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Hikmah Purnama, Dadang
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PENGEMBANGAN KAPASITAS PETANI NANAS DALAM MENINGKATKAN EKONOMI KELUARGA DI DESA TANGKIT BARU KECAMATAN SUNGAI GELAM KABUPATEN MUARO JAMBI Siti Solikah; Hikmah Purnama, Dadang; Rizki Perdana, Ibrayoga; Zahana, Yui
J-ABDI: Jurnal Pengabdian kepada Masyarakat Vol. 4 No. 11: April 2025
Publisher : Bajang Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53625/jabdi.v4i11.9990

Abstract

Desa Tangkit Baru Provinsi Jambi terkenal sebagai desa agrowista dengan perkebunan nanas yang cukup luas. Namun menghadapi tantangan dalam pengelolaan hasil panen, yaitu mengarah pada potensi kerugian ekonomi akibat pembusukan buah nanas yang dijual dalam keadaan segar. Untuk mengatasi hal ini, Mahasiswi Program Magister Sosiologi Universitas Sriwijaya menggandeng pengelola agrowisata untuk melaksanakan sebuah program pelatihan untuk mengedukasi para petani dalam mengolah nanas segar menjadi makanan ringan olahan, seperti keripik, yang dapat meningkatkan daya saing pasar dan keuntungan finansial. Pelatihan mencakup teknik seleksi buah nanas, metode produksi, dan strategi pemasaran, dengan memanfaatkan platform konvensional dan digital. Pengembangan kapasitas ini menggunakan metode pelatihan dan mentoring, berfokus pada program pengolahan nanas menjadi keripik yang bertujuan untuk meningkatkan ekonomi keluarga melalui pengolahan nanas yang efisien.
Hibriditas Identitas Budaya Wayang Pada Film Made In Bali Karya Johar Prayudhi Sandi, Kadek; Hikmah Purnama, Dadang
Jurnal Empirika Vol. 10 No. 2 (2025): Jurnal Empirika
Publisher : Master Program in Sociology, Faculty of Social and Political Sciences, Universitas Sriwijay

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47753/je.v10i2.207

Abstract

This research reviews the Hybrid of Wayang Cultural Identity in the Movie Made in Bali, Work of Art by Johar Prayudhi, by observing the cultural transformation of Balinese wayang as a mixture of two cultures (Balinese and Japanese). The main artist is Made, a young player inheriting ancient tradition before the dilemma of defending traditional values versus accepting other cultural influences presented by Niluh, a friend of his with mixed Balinese and Japanese blood. This movie represents the negotiation process of cultural identity within the context of modernization and globalization. This research uses a qualitative approach through descriptive method as well as a visual ethnographic strategy. Analysis is based on the theory of Hybrid Homi K. Bhabha covering the Ambivalent concept, Mimicry, Third Space, and Metonymy of Presence. The outcome demonstrates that the Balinese wayang is not illustrated as traditional art, but also as a dynamic hybrid medium, so as to allow new identity formation through cultural exchange interaction. Hence, Made In Bali demonstrates that cultural identity is liquid, contextual, and negotiable. This research presents a contribution to the local cultural reviews through creative innovation in the globalization era.
Co-Authors Rizki Perdana, Ibrayoga Sandi, Kadek Siti Solikah Zahana, Yui