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The Analysis of Code-Mixing in Comments on Instagram Post by Hyundai Motors Indonesia Muhammad Akmal Lukman Hanafi; Otong Setiawan Djauharie
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 1 No. 4 (2025): JULI (Edisi Spesial)
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/zaagce59

Abstract

This study describes the existence of code-mixing in comments on Hyundai Motors Indonesia's Instagram posts. Code-mixing between Indonesian and English now commonly found among social media users. This study aims to analyze the form and function of code-mixing in the comments section of the All New Hyundai Palisade teaser video reels post on Hyundai Motors Indonesia's Instagram account. Data was collected from comments published from May 30 to June 1, 2025. The results of the study show that the form of code-mixing used generally involves the insertion of English words or phrases into Indonesian sentences. The use of code-mixing is influenced by various factors such as age, educational background, foreign language proficiency, and the context of the content displayed by the Hyundai Motors Indonesia account. The functions of code-mixing found in the comments include emphasizing meaning, clarifying information, expressing emotions, and creating a modern impression.
An Analysis of Figurative Language in the Poem Mirror by Sylvia Plath Rahma, Awaliyah Silvia; Otong Setiawan Djauharie; Andang Saehu
Sintaksis : Publikasi Para ahli Bahasa dan Sastra Inggris Vol. 3 No. 4 (2025): Juli: Sintaksis : Publikasi Para ahli Bahasa dan Sastra Inggris
Publisher : Asosiasi Periset Bahasa Sastra Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61132/sintaksis.v3i4.1926

Abstract

This research explores how figurative language shapes the depth of emotion and psychology in the poem Mirror by Sylvia Plath. Through a qualitative method with a literature study approach, this research aims to identify the types of figures of speech used and explain how these elements convey the lyricist's inner conflicts related to identity, aging, and self-perception. The analysis shows that Plath consciously uses personification, metaphor, simile, and symbolism to build a reflective and emotionally charged atmosphere. The mirror in this poem is not just an inanimate object, but is present as a conscious observer who speaks, judges, and becomes a silent witness to the aging process and identity crisis of the female character. Through metaphorical and symbolic imagery, the mirror transforms into an inner lake-space that reflects the search for self. The poem closes with an evocative simile, describing the deep fear of realizing one's fading youth. This study shows that Plath's use of similes is not only to embellish the poem, but as an important channel to express fears and emotional vulnerabilities that are often difficult to verbalize. The findings are expected to enrich literary discussions on how poetic language can reveal the complexity of human experience with clarity and intensity.