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All Journal Jurnal Kajian Penelitian Pendidikan dan Kebudayaan Abstrak: Jurnal Kajian Ilmu Seni, Media dan Desain
Adhitya Darmantho
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Arts Education Languange, Linguistic, Communication & Media

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Simbolisme dan Makna dalam Syair 'Atas Pisang' pada Tari Dolalak: Pendekatan Semiotika Barthes Maria Magdalena Cita Hapsari; Adhitya Darmantho; Malarsih Malarsih; Syahrul Syah Sinaga
Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain Vol. 1 No. 4 (2024): Juli : Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/abstrak.v1i4.174

Abstract

Among the many verses used in the Dolalak Dance, the verse "Atas Pisang" holds a unique position. This verse is often recited at the end of the performance, signifying a solemn and message-laden conclusion. This study aims to examine the symbolism and meaning within the ‘Atas Pisang’ verse in the Dolalak Dance. This research is a qualitative interpretive study employing Roland Barthes' semiotic approach regarding denotation and connotation meanings. The findings indicate that the ‘Atas Pisang’ verse in the Dolalak Dance, through its symbolism and metaphors, conveys various relevant and wise life advice. The balance between visible outcomes and underlying essence, hope and recovery from difficulties, the importance of actions in pursuing desires, appreciation of the past and experiences, and wisdom in family relationships are the main messages conveyed. The ‘Atas Pisang’ verse teaches that a balanced life, filled with hope, active pursuits, appreciation of the past, and wisdom in family relationships are keys to achieving a harmonious and meaningful life.
Cultural Semiotics of the Use of Jidur, Terbang, and Kendhang in Dolalak Dance: A Symbolic Analysis of Specific Instruments Maria Magdalena Cita Hapsari; Adhitya Darmantho
Jurnal Kajian Penelitian Pendidikan dan Kebudayaan Vol. 2 No. 3 (2024): Juli : Jurnal Kajian Penelitian Pendidikan dan Kebudayaan
Publisher : CV. Aksara Global

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59031/jkppk.v2i3.449

Abstract

The musical instruments in Dolalak dance; jidur, terbang, and kendhang, have become the main subject in the attempt to understand the essence flowing within each musical call and dance vibration. The presence of these instruments is not merely as accompaniment, but rather imbues the space with profound meaning. Questions arise: Why were these instruments chosen? Are they related to cultural values or hidden beliefs? This research is structured with a descriptive qualitative approach. The use of jidur, terbang, and kendhang musical instruments in Dolalak dance in Purworejo goes beyond mere musical elements and physical movements. In this understanding, through Roland Barthes' conception of signifier and signified, it opens the way to delve into deeper meanings and symbolism inherent in each musical instrument. Every beat on jidur, terbang strike, or kendhang resonance not only produces sound but also carries messages containing cultural values, history, and the cultural identity of the Purworejo community.
Co-Authors Malarsih Malarsih Maria Magdalena Cita Hapsari Syahrul Syah Sinaga