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Framing Media Online: Analisis Model Pan dan Kosicki Pada Pemberitaan Konser Seventeen Right Here Jakarta di Detik.com dan Kompas.com Fibriyanti, Fauzziyah; Fajar Wulandari, Yulianti; Hamid, Ali Imron
Comit: Communication, Information and Technology Journal Vol. 3 No. 2 (2025): Comit: Communication and Information Journal
Publisher : IAI Nasional Laa Roiba Bogor

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Abstract

Coverage of Seventeen's "Right Here" concert in Jakarta reported by online media Detik.com and Kompas.com. Through the selection, emphasis, and arrangement of information in news texts, mass media play an important role in shaping public opinion. In this study, a qualitative approach was used, and the framing analysis method of the Pan & Kosicki model (1993) was employed. This model includes four discourse structures: syntax, script, thematic, and rhetorical. Data was collected from eight news articles published from February 4-10, 2025. The results of the analysis showed that Detik.com framed the news in a sensational style, emphasized conflict and public emotions, and used quotes from social media. Meanwhile, Kompas.com framed the issue with a neutral narrative style, emphasizing institutional information structures and official statements.Both media show their own journalistic features through their framing. This study found that framing shapes social meanings and perceptions of popular culture events in addition to conveying facts. These results support mass communication research and show how important media literacy is to understand the construction of reality made by online media.
Representasi Pesan Moral Dalam Film ”Pertaruhan” (Semiotika Charles Sanders Peirce) Fahreyza, Muhamad; Fajar Wulandari, Yulianti; Imron, Ali
Brand Communication Vol. 4 No. 3 (2025): Media Sosial dan Peradaban Manusia
Publisher : Prisani Cendekia Institute

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Abstract

Film is a form of art and media that enjoys a high level of popularity and serves as a means of entertainment, education, and information. Through films, audiences not only seek enjoyment but also gain new insights and knowledge. Although many people watch films primarily for leisure, each storyline often contains profound meanings and moral messages that can be taken as life lessons. One such film that conveys these values is Pertaruhan, which is the subject of this research. The purpose of this study is to explore the representation of moral messages in the film Pertaruhan using Charles Sanders Peirce’s semiotic theory, which includes three main components: sign, object, and interpretant. This research employs a descriptive qualitative method, with data collected through observation and documentation of the film. The results of the study indicate that there are eight scenes that explicitly represent moral messages, ultimately providing a deeper understanding of the life values conveyed through the film.