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All Journal Journal of Science and Education (JSE) ATHENA: Journal of Social Culture and Society Salus Publica
Abdul Jalil Hermawan
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Humanities Automotive Engineering Chemical Engineering, Chemistry & Bioengineering Civil Engineering, Building, Construction & Architecture Computer Science & IT Education Engineering Languange, Linguistic, Communication & Media Mathematics Physics Public Health Social Sciences Other

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Convergence of Radar Cirebon's Journalistic Works from Print Media to Digital Platforms Alpin Ashary Muzhaffar; Chairul Ardiansyah; Ibnu Hiban Gymnastiar; Nurfalah, Farida; Abdul Jalil Hermawan
Athena: Journal of Social, Culture and Society Vol. 3 No. 3 (2025): July 2025
Publisher : CV. Media Digital Publikasi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58905/athena.v3i3.431

Abstract

Media convergence is the integration of various platforms in the presentation of information that has become a phenomenon of the journalism industry. This research aims to analyze media convergence in improving the quality of journalistic work and the journalism industry's interpretation of media convergence. With a focus on changes in readers' content consumption habits. This research uses a qualitative approach. This data collection technique uses observation, interviews using purposive sampling techniques, and written document analysis. The unit of analysis of this research involved the general manager and journalists of Radar Cirebon as well as 3 students as news readers. The results showed that Radar Cirebon has implemented media convergence as a response to technological developments and changes in reader consumption patterns that want fast access to news and various formats. However, some aspects of convergence such as information presentation and ad bundling tactics still need to be optimized. The conclusion of this study confirms that although all dimensions of convergence have been implemented, evaluation and training of competent human resources are needed to improve the quality of journalistic works on various platforms of Radar Cirebon
The Role of Food Vlogger @Gilangaditja in Encouraging Consumers to Buy Products Muhammad Septian Nurrizal; M. Aurel Saputra Yudha; Farida Nurfalah; Abdul Jalil Hermawan
Salus Publica: Journal of Community Service Vol. 3 No. 2 (2025): August 2025
Publisher : CV. Media Digital Publikasi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58905/saluspublica.v3i2.450

Abstract

The development of digital technology and the popularity of video sharing platforms such as YouTube, TikTok, and Instagram have encouraged the emergence of food vloggers as influential figures in the culinary world. This study aims to analyze the role of food vlogger @gilangaditja to invite consumers to buy products on the Instagram platform, especially in the Cirebon area. Using a case study-based qualitative approach, data was collected through observation of Instagram content and analyzed by applying the theory of source credibility proposed by Hovland, Janis, and Kelley, as well as the theory of content marketing and consumer behavior. The research revealed that @gilangaditja succeeded in building an image through competence, trustworthiness, and personal appeal. The content produced is informative, interesting, and emotional, thus creating a strong persuasive influence on the audience. The high level of intensive interaction and testimonials from followers shows that food vloggers can act as significant content creators to encourage consumers to buy products. These findings suggest that culinary industry players can utilize collaboration with food vloggers as an important element in an effective digital marketing strategy.
Construction of The Meaning of The Song Lyrics: Exile's Taylor Swift Feat Bon Iver Analysis Roland Barthes' Semiotics Reva Shabirah Afra; Farida Nur Falah; Abdul Jalil Hermawan
Journal of Science and Education (JSE) Vol. 6 No. 2 (2026): Journal of Science and Education (JSE)
Publisher : CV. Media Digital Publikasi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58905/jse.v6i2.784

Abstract

Songs serve not only as entertainment but also as a medium of communication that represents human emotional and social experiences. One song that reflects these dynamics is Taylor Swift's "Exile" featuring Bon Iver, which depicts emotional conflict and communication failure in romantic relationships. This study aims to analyze the construction of meaning in the lyrics of the song "Exile" using Roland Barthes' semiotic approach. The research method used is qualitative with text analysis techniques of observation, documentation, and interviews with song listeners. The main data in the form of song lyrics are analyzed through three layers of meaning: denotative, connotative, and myth. The results show that the lyrics of "Exile" construct the meaning of emotional alienation through signs, dialogue between characters, and the use of symbolic metaphors. At the denotative level, the lyrics depict separation and conflict between two individuals. At the connotative level, these lyrics represent emotional exhaustion, inner distance, and failure of interpersonal communication. Meanwhile, at the myth level, this song reflects the cultural view of romantic relationships trapped in a cycle of conflict due to a lack of empathy and emotional communication. This study concludes that Roland Barthes' semiotics is relevant for understanding song lyrics as cultural texts that represent the emotional reality of modern society.
Personal Identity and Image Management A Dramaturgical Study of Anime Cosplayers in Cirebon Zakiya Ashari Julianti; Abdul Jalil Hermawan
Journal of Science and Education (JSE) Vol. 6 No. 2 (2026): Journal of Science and Education (JSE)
Publisher : CV. Media Digital Publikasi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58905/jse.v6i2.788

Abstract

In social life, individuals inevitably have both a public and private side, the same is true for anime cosplayers in Cirebon. Cosplay is understood as a performative practice of portraying characters from anime, manga, and video games to recreate those characters identities within social spaces. The practice of anime cosplay in Cirebon understood not merely as hobby, but as medium for self-expression and development personal identity. This study was conducted using descriptive qualitative research method with inductive approach to anime cosplayers in Cirebon based on dramaturgy theory Erving Goffman, 1959 [1]. Data collected through in-depth interviews with cosplayers in Cirebon, EO of Japanese events, and professional Japanese cosplayer. This study aims to analyze how and why anime cosplayers in Cirebon manage their public image by separating their identities between front stage and backstage dramaturgical perspective, amidst negative social stigma of cosplay. The results of this study show that majority of cosplayers in Cirebon separate their identities between cosplay and their realife. This study contributes theoretically dramaturgical studies, particularly in anime cosplayers context that under-researched and helps public to understand that cosplay should not be automatically viewed as negative stigma but rather as form of creative self-expression in social life.
Co-Authors Alpin Ashary Muzhaffar Chairul Ardiansyah Farida Nur Falah Farida Nurfalah Farida Nurfalah, Farida Ibnu Hiban Gymnastiar M. Aurel Saputra Yudha Muhammad Septian Nurrizal Reva Shabirah Afra Zakiya Ashari Julianti