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Inovasi Digital Pemuda dalam Menjaga Tradisi Melalui Pengembangan Sholawat Kontemporer Nurizkya, Azhara; Wahyuni, Lilik; Arthania, Nesia Neo; Purnama, Putri Dewi Intan
Jurnal Gramaswara: Jurnal Pengabdian kepada Masyarakat Vol. 5 No. 2 (2025): Jurnal Gramaswara: Jurnal Pengabdian kepada Masyarakat
Publisher : Faculty of Cultural Studies, Universitas Brawijaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.gramaswara.2025.005.02.12

Abstract

Ngingrim Hamlet in Pandanrejo Village, Malang Regency, has a rich tradition of sholawat but faces preservation challenges in the digital era due to low technological literacy and lack of documentation. This service activity aims to identify, develop, and optimize the potential of local culture through a digital innovation approach, especially the development of contemporary sholawat as a medium for preserving and promoting religious traditions. The benefits of the service include increasing community digital literacy, active participation of youth in cultural content production, and expanding the reach of da'wah through digital platforms such as YouTube and Instagram. The activity design includes local potential mapping, technical content production training, creative mentoring, and participatory content publication. The results showed that the digitalization of contemporary sholawat succeeded in increasing the involvement of the younger generation, expanding the audience, and creating economic impact through content monetization, despite facing constraints of limited resources and digital literacy. The conclusion of this activity emphasizes that youth engagement, strengthening digital literacy, and multi-stakeholder collaboration are the keys to successful adaptive and sustainable cultural transformation in the modern era.
REPRESENTASI DINAMIKA SOSIAL DALAM NASKAH DRAMA “RT NOL RW NOL”: TEORI KONFLIK RALF DAHRENDORF Nurizkya, Azhara
Hasta Wiyata Vol. 9 No. 1 (2026): Jurnal Hasta Wiyata
Publisher : University of Brawijaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.hastawiyata.2025.009.01.11

Abstract

The absurd drama “RT Nol RW Nol” by Iwan Simatupang represents social chaos through its depiction of the lives of a community of homeless people living under a bridge. This work serves as a mirror of the reality of inequality and marginalization in society. This article aims to analyze the representation of social dynamics, particularly structural conflict, as manifested in the drama script. This study uses Ralf Dahrendorf's Conflict Theory as an analytical framework to unravel the power relations between the ruling class and the oppressed class. The results of the study show that systematic conflict is represented through the concept of “forced association” that unites marginalized people, interactions that reinforce hierarchy, and symbolic spatial settings. The imperative class (the state through the police and bureaucracy, as well as capital owners) controls and oppresses the subordinate class (the homeless) through repressive mechanisms, administrative rules, and stigmatization. Although various forms of resistance emerge, the conflict is continuous and unresolved, which in fact becomes a source of dynamics as well as sharp social criticism of a system that fails to humanize its marginalized citizens.