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All Journal NAWA: Journal of Japanese Studies Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang
Azhariyah, Ayu
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Arts Humanities Languange, Linguistic, Communication & Media Social Sciences

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Fenomena Campur dan Alih Kode dalam Lirik Lagu YUI: Sebuah Kajian Sosiolinguistik Ayu Azhariyah; Nursidah; Imelda
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol. 7 No. 2 (2025): Vol. 7, No. 2, Agustus 2025
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2025.v07.i02.p09

Abstract

Code-mixing refers to the use of elements from one language inserted into an utterance that basically uses another language. In general, code-mixing can be classified into three types, namely insertion, alternation, and lexical congruence. Meanwhile, code-switching is a term used to describe the switch in the use of one or more languages or language varieties in one communication context, which consists of three main forms: tag, intersentential, and intrasentential. This study aims to identify the intensity of occurrence of words, phrases, and sentences in YUI song lyrics that show symptoms of code-switching and code-mixing, as well as to describe their types. Using the descriptive method, data were collected from 30 song titles, then classified and analyzed systematically. The results showed that the phenomenon of code-switching was found in the form of words as much as 28 data, phrases as much as 47 data, and sentences as much as 85 data. Meanwhile, code-mixing is identified in the form of words as much as 21 data, phrases as much as 44 data, and sentences as much as 15 data
Kekerasan Diskursif dalam Rekonstruksi Tubuh Samurai pada Era Meiji Anwar, Khairil; Azhariyah, Ayu
NAWA: Journal of Japanese Studies Vol. 3 No. 1 (2026): March 2026
Publisher : Departemen Sastra Jepang, Fakultas Ilmu Budaya, Universitas Hasanuddin

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69908/nawa.v3i1.49954

Abstract

This study examines the discursive architecture of modern Japanese subjectivity as reflected in the writings of Tokutomi Sohō in the influential magazine Kokumin no Tomo (1887–1898). Employing Norman Fairclough’s model through three dimensions of analysis—text, discursive practice, and social practice—this study examines how Tokutomi Sohō’s heiminshugi discourse in Kokumin no Tomo functions as a discursive strategy for the construction of modern Japanese masculinity. The findings reveal three key points: (1) the symbolic delegitimization of the samurai class (shizoku) as gokubushi as a mechanism for reconstructing a new masculinity based on economic productivity; (2) a biopolitical shift from the glorification of ritual death (seppuku) toward economic vitality as the marker of ideal masculinity; and (3) the transformation of this productive masculinity into an imperialist force in the aftermath of the Sino-Japanese War (1895). This study concludes that the discourse of heiminshugi is not merely a political ideology, but a technology of power that disciplines the bodies of Japanese men—freeing them from feudal shackles only to bind them to the imperatives of the nation-state and the agenda of imperialism.
Co-Authors Imelda Khairil Anwar Nursidah