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All Journal Jurnal Disastri: Pendidikan Bahasa dan Sastra Indonesia RESLAJ: Religion Education Social Laa Roiba Journal
Esty Pratiwi Lubarman
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Religion Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences Other

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Fragile Masculinity in Eka Kurniawan Novel Anjing Mengeong Kucing Menggonggong: Raewyn Conell’s Hegemony of Masculinity Esty Pratiwi Lubarman; Intan Fajriyah; Asy'ari , Farosya
Jurnal Disastri (Jurnal Pendidikan Bahasa dan Sastra Indonesia) Vol 7 No 2 (2025): Jurnal Disastri: Pendidikan Bahasa dan Sastra Indonesia
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33752/disastri.v7i2.8553

Abstract

Eka Kurniawan's novel titled Anjing Mengeong Kucing Menggonggong (2024) tells the story of a boy named Sato Reang who was born into a conservative family. He was educated with strong religious morals, especially his father who taught him a lot to obey religious rules. In his growth and development, he always wanted to be free from religious doctrines that curbed his freedom as a boy. This conflict began, when he had to perform the circumcision tradition as a sign that he was an adult. And forced him to submit to religious morals, which had been going on for generations in his family. He wanted freedom as a boy, until one day his father died and he didn't have to pray, recite or even go to school. However, the shadow of his father always haunts him, every action and interaction with society he always remembers his father's commandments. There is a relationship between masculinity and piety in the novel, which shows how the conception of gender works within a particular cultural concept and context. The piety inherited by a father makes dominance over the figure of the son in the family structure and society. Using the Raewyn Connell approach, this study will explore the interaction of masculinity and piety as a construction that oppresses the dominant gender itself. This research will use a qualitative descriptive method. The formulation of the problem in this study is, 1) How does obedience in religious practice shape the masculinity of the main character Sato Reang? 2) How is the representation of fragile masculinity as a criticism of the hegemony of masculinity portrayed by Eka Kurniawan? The result of this research is to answer the individual's adherence to religious practices that form the fragile masculinity of Sato Reang, then show this novel as an effort to criticize Eka Kurniawan as a writer against the hegemony of masculinity that he does to the character of Sato Reang based on the social reality presented in the novel.
Ambivalensi Naratif Novel “Sekali Peristiwa di Banten Selatan” Karya Pramoedya Ananta Toer: Prespektif Dialogisme Bakhtin Esty Pratiwi Lubarman
Reslaj: Religion Education Social Laa Roiba Journal Vol. 7 No. 7 (2025): RESLAJ: Religion Education Social Laa Roiba Journal
Publisher : Intitut Agama Islam Nasional Laa Roiba Bogor

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47467/reslaj.v7i7.8231

Abstract

This study aims to examine narrative ambivalence in Pramoedya Ananta Toer's novel Sekali Peristiwa di Banten Selatan through the perspective of Mikhail Bakhtin's dialogism, especially the concept of polyphony which includes three main aspects: unfinalizability, the self and other, and carnivalization. This study uses a qualitative descriptive approach with literary text analysis. The third concept used, this study found a relationship between characters in building dialogue and also awareness that is built by considering the position of the narrator designed in building the story. This reflects the importance of Pram's interests who are also narrators in describing the dynamics of post-independence Indonesian society and describing the people's struggle through monologic narratives to show Pram's position during that period. On the other hand, dialogism is reflected in the relationship between people with the same social class as the hero Ranta, but this plurality of positions does not occur in conflicting characters and characters who have higher authority.
Co-Authors Asy'ari , Farosya Intan Fajriyah