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All Journal JOGED Jurnal Igel: Journal of Dance
Putra, Putu Parama Kesawa Ananda
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Arts Humanities

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Perpaduan Bali dan Jazz dalam Teknik Jazli, Tari Studi dalam Kontemporer Putra, Putu Parama Kesawa Ananda; Sudibya, I Gusti Ngurah; Satyani, Ida Ayu Wayan Arya
Jurnal IGEL : Journal Of Dance Vol 2 No 1 (2022): Terbitan Pertama Bulan Juni tahun 2022
Publisher : UPT Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (293.235 KB) | DOI: 10.59997/journalofdance.v2i1.1579

Abstract

The Blend of Bali and Jazz in Jazli Techniques, Dance Studies in Contemporary Jazli's dance work is a contemporary dance whose idea departs from the creator's personal experience. The experience of studying Jazz dance and the love of Balinese dance made the creators want to raise the acculturation of motion as the theme of the work. Through this dance work, the creator wants to convey the creator's pride in Balinese dance which is very flexible, so that it can be combined with Jazz dance originating from the West. This work aims to offer a new artistic creativity at the Indonesian Institute of the Arts Denpasar, especially in the Dance Study Program in completing the final project. The study dance type was chosen to combine Jazz dance techniques and Balinese dance techniques, so as to find new movement techniques. The creator uses Jacqueline Smith's method as the basis for building Jazli dance works. This method is divided into four stages, called the construction method I, II, III, and IV. In addition to the combination of movement techniques, in the process of his work there is also a combination of music and fashion to represent elements of Jazz and Bali. The form of presentation of Jazli dance works is a group of seven dancers, three male dancers and four female dancers. Jazli's movement technique is the result of the discovery in this dance work. Jazli's movement technique is the creator's reflection on the dance techniques he has studied. The creator hopes that Jazli's dance works can be used as inspiration for the younger generation, and Jazli's movement techniques can develop in Bali. Keywords: Contemporary, Experience, Jazli, Acculturation
IRAMA YANG DIWUJUDKAN : DIMENSI MEDITATIF DALAM PELATIHAN POLIMETER UNTUK PENARI Putra, Putu Parama Kesawa Ananda
Joged Vol 24, No 2 (2025): OKTOBER 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/joged.v24i2.17930

Abstract

ABSTRAKBody Notation adalah karya eksperimental yang mentransformasikan teknik musikal polymeter ke dalam bahasa tubuh, sekaligus menjadi solusi kreatif atas permasalahan "gending sing ngidang ngigelang" (musik yang tidak bisa ditarikan) di kalangan koreografer Bali. Penelitian ini menganalisis perkembangan kemampuan penari dan calon koreografer dalam merespons kompleksitas polymeter teknik musikal yang menggunakan dua ukuran birama berbeda dalam tempo sama, setelah diterapkan dalam praktik gerak. Melalui metode Alma Hawkins (eksplorasi, improvisasi, dan pembentukan). Eksperimen tahap awal ini menunjukkan bahwa transformasi polymeter memerlukan panduan tempo untuk mempertahankan konsistensi birama, sekaligus melatih kepekaan kinestetik penari. Temuan utamanya adalah perubahan signifikan dalam cara tubuh merespons tempo dan struktur musik—awalnya bergantung pada petunjuk eksternal (metronome), kemudian berkembang menjadi pemahaman internal melalui pengalaman gerak. Body Notation tidak hanya menjawab tantangan "gending sing ngidang ngigelang", serta membuka ruang bagi penciptaan tari kontemporer berbasis musikalitas kompleks. Implikasinya, karya ini menjadi fondasi untuk eksperimen lanjutan dalam mengintegrasikan polymeter dengan gerak tari Bali, dengan tujuan akhir mengubah paradigma dari "musik yang tidak bisa ditarikan" menjadi "ngigelang gending" (menarikan musik).ABSTRACTBody Notation is an experimental work that transforms the musical technique of polymeter into bodily language, while serving as a creative solution to the problem of "gending sing ngidang ngigelang" (music that cannot be danced to) among Balinese choreographers. This study analyzes the development of dancers' and aspiring choreographers' ability to respond to the complexity of polymeter—a musical technique that employs two different time signatures within the same tempo— when applied to movement practice. Using Alma Hawkins' method (exploration, improvisation, and formation), this preliminary experiment demonstrates that polymeter transformation requires tempo guidance to maintain rhythmic consistency while training dancers' kinesthetic sensitivity. The key finding is a significant shift in how the body responds to tempo and musical structure—initially relying on external cues (metronome) before evolving into internal understanding through movement experience. Body Notation not only addresses the challenge of "gending sing ngidang ngigelang" but also opens new possibilities for contemporary dance creation based on complex musicality. As such, this work lays the foundation for further experimentation in integratingpolymeter with Balinese dance movement, ultimately aiming to shift the paradigm from "music that cannot be danced to" to "ngigelang gending" (dancing the music).
Co-Authors Satyani, Ida Ayu Wayan Arya Sudibya, I Gusti Ngurah