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Textual Poaching Dalam Industri Budaya K-Pop Oleh Penggemar sebagai Prosumer Sari, Rizka Annisa; Salsabila, Arini; Alinda, Yunati; Nurhaliza, Adinda Aulia
Ganaya : Jurnal Ilmu Sosial dan Humaniora Vol 8 No 3 (2025)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/ganaya.v8i3.4557

Abstract

The K-Pop industry as a form of subculture within popular culture, offers more than just analysis focused on artists and their music, but also consider the aspect of it fans. In Indonesia, K-Pop is one of the most popular genres and receives high enthusiasm, especially due to the participation of it fans in promoting it by consuming and producing K-Pop-themed cultural texts. This study explores the Indonesian K-Pop fans as prosumers within the cultural industries through the practice of textual poaching. Using a qualitative approach with constructivist paradigm, data were collected through interviews with four K-Pop fans actively involved in producing fan art, fan fiction, and fan edits. The prosumer theories of Alvin Toffler and Henry Jenkins are applied to examine the blurred lines between producers and consumers in participatory culture. Findings reveal that fans do not merely consume cultural texts but also reconstruct and redistribute new meanings based on personal preferences, demonstrating their creative autonomy. Although some gain material benefits, most of these activities are carried out voluntarily and are regarded as hobbies, so they are unaware of the subtle element of free labour in the activities they engage in. The study supports the perspective of French cultural sociologists that the cultural industry is ambivalent, contested, and open to bottom-up innovation (grassroots creativity). Recommendations for further research could use a critical paradigm and specifically examine fans at the worker level, to better align with theories in the cultural industries.
Framing dalam Media Over the Top: Kajian Literatur terhadap Film Dokumenter Ice Cold: Murder, Coffee, and Jessica Wongso Nurhaliza, Adinda Aulia; Sari, Rizka Annisa; Alinda, Yunati
Ganaya : Jurnal Ilmu Sosial dan Humaniora Vol 8 No 3 (2025)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/ganaya.v8i3.4695

Abstract

The Netflix documentary, "Ice Cold: Murder, Coffee, and Jessica Wongso," generated significant public interest and widespread social media discussion by offering a novel perspective on the 2016 trial, contrasting with conventional media narratives that had previously accused Jessica Wongso of culpability. As a subscription-based Over The Top (OTT) platform, Netflix effectively influenced public opinion and perception of Jessica Wongso and other characters in the documentary by establishing a new narrative framework through emotional visualization and dramatic storytelling. This investigation aims to examine how Netflix shapes new public opinion and influences the public's perception of Jessica Wongso and other characters. The methodology involved a literature review examining five prior studies on framing from Google Scholar and SINTA-accredited journals. The findings demonstrate Netflix's effectiveness in altering public perceptions. The documentary substantially altered the public's perception of Jessica, initially depicted as cold, portraying her instead as a vulnerable figure possibly denied justice. Edi Darmawan Salihin, the victim's father, was also framed as an arrogant and dominant antagonist through visuals and interviews, underscoring documentary media's influence on individual perceptions. Discussions emerged regarding the reframing's endurance and the impact of social media posts (both official and prosumer) on its success, given the public's critical media consumption. In summary, "Ice Cold" effectively reframed the case narrative and influenced new public opinion, igniting widespread conversation.  Future research is advised to incorporate the victim's family's perspective and the evolution of public opinion following Jessica Wongso's parole for a more thorough and impartial study.