Article Per Year (5 Year)
p-Index From 2021 - 2026
0.23
P-Index
This Author published in this journals
All Journal Multidiciplinary Output Research for Actual and International Issue (Morfai Journal)
Wa Ode Suci Rahmayani
Unknown Affiliation
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Chemical Engineering, Chemistry & Bioengineering Civil Engineering, Building, Construction & Architecture Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Energy Engineering Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Social Sciences Other

Published : 1 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 1 Documents
Search

 1 
A CRITICAL DISCOURSE ANALYSIS OF THE REPSERENTATION OF MISOGYNISTIC IDEOLOGY IN JOKO ANWAR’S HORROR FILMS 2017-2022 BASED ON RUTH WODAK’S APPROACH Wa Ode Suci Rahmayani; Catur Nugroho
Multidiciplinary Output Research For Actual and International Issue (MORFAI) Vol. 5 No. 2 (2025): Multidiciplinary Output Research For Actual and International Issue
Publisher : RADJA PUBLIKA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54443/morfai.v5i2.3820

Abstract

This research examines the representation of misogynistic ideology in the horror films Pengabdi Setan (2017) and Pengabdi Setan 2: Communion (2022), directed by Joko Anwar, through Ruth Wodak’s Discourse-Historical Approach (DHA) within the framework of Critical Discourse Analysis (CDA). The study aims to analyze how misogynistic ideologies operate within the narratives of these two films and how they reproduce the patriarchal discourse embedded in Indonesian society. By investigating the male gaze, the research explores how this cinematic technique either reinforces or challenges misogynistic ideologies within the context of patriarchy. Furthermore, the study examines the role of symbolism and visual representation in these films, investigating how these elements are used to either create or resist the ideological framework of misogyny. Through a qualitative approach, CDA’s three key dimensions cognitive, socio-psychological, and linguistic are applied to reveal how gender power dynamics are conveyed through both narrative and visual forms in contemporary Indonesian horror cinema.
Co-Authors Catur Nugroho