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All Journal IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature TRAVERSE - Journal of Language and Applied Linguistics
Sulatra , I Komang
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Languange, Linguistic, Communication & Media Social Sciences

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An Analysis of Deixis in Avicii’s Song Lyric Satyadewi, Ni Putu Melati; Ayomi , Putu Nur; Sulatra , I Komang
Journal of Language and Applied Linguistics Vol. 4 No. 2 (2023): Journal of Language and Applied Linguistics
Publisher : Institut Pariwisata dan Bisnis Internasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22334/traverse.v4i2.95

Abstract

Deixis is an expression in language used to point who, when, and where based on the context in the utterance. This study focuses with the deixis found in Avicii’s selected song lyrics. Therefore, this study aimed to find out the types of deixis used in Avicii’s song lyrics selected songs and analyze the context of situation of the deixis found in the Avicii’s song lyrics. The data were analyzed in descriptive qualitatively method and used eight song lyrics by Avicii. The theory used in analyzing the data are the theory proposed by Levinson (1983: 62-85) that discusses about the types of deixis and the theory from Halliday and Hassan (1985) which was used to analyze the context situation of deixis. Through the analysis, it shows that all types of deixis are found in the eight song lyrics by Avicii. They consist of person deixis, spatial deixis, temporal deixis, social deixis, and discourse deixis. The result of this study shows that person deixis is the most frequently used types of deixis. Deixis is very useful for language users in order to accurately process the meaning of utterances.
Code-Mixing in Denny Sumargo and Jessica Iskandar Conversation on Youtube Anita , Ni Ketut Chandra; Maharani, Putu Devi; Sulatra , I Komang
Journal of Language and Applied Linguistics Vol. 5 No. 1 (2024): Journal of Language and Applied Linguistics January 2024
Publisher : Institut Pariwisata dan Bisnis Internasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22334/traverse.v5i1.116

Abstract

This study is concerned with analyzing the code mixing found in CURHAT BANG Denny Sumargo YouTube channel. This study aims to identify the types and the reasons of code mixing found on CURHAT BANG Denny Sumargo YouTube channel. This study applied the theory proposed by Hoffman (1991) to analyze the data. The data of this study were taken from one video entitled “Aku Dan El Barack Menangis Bareng Di Garasi Aku Udah Gak Percaya Cinta Lagi”. In realizing the objectives, this study applied descriptive qualitative and quantitative methods to analyze the data. Then this study used the observation method and noted taking technique to collect the data. This study found three types of code mixing, and the most frequent type found in this study is intra-sentential code mixing. This study found five reasons of code mixing, and expressing group identity is the most frequently used in this conversation. The data of code mixing in this study were taken from the utterances of two participants, those are between Denny Sumargo and Jessica Iskandar
Exploring Types of Language Functions in Mufasa from The Lion King Movie Ni Made Nadia Widyasari; Sulatra , I Komang
IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Vol. 13 No. 2 (2025): IDEAS: Journal on English Language Teaching and Learning, Linguistics and Lite
Publisher : Universitas Islam Negeri Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24256/ideas.v13i2.7832

Abstract

This study examines the language functions used by Mufasa in Mufasa: The Lion King and the contexts in which they appear. Previous research has applied Jakobson’s model to film dialogue, but most focus on adult or action-based characters, leaving little attention to symbolic figures in animated films. This study addresses that gap by analyzing Mufasa, a character whose speech reflects leadership, morality, and emotional guidance. Using a descriptive qualitative approach, 120 utterances from the film’s official script were collected, coded, and categorized according to Jakobson’s six functions: referential, emotive, conative, phatic, metalingual, and poetic. Contextual details such as tone, setting, and conversational partner were also considered to ensure accuracy. The results show that Mufasa’s speech is dominated by the referential, emotive, and conative functions (24 utterances each, 20%), followed by metalingual and poetic (18 utterances each, 15%), and phatic (12 utterances, 10%). Referential utterances conveyed facts and knowledge, emotive ones expressed love or concern, and conative statements directed Simba’s actions. Metalingual and poetic functions added clarification and symbolic imagery, while phatic expressions maintained social bonds. These findings demonstrate that Mufasa’s language is intentional and multifaceted, reinforcing his role as father, mentor, and king while showing how animated films use language to convey values and relationships.
Co-Authors Anita , Ni Ketut Chandra Ayomi , Putu Nur Maharani, Putu Devi Ni Made Nadia Widyasari Satyadewi, Ni Putu Melati