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Doomscrolling dan Krisis Spiritualitas di Era Digital: Perspektif Kritis Seyyed Hossein Nasr Hajidah Manaf, Ghina; Syafira, Luthfiati; Najaya, Arini; Syaifuddin, Helmi
Jurnal Komunikasi Islam Vol. 15 No. 1 (2025): June
Publisher : Departement of Islami Comuunication and Broadcasting, Faculty of Da'wah and Communication, State Islamic University of Sunan Ampel (UINSA) Surabaya Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15642/jki.2025.15.1.48-72

Abstract

This study explores the phenomenon of doomscrolling, the habitual tendency to continuously browse negative news on social media, in relation to the increase in anxiety and the decline in mental well-being. This research employs Seyyed Hossein Nasr’s critical framework regarding concerning the impact of modern technology, including doomscrolling, on human spirituality in the digital era. Using a qualitative philosophical approach, supported by literature review and exploratory survey methods, the findings indicate that doomscrolling contributes to a spiritual crisis by distancing individuals from deep reflection and inner balance. Therefore, a more conscious and responsible approach to technology use is necessary to balance information consumption and spiritual well-being. Digital literacy education and awareness of doomscrolling’s adverse effects are essential steps in addressing this crisis.
Gender Bias in the Performativity of Arab Music: A Linguistic and Cultural Analysis of the Song “Talat Daqat” Najaya, Arini; Alfalah, Ahmad Hanim Syafril; Jannah, Anisatul; Fitriani, Laily
Al-Irfan : Journal of Arabic Literature and Islamic Studies Vol. 8 No. 1 (2025)
Publisher : Sekolah Tinggi Agama Islam Darul Ulum Banyuanyar Pamekasan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58223/al-irfan.v8i1.457

Abstract

This study aims to identify and analyze gender bias in the lyrics of the song Talats Daqat using Judith Butler’s theory of gender performativity as a critical linguistic approach. Butler’s theory posits that gender identity is not essential but is constructed through repeated social and cultural practices, including language and music. This qualitative research employs content analysis of the song lyrics as primary data, supported by a literature review on gender bias and performativity theory. The findings reveal that the lyrics of Talats Daqat represent gender bias both symbolically and structurally, positioning men as active subjects and women as passive objects. The application of Butler’s theory confirms that these representations are forms of gender performativity that reproduce and sustain gender inequality through popular cultural narratives. This research contributes by expanding the study of gender bias in Arabic through the integration of Butler’s critical theory and recommends the importance of critical approaches in Arabic language education to foster awareness of gender justice issues.