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All Journal VisArt: Jurnal Seni Rupa dan Design
Wisnu Prastawa
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Arts Humanities Education Environmental Science Social Sciences

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Deformasi Ayam Bangkok Sebagai Ide Penciptaan Karya Kayu Rendy Syah Putra; Wisnu Prastawa
VisArt: Jurnal Seni Rupa dan Design Vol. 3 No. 1 (2025): VisART : Jurnal Seni Rupa & Desain
Publisher : Penerbit dan Percetakan, CV. Picmotiv

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61930/visart.v3i1.1181

Abstract

This work raises the Deformation of Bangkok Chicken as an Idea for Creating Wood Works. The specialty of Bangkok chicken has the potential to be used as an idea for creating wood works, the meaning and philosophy of Bangkok chicken as the basis for the concept that will be realized in the creation. The process of creating this work is carried out through three main stages, namely exploration, design, and embodiment. The exploration stage is carried out by directly observing the characteristics of Bangkok chicken as the main object in making this work, then at the design stage the ideas and concepts that have been obtained are poured into several alternative sketches. From the sketches that have been made, they will then be selected to be used as designs that will be realized into works of art. Furthermore, the embodiment stage will start from the selected design and use surian wood as the main medium, the technique that will be used is medium relief carving (mezzo relief). While the finishing process will be carried out by applying print ink which will then be coated using clear doft, this coating aims to protect the color of the work so that it remains durable and long lasting. The works that will be produced are seven pieces and have the main function as room decorations.
Visualisasi Motif Batu Berelief Pada Karya Kayu Dua Dimensi Rajum putra; Wisnu Prastawa
VisArt: Jurnal Seni Rupa dan Design Vol. 3 No. 1 (2025): VisART : Jurnal Seni Rupa & Desain
Publisher : Penerbit dan Percetakan, CV. Picmotiv

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61930/visart.v3i1.1182

Abstract

This work raises the shape of the relief stone motif as an idea for creating woodwork, the object of the shape of the relief stone motif raised by the creator of the shape of the motif on the stone. where this relief stone is used as a cultural heritage and the stone has been protected by the local community from the past until now because of the shape of the relief stone motif and its interesting texture, to be used as an idea for creating woodwork, the meaning and philosophy of the relief stone as the basis for the concept that will be realized in the creation. The process of creating this work through a three-stage method consisting of exploration, design, and embodiment. Exploration is to observe the shape of the relief stone motif. The design stage is the stage of applying ideas or ideas that are poured into alternative sketches and then become selected designs which will then be realized into works. The last stage is the embodiment of the work starting from the design. The embodiment uses surian wood material, with a middle or medium relief carving technique (mezzo relief), and finishing is done using print ink, which is coated using Clear Doft as a color cover when finishing the work, so that the color on the work is more durable and long lasting. The work consists of seven works which function as wall decorations.
Co-Authors Rajum putra Rendy Syah Putra