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All Journal Haluan Sastra Budaya Pariwisata Budaya: Jurnal Ilmiah Pariwisata Agama dan Budaya
Suhaeb, Isad
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Arts Languange, Linguistic, Communication & Media Social Sciences Other

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A PariwiPARIWISATA ADAT PESISIR: EKSPLORASI NILAI-NILAI TRADISIONAL DALAM UPACARA NADRAN INDRAMAYU sata Adat Pesisir: Eksplorasi Nilai-Nilai Tradisional dalam Upacara Nadran Indramayu Suhaeb, Isad; Eva Farhah
Jurnal Pariwisata Budaya: Jurnal Ilmiah Pariwisata Agama dan Budaya Vol 10 No 2 (2025): Volume 10 No 2
Publisher : UHN IGB Sugriwa Denpasar

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Abstract

The Nadran ceremony is an annual tradition among coastal communities in Indramayu, serving as an expression of gratitude to God for abundant marine harvests. This ritual reflects rich local cultural values such as social solidarity, maritime spirituality, and marine environmental preservation. This study aims to explore the traditional values embedded in the Nadran ceremony and its potential as a cultural tourism attraction. A qualitative approach was employed, using participatory observation, in-depth interviews, and visual documentation techniques. The findings reveal that Nadran functions not only as a religious ritual but also as a means of expressing the collective identity of coastal communities. Its potential as a cultural tourism attraction is significant if managed participatively and sustainably. The involvement of local communities in preservation efforts and the contextual packaging of the attraction are key to developing traditional tourism based on local values. These findings are expected to enhance understanding of the integration between local cultural preservation and sustainable tourism development in coastal areas.
Tawa dan Identitas Lokal: Figur Kedok Menyon sebagai Representasi Sosial dalam Kesenian Singa Dangdut Suhaeb, Isad
Haluan Sastra Budaya Vol 9, No 2 (2025)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/hsb.v9i2.107637

Abstract

The Singa Dangdut performance in Indramayu offers more than just music and dance entertainment. It also features a comedic character named Menyon, who becomes the center of attention in creating a festive atmosphere. This article examines the Menyon mask figure as a form of social representation and a symbol of local identity in Indramayu. Using an ethnographic approach and cultural representation theory, this study analyzes how the laughter evoked by Menyon is not merely entertaining but also carries social critique, class expression, and the reinforcement of communal solidarity. Data were collected through direct observation of Singa Dangdut performances, interviews with performers, and visual analysis of the mask design. The findings reveal that The Menyon mask plays a strategic role as a medium of dynamic local cultural expression. reflecting tensions between tradition and modernity, while also serving as a safe space for symbolic public expression. Thus, the Menyon character is not merely a stage clown but also a cultural agent who embodies social values, collective identity, and the everyday dynamics of the people of Indramayu.
Co-Authors Eva Farhah