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All Journal Lakon : Jurnal Kajian Sastra dan Budaya Insaniyat: Journal of Islam and Humanities
Putri, Ghina Alya
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Arts Humanities Languange, Linguistic, Communication & Media Library & Information Science Social Sciences

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Representation of Islam Identity in Khanzab: An Indonesian Horror Film Darojat, Zakiya; Zhafirah, Salma Shafa; Putri, Ghina Alya; Zakia Darajat, Kurnia Fahma
Insaniyat : Journal of Islam and Humanities Vol 9, No 2 (2025): Insaniyat Journal of Islam and Humanities
Publisher : Faculty of Adab and Humanities, Syarif Hidayatullah State Islamic University of Jakarta.

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/insaniyat.v9i2.41653

Abstract

This study explores the representation of Islamic identity in Khanzab (2023), an Indonesian horror movie. Based on the qualitative approach and the concept of representation by Stuart Hall and islamic perspective, this study aims to show how there is a shift in Islamic identity seen from the representation in the movie. The results show that Khanzab (2023) does misrepresent Islam, the portrayal can be seen from the representation of musholla, prayer, and the Muslims shown in the movie. The depiction of musholla and mosque in the movie is seen as a place to do musyrik activities and the root of the problems. Therefore, in this movie, prayer is portrayed as a terrifying activity, where Rahayu is always disturbed by djinn; hence the prayer scene becomes the main jumpscare element in this movie. In addition, the muslim being portrayed as musyrik, who believes in djinn and black magic. In conclusion, the misrepresentation of Islamic identity is the result of commodification and commercialization to suit the interests of Indonesian audiences. Then, many movies are produced using the same strategy of portraying Islam in an obscure way just to gain popularity and profit.  
Representation of Islam Identity in Khanzab: An Indonesian Horror Film Darojat, Zakiya; Zhafirah, Salma Shafa; Putri, Ghina Alya; Zakia Darajat, Kurnia Fahma
Insaniyat: Journal of Islam and Humanities Vol. 9 No. 2 (2025): Insaniyat: Journal of Islam and Humanities
Publisher : Faculty of Adab and Humanities, Syarif Hidayatullah State Islamic University (UIN) Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/db954j89

Abstract

This study explores the representation of Islamic identity in Khanzab (2023), an Indonesian horror movie. Based on the qualitative approach and the concept of representation by Stuart Hall and islamic perspective, this study aims to show how there is a shift in Islamic identity seen from the representation in the movie. The results show that Khanzab (2023) does misrepresent Islam, the portrayal can be seen from the representation of musholla, prayer, and the Muslims shown in the movie. The depiction of musholla and mosque in the movie is seen as a place to do musyrik activities and the root of the problems. Therefore, in this movie, prayer is portrayed as a terrifying activity, where Rahayu is always disturbed by djinn; hence the prayer scene becomes the main jumpscare element in this movie. In addition, the muslim being portrayed as musyrik, who believes in djinn and black magic. In conclusion, the misrepresentation of Islamic identity is the result of commodification and commercialization to suit the interests of Indonesian audiences. Then, many movies are produced using the same strategy of portraying Islam in an obscure way just to gain popularity and profit. 
Dehumanizing Language Against Women in "TOP 3 Reasons Men Are Unsuccessful in Dating 2022!" Podcast: A CDA Approach Putri, Ghina Alya
Lakon : Jurnal Kajian Sastra dan Budaya Vol. 14 No. 2 (2025): JURNAL LAKON
Publisher : Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20473/lakon.v14i2.78038

Abstract

This study aims to examine how the GBBB “TOP 3 Reasons Men Are Unsuccessful in Dating 2022! (DATING APPS)” podcast criticizes women using dehumanizing language. The research questions are analyse the discursive strategy, the discourse practice and sociocultural practice. This study is a qualitative method, using Norman Fairclough’s Critical Discourse Analysis and SFL by Halliday as the theory. The results found there are 4 data being analysed. The findings are the linguistics features criticize and dehumanizing women. In the discourse practice, a male-focused podcast that often criticizes women. On the sociocultural practice, the discourse forms part of the persistent gendered power relations in Canada, mirroring real-world experiences of exclusion and violence while intersecting with capitalist media in the digital creator economy. The study finds that the GBBB podcast discourse participates in sustaining and legitimizing the objectification and dehumanization of women, mirroring and perpetuating existing gender power imbalances in Canadian society.
Co-Authors Darojat, Zakiya Zakia Darajat, Kurnia Fahma Zhafirah, Salma Shafa