls for renewed ways of engaging with ethical reflection. This study examines how Wind Breaker Anime Season 2 Episode 10 represents Aristotelian virtue ethics as a narrative form of moral imagination within popular culture. Rather than assessing audience impact, this study highlights the representational potential of anime as a medium that recontextualizes classical virtue ethics within modern moral discourse. Employing a qualitative content analysis, the research explores how arete (moral excellence), phronesis (practical wisdom), and eudaimonia (flourishing) are expressed through the characters’ actions and emotional transformations, particularly those of Suzurin. The episode’s portrayal of apology, empathy, forgiveness, and self-acceptance reflects Aristotle’s doctrine of the golden mean and the process of moral habituation, while collective support and the granting of second chances manifest justice and friendship (philia) in a social context. The findings suggest that Wind Breaker articulates the moral possibilities of virtue ethics within contemporary youth narratives, illustrating how classical ethical concepts can be reinterpreted through visual storytelling.

The relevance of the ternak uang financial strategy to the principles of maqāṣid al-sharī‘ah and al-ghazali’s ethics of wealth Fanani, Ahmad Farid; Annuha, Ahmad Nabil; Pratama, Muhammad Yusuf
Indonesian Journal of Islamic Economics Research Vol. 7 No. 1 (2025)
Publisher : Faculty of Islamic Economics and Business UIN Salatiga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18326/ijier.v7i1.4764

Timothy Ronald’s Tangga Ternak Uang has gained widespread attention among young Indonesian Muslims as a practical and accessible step-by-step financial guide. This study aims to examine how Islamic principles are reflected in each of the strategy’s seven stages through the lens of maqāṣid al-sharī‘ah and Al-Ghazali’s thought. Using a qualitative method, this research draws upon content analysis of video materials and relevant classical and contemporary literature. The findings show that every stage from saving and debt repayment to long-term investment and philanthropy embodies the value of wealth protection (ḥifẓ al-māl), moral responsibility, and barakah-oriented behavior. The strategy resonates with Al-Ghazali’s emphasis on spiritual ethics, risk anticipation, and wealth as a means for societal welfare. Nonetheless, the model has yet to be empirically tested in the context of user behavior or socio-economic impact. This study contributes to the development of Islamic financial literacy models rooted in maqāṣid-based ethical frameworks.

Gender Performativity in Wind Breaker Anime and Indonesian Audience Response Fanani, Ahmad Farid; Rifat Syauqi Efendi; Fiko Savero; Teguh Iswahyudi
Yinyang: Jurnal Studi Islam Gender dan Anak Vol. 21 No. 1 (2026)
Publisher : Pusat Studi Gender dan Anak (PSGA) IAIN Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24090/yinyang.v21i1.15296

In societies where social norms are still largely based on traditional gender dichotomies, non-conventional gender expressions frequently encounter rejection and stigmatization, a phenomenon observed in both real life and popular media, including anime. This study employs Roland Barthes' semiotic approach to analyze Tsubaki's character in the anime Wind Breaker, aiming to uncover the denotative and connotative meanings of the gender symbols displayed. By focusing on visual elements such as lipstick, feminine clothing, gestures, and dialogue, the research investigates how these signs construct a narrative about gender identity that is fluid and performativity. Findings reveal that Tsubaki's representation acts as a form of counter-hegemonic discourse, challenging binary gender schemes and fostering a more inclusive interpretation of identity. However, the Indonesian audience's non-acceptance of non-conventional gender expressions in Wind Breaker indicates resistance to content perceived as deviating from local values. This research not only underscores anime's potential as a medium for social critique but also promotes discussion on the crucial need for more diverse and humane gender representation in the global media landscape.

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