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Bentuk Romantisme Russell Noyes dalam Novel”Maa Laa Nabuuhu Bih” Karya Sandra Siraj Zarnubi, Muhammad; Surur, Misbahus
HUMANIKA Vol 32, No 1 (2025): June
Publisher : Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/humanika.v32i1.71387

Abstract

Romanticism in social life has become a human instinct that is impossible to eliminate. The various expressions that humans express make life colorful. Just like the romanticism shown in the novel “Maa Laa Nabuuhu Bih” by Sandra Siraj makes the reader carried away with the story of the complexity of romanticism between the characters in it. This research aims to explain the forms of Russel Noyes' romanticism in the novel “Maa Laa Nabuuhu Bih” by Sandra Siraj. The method used was descriptive–qualitative. The primary data source was the novel “Maa Laa Nabuuhu Bih, ” by Sandra Siraj published by Daar Dawen in 2018, totaling 174 pages. Secondary data sources come from studies relevant to the discussion of this research. The data collection technique used reading and note-taking methods. The data were then analyzed by detecting, understanding, and revealing messages from several novel excerpts. The results of this study found 14 forms of Russel Noyes' romanticism: two return to nature, three melancholia, two sentimentalism, three exoticism, two primitivism, and two individualism. Based on these research results, it can be concluded that melancholy and sentimentalism often occur in social life. Melancholy is caused by longing and sentimentalism is a form of overflow of feelings to convince a partner. Similar to the stories and events described in the novel “Maa Laa Nabuuhu Bih’ by Sandra Siraj. The researcher hopes that this research will not only be useful for the academic world but also add insight into social life
Gender dan Budaya: Citra Perempuan pada Cerpen “Perempuan Itu Pernah Cantik” karya Mashdar Zainal Mazidah, Nadia Nur; Zarnubi, Muhammad; Surur, Misbahus
Deskripsi Bahasa Vol 9 No 1 (2026): 2026 - Issue 1
Publisher : Department of Languages and Literature, Faculty of Cultural Sciences, UGM

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/db.15335

Abstract

In married life, women often experience a significant transition that can leave them in shock. This study aims to describe the portrayal of women in the household in the short story "Perempuan Itu Pernah Cantik " by Mashdar Zainal and to examine the cultural elements that influence this portrayal. The analysis of women's images and cultural aspects is conducted using critical discourse analysis by Sara Mills and Ruth Wodak. The research employs a qualitative method. The findings reveal that the portrayal of women and cultural elements in "Perempuan Itu Pernah Cantik " remains highly relevant to contemporary women's lives and contributes to many household disputes. According to Sara Mills' perspective, the portrayal of women in the short story is categorized into six images: women associated with beauty; women who seek validation and praise; women who prioritize emotions; women who are dependent on men; women with maternal instincts; and women who compare their single life with their married life. Furthermore, according to Ruth Wodak, the cultural elements shaping the image of women in the short story fall into three categories: the culture of women as managers of domestic affairs, the culture of women as gentle, and the culture that considers child-rearing a woman's duty.