Almaidah, Anata Reyustina
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Konstruksi Mahasiswi Tentang Politik Uang Dalam Pilkades Sufiyah, Putri Cahya; Almaidah, Anata Reyustina; Sadewo, Fransiscus; Afandi, Mochamad Arif
Muqoddima: Jurnal Pemikiran dan Riset Sosiologi Vol 5 No 1 (2024): Muqoddima : Jurnal Pemikiran dan Riset Sosiologi
Publisher : Laboratorium Sosiologi, Program Studi Sosiologi, Fakultas Ilmu Sosial, Universitas Nahdlatul Ulama Indonesia (UNUSIA) Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47776/MJPRS.005.01.03

Abstract

In state activities carried out will not be separated from acts of corruption committed by an individual or a group of persons who have power. There are three types of phenomena that are included in acts of corruption, namely extortion, bribery, and nepotism. One of the most common corruption phenomena in society is the practice of buying and selling votes or what is commonly known as money politics. The practice of money politics is very prone to occur when village head elections are held. Based on the explanation of this phenomenon, the purpose of conducting this research is to find out how the reality is built by female students as educated people when they see the practice of money politics that occurs. The theory used is Peter L. Beger's construction theory. The primary data used in this research was collected through non-participant observation techniques and structured interviews, while the secondary data was collected through library research techniques. This research shows that in the externalization stage, all resource persons conveyed their ideas according to their respective experiences so that a shared awareness emerged about money politics in the pilkades. Furthermore, objectivation can be seen through the cadres or people who nominate themselves as leaders who will tour the village and visit residents' homes. In the final stage, namely internalization, some sources will choose the candidate who gives them the most money.
SELF-REPRESENTATION IN SOCIAL MEDIA (DRAMATURGY STUDIES OF DRUG-USING ARTISTS) Almaidah, Anata Reyustina; Harianto, Sugeng
Jurnal Pendidikan Sosiologi dan Humaniora Vol 14, No 2 (2023): Edisi Oktober 2023
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/j-psh.v14i2.59777

Abstract

Social media is one of the most existing online media used today by all groups, including artists. The existence of social media is used to support his popularity and good image in front of the public. These artists try. However, the lives of these artists are sometimes inversely proportional to their real lives, this also happened to one of the artists, namely Ardhito Pramono. This research uses data collection techniques in the form of literature studies, which are then analyzed using the Miles and Huberman techniques. The theory used in this research is Erving Goffman's dramaturgical theory. In dramaturgical theory, it is explained that in an effort to achieve a goal, a person will carry out various actions that can create a good impression of other people towards him, so that the terms front stage and backstage appear. This research produces a finding that the life of artist Ardhito Pramono is in accordance with dramaturgical theory, where there is a front stage and a backstage. On the front stage, Ardhito displays his good image through his social media by managing his appearance and creating songs that can inspire other people, especially teenagers. Meanwhile, in the backstage, Ardhito is a drug user, whose drug use is considered deviant behavior in society.