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All Journal Vidyottama Sanatana: International Journal of Hindu Science and Religious Studies Sphatika: Jurnal Teologi
Mancapara, I Gede Pasek
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Religion Arts Humanities

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Komodifikasi Tari Sanghyang Dedari di Desa Bona, Kecamatan Blahbatuh, Kabupaten Gianyar, Provinsi Bali Harsana, I Ketut Gede; Mancapara, I Gede Pasek
Sphatika: Jurnal Teologi Vol 14 No 2 (2023)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sphatika.v14i2.2990

Abstract

Abstract This article examines and analyzes the Sanghyang Dedari Dance which has experienced commodification in Bona Village. As one of the sacred arts performed in a state of trance, at first the Sanghyang Dance was performed only for spiritual purposes, but now the Sanghyang Dance has experienced commodification in the era of globalization in line with the development of tourism and science and technology. The method used in this study is qualitative with a phenomenology approach. The results showed that the Sanghyang Dance in Bona Village was only the Sanghyang Dedari dance, this dance is still performed regularly from the past until now only at the Bona Village Temple, apart from that as a tourism need the Sanghyang dance is also staged in hotels as a dance performance. reconstructed with the presence of additional elements such as accompaniment of Kecak. Broadly speaking, there are similarities and differences in the Sanghyang dance as a sacred dance and as a performance dance. The similarities are that the dancers are selected according to the criteria of being pure and the clothes used are the same, while the difference lies in the preparation process until the dance is performed, the instruments used, the duration and the accompaniment. Keywords: Reconstruction, Sanghyang Dedari Dance, Commodification.
RELIGIOUS PLURALITY AT PUJA MANDALA NUSA DUA BALI BUALU TRADITIONAL VILLAGE, BENOA URBAN VILLAGE, SOUTH KUTA DISTRICT Mancapara, I Gede Pasek; I Nengah Duija; Ni Ketut Srie Kusuma Wardhani
Vidyottama Sanatana: International Journal of Hindu Science and Religious Studies Vol 8 No 1 (2024)
Publisher : UHN I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/vidyottama.v8i1.3383

Abstract

This research examines the religious plurality that occurs at Puja Mandala Nusa Dua Bali with a problem formulation; (1) Why does the practice of religious plurality emerge in Puja Mandala Nusa Dua Bali, (2) What is the process of religious plurality in Puja Mandala Nusa Dua Bali, (3) What are the implications of religious plurality in Puja Mandala Nusa Dua Bali. The theories used are Weber's social action theory, Bourdieu's social practice theory, Blau's exchange theory, and Parson's structural functionalism theory. This type of qualitative research uses a phenomenological approach. The research results show that the emergence of religious plurality in Puja Mandala is due to; (1) Historical Factors of Religious Harmony in Bali, (2) Factors of creative actors, (3) Motive and Goal Factor, (4) Imaginary Idea of Harmony Factor. The practice of religious plurality that occurs at Puja Mandala includes; (1) there is online or interpersonal social interaction, 2) there is PAUB/ Inter-Religious Association, (3) there is intrinsic and extrinsic social exchange (4) there are values used in individual and group activities. The implications of religious plurality in Puja Mandala Nusa Dua Bali are in the form of; (1) adaptation, (2) integration, (3) achieving goals, (4) maintaining unity motivation. The findings in this research are the existence of superstructure, infrastructure and structures, which because the realization of religious plurality at Puja Mandala
Co-Authors I Ketut Gede Harsana, I Ketut Gede I Nengah Duija Ni Ketut Srie Kusuma Wardhani