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All Journal Pendas : Jurnah Ilmiah Pendidikan Dasar JURNAL MULTIDISIPLIN ILMU AKADEMIK Abstrak: Jurnal Kajian Ilmu Seni, Media dan Desain
Eva Riyanti
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Religion Arts Humanities Law, Crime, Criminology & Criminal Justice Medicine & Pharmacology Social Sciences Other

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Koreografi Tari Piring Gelas Di Sanggar Kupek Beghaes Siska Ayumi; Eva Riyanti; Suherni Suherni
JURNAL MULTIDISIPLIN ILMU AKADEMIK Vol. 2 No. 4 (2025): Agustus
Publisher : CV. KAMPUS AKADEMIK PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61722/jmia.v2i4.5296

Abstract

This research discusses the choreography of Piring Gelas Dance which developed in Sanggar Kupek Beghaes, North Musi Rawas Regency, South Sumatra Province. This dance is a traditional performance art that depicts the courage and determination of Musi Rawas women in maintaining religious and cultural values through the attraction of walking on a pile of plates and glasses. This research uses descriptive qualitative method with observation, interview, and documentation techniques. The results showed that the choreography of Glass Plate Dance consists of nine main elements: dancers, movements, music, costumes and makeup, floor patterns, performance venues, properties, lighting, and performance techniques. The main dancer must be a girl called dehe, and accompanied by two dayang dancers who are in charge of arranging a pyramid of plates and glasses. Core movements include greetings, glances, turns, transitions, and climbing the plate. The technique of walking on the plate pyramid requires great balance and poise. The main property is 16 glass plates and 6 glasses arranged into a two-level pyramid. This dance is performed in open and closed spaces and holds a deep philosophy of patience, precision, and female elegance. This research emphasizes the importance of preserving traditional dance as a local cultural heritage that is full of educational and aesthetic values.
Bentuk Penyajian Tari Babuai Duduak di Kampung Laban Salido Kecamatan IV Jurai Kabupaten Pesisir Selatan Sumatera Barat Silvi Oktari Aska; Adriana Gusti; Eva Riyanti
Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain Vol. 1 No. 5 (2024): September : Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/abstrak.v1i5.265

Abstract

This journal examines the presentation form of Babuai Duduak dance in Laban Salido Village, IV Jurai District, Pesisir Selatan Regency, West Sumatra. This research uses a qualitative method that is descriptive analysis. The theory used is the theory of form proposed by Sal Murgiyanto. The results of the study show that Babuai Duduak dance has three basic elements, namely the performers, the audience and the content conveyed. The presentation form of Babuai Duduak dance has dance elements, namely dancers, movements, music, makeup, costumes, property, floor patterns and performance venues.
EKSISTENSI SANGGAR SEKINTANG DAYO DALAM SENI PERTUNJUKAN DI SUNGAI KAMBANG KOTA JAMBI Henvi Ginia Putri; Anak Agung Istri Agung Citrawati; Hardi; Eva Riyanti
Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 11 No. 02 (2026): Volume 11 No. 2, Juni 2026 Release
Publisher : Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/jp.v11i02.54745

Abstract

This research discusses the existence of Sanggar Sekintang Dayo in performing arts at Sungai Kambang, Jambi City. The purpose of this study is to determine the continuity of Sanggar Sekintang Dayo’s artistic activities in performing arts, as well as the supporting and inhibiting factors that influence its existence. This research used a qualitative method with a descriptive approach. Data collection techniques were carried out through observation, interviews, and documentation involving the leader of the studio, trainers, members, and the surrounding community. The results of the study show that the existence of Sanggar Sekintang Dayo can still be seen through routine training activities, involvement in various art performances, and participation in cultural events. The studio also utilizes social media as a means of introducing its activities and performances to the wider community. Supporting factors for the studio’s existence include community support, the role of leaders and trainers, and the interest of the younger generation in dance arts. Meanwhile, the inhibiting factors are limited facilities and funding in supporting the studio’s activities.
Co-Authors Adriana Gusti Anak Agung Istri Agung Citrawati Hardi Henvi Ginia Putri Silvi Oktari Aska Siska Ayumi Suherni Suherni