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All Journal Jurnal Bahasa dan Sastra Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Alinea: Jurnal Bahasa, Sastra, dan Pengajaran
Zannah, Putri Naufal Nurotul
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Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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Resistensi Perempuan Terhadap Ketidaksetaraan Gender Dalam Film “Seperti Dendam, Rindu Harus Dibayar Tuntas” Harini, Yostiani Noor Asmi; Zannah, Putri Naufal Nurotul
Alinea: Jurnal Bahasa, Sastra dan Pengajaran Vol. 5 No. 1 (2025): Alinea: Jurnal Bahasa, Sastra, dan Pengajaran
Publisher : Bale Literasi: Lembaga Riset, Pelatihan & Edukasi, Sosial, Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58218/alinea.v5i1.932

Abstract

This article offers a critical examination of Eka Kurniawan’s novel Seperti Dendam, Rindu Harus Dibayar Tuntas (Vengeance Is Mine, All Others Pay Cash) through the lens of feminist literary criticism, with a particular emphasis on the theme of female resistance against systemic gender inequality. The film adaptation brings to the forefront the multifaceted forms of patriarchal oppression endured by women in Indonesian society, encapsulated through the experiences of its central female character, Iteung. Positioned as both a victim and an agent of change, Iteung confronts entrenched violence, objectification, and discrimination with remarkable resilience and defiance. Her narrative arc becomes emblematic of women's capacity to reclaim autonomy and challenge the societal structures that confine them. This study delves into how the film constructs and communicates women's struggles, not merely as isolated acts of defiance, but as part of a broader collective consciousness necessary for dismantling patriarchal norms. It also interrogates how shifts in cultural attitudes towards gender roles contribute to the process of social transformation. In this context, the film transcends its function as a piece of entertainment and emerges as a medium of sociopolitical critique, education, and inspiration—mobilizing awareness and action in the ongoing pursuit of gender justice.
Mitos Perkawinan dalam Sawér Pangantén: Analisis Semiotika Roland Barthes Zannah, Putri Naufal Nurotul; Harini, Yostiani Noor Asmi; Durachman, Memen
Jurnal Bahasa dan Sastra Vol 14, No 1 (2026): In Progress
Publisher : Faculty of Languages and Arts, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jbs.v14i1.137122

Abstract

Sawér Pangantén is a form of Sundanese oral literature that serves as a medium for advice and prayer in wedding ceremonies.  This study aims to reveal the denotative, connotative, and mythical meanings in Sawér Pangantén texts and the cultural values they contain. Previous studies have primarily emphasized the normative function of this tradition and have not positioned sawér as an ideological mechanism that shapes and normalizes social perceptions of marriage. This research employs a qualitative approach using textual analysis based on Roland Barthes’ semiotics. The data consist of a sixteen-stanza Sawér Pangantén text obtained through recorded oral narration from a native informant in Cisewu, Garut Regency, and subsequently transcribed verbatim. The analysis was conducted stanza by stanza by mapping the relationship between signifier and signified (denotation), cultural meaning (connotation), and second-order signification (myth) that naturalizes ideology. The findings reveal four axes of the myth of marriage: the social legitimation of husband-wife status, orientation toward well-being and harmonious prosperity, divine and ancestral legitimation, and an ethic of sacred caution articulated through prayer. At the level of myth, marriage is legitimized as a sacred institution aligned with divine will and accepted as a naturalized social order within Sundanese society.
Resonansi verbal dan visual puisi kontemporer karya Aan Mansyur di Instagram: Kajian stilistika Zannah, Putri Naufal Nurotul; Harini, Yostiani Noor Asmi; Durachman, Memen
Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 9 No 1 (2026)
Publisher : Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/diglosia.v9i1.1581

Abstract

This study discusses Aan Mansyur's digital poem entitled TETAPI, TIDAK uploaded via the Instagram account @apoetographer. The background of this study stems from the phenomenon of poetry that combines literary style and visual elements on Instagram. The purpose of this study is to reveal how literary style as a verbal aspect and visual aspect of poetry resonate. The method used is descriptive qualitative with a stylistic approach by Pradopo (2021). The results show that Aan Mansyur uses language style to emphasise social criticism and moral awareness. The visual element of purple-green colour gradation reinforces the reflective and contemplative atmosphere. The conclusion of this study confirms that Aan Mansyur's digital poetry presents verbal and visual resonance, namely the harmony between the power of language and visual elements that reinforce each other in building an aesthetic experience. This resonance shows the transformation of the function of poetry in the digital era from a mere medium of expression to a reflective, empathetic, and humanistic space that unites words and colours in a single contemporary aesthetic consciousness.
Co-Authors Memen Durachman Noor Harini