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All Journal Rainbow : Journal of Literature, Linguistics and Culture Studies
Symphony, Marintan Bening
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Magical Children as Metaphors for Nonconformity: A Queer Reading of T.J. Klune’s The House in the Cerulean Sea Symphony, Marintan Bening; Datau, Rizal Octofianto
Rainbow : Journal of Literature, Linguistics and Culture Studies Vol. 13 No. 2 (2024): October 2024
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/rainbow.v13i2.5973

Abstract

Fantasy is a literary genre that can provide a platform for marginalized voices to subvert dominant cultural norms and often address larger, sensitive, and complex societal issues. Thus, making queer authors utilize this genre of writing to explore and represent diverse identities and experiences. This study dives into the profound fantastical world of TJ Klune’s The House in the Cerulean Sea to uncover its depiction of magical characters as representation of real-world gender nonconformity. Drawing upon the foundational theories of queer theory, particularly Judith Butler’s theory of gender performativity, this research study scrutinizes how the novel subverts and challenges the prevalent paradigm of heteronormativity. This research employed the method of qualitative data analysis to obtain precise data. The findings reveal that the depiction of the three magical children in The House in the Cerulean Sea, Talia, Chauncey, and Theodore, embodies the concept of gender nonconformity in the real world. Ultimately, this research highlights the whimsical narrative of The House in the Cerulean Sea that serves as a platform to explore and affirm the complexities of gender beyond binary norms, advocating for a world where all identities are embraced and celebrated.
Co-Authors Rizal Octofianto Datau