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All Journal Jurnal Bahasa, Sastra, dan Budaya Jurnal Pembelajaran Bahasa dan Sastra
Guzali, Yurnaningsih
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Education Languange, Linguistic, Communication & Media Social Sciences Other

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Kritik Lingkungan pada Naskah Drama “Dhemit” Karya Heru Kesawa Murti: Kajian Ekokritik Greg Garrard Guzali, Yurnaningsih; Ali, Magvira; Harun, Witrian; Tayeb, Nuriyanci S.; Taumbung, Nuwafiqah S.; Kadir, Herson
Jurnal Bahasa, Sastra, dan Budaya Vol 14, No 2 (2024): (Mei 2024)
Publisher : Jurusan Pendidikan Bahasa & Sastra Indonesia, Universitas Negeri Gorontalo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37905/jbsb.v14i2.27115

Abstract

Kajian ini merupakan penelitian yang berfokus pada penemuan bentuk-bentuk ekokritik pada naskah drama karya Heru Kesawa Murti berjudul “Dhemit”  dengan menggunakan perspektif ekokritik Greg Garrard yang memfokuskan kajiannya terhadap 6 aspek. Tujuan dari kajian ini adalah untuk mendeskripsikan bentuk-bentuk ekokritik Greg Garrard dalam naskah drama “Dhemit”. Penelitian ini menggunakan metode deskripsi kualitatif, melibatkan teknik pengumpulan data yakni pembacaan dan pencatatan terhadap naskah drama “Dhemit” karya Heru Kersawa Murti, adapun teknik analisis data dilakukan dengan cara mengklasifikasi, mendeskripsi, menganalisis, menginterpretasi, dan menyajikan kesimpulan. Hasil penelitian menemukan 11 data berupa bentuk-bentuk ekokritik Garrard yang berasal dari narasi dan dialog naskah karya Heru Kersawa Murti berjudul “Dhemit”. Dalam naskah drama  karya Heru Kestawa Murti berjudul “Dhemit”, tema-tema seperti pencemaran lingkungan, keberlanjutan hutan belantara, dampak bencana alam akibat ulah manusia, konsep tempat tinggal yang selaras dengan alam, perlindungan habitat hewan, dan penghormatan terhadap alam sebagai entitas hidup, digambarkan dengan kuat dan mendalam.
Representation of Flowers in the Lyrics of the Songs Bunga Maaf and Bunga Abadi and the Nitizen Comment Guzali, Yurnaningsih; Salam; Dama, Yunus
Jurnal Pembelajaran Bahasa dan Sastra Vol. 5 No. 1 (2026): Januari 2026 | in progress
Publisher : Raja Zulkarnain Education Foundation

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55909/jpbs.v5i1.1034

Abstract

Song lyrics are not merely a sequence of words to be sung, but texts that convey values, situations, and emotional messages through figurative language such as metaphor, symbolism, hyperbole, and personification. Listeners actively construct meaning based on their experiences, emotions, and backgrounds, making interpretation subjective and personal. Therefore, this study focuses on two songs that feature the flower symbol in their lyrics, namely Bunga Maaf by The Lantis and Bunga Abadi by Rio Clappy, to describe how university students and YouTube netizens interpret the symbolic meaning of flowers within both songs. This study employs the theory of literary pragmatics, which emphasizes the role of the audience as meaning-makers, showing that a song only becomes meaningful when responded to by its listeners. The analysis also incorporates the concept of symbols, the perspective that considers songs as a form of literary work, and emotional classifications reflected in the lyrics to strengthen the interpretation process. The research uses a descriptive qualitative method, with data collected through YouTube comments, semi-structured interviews with students, and note-taking related to statements from the songwriters about the intended meaning of their songs. The findings are presented by linking the interpreted meanings with relevant theoretical frameworks to explain how symbolic representation and emotional elements shape the relationship between the singer, the text, and the audience. The results indicate that in Bunga Maaf, flowers symbolize regret, longing, and the desire to correct past mistakes, while in Bunga Abadi, they represent sincerity and everlasting love. These variations in interpretation highlight the influence of each listener’s emotional involvement and personal experience in constructing meaning.
Co-Authors Ali, Magvira Dama, Yunus Harun, Witrian Herson Kadir Salam Taumbung, Nuwafiqah S. Tayeb, Nuriyanci S.