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HISTORICAL AND AESTHETIC STUDY ON THE SIKAYU WOVEN FABRIC OF BOLAANG MONGONDOW Pontolaeng, Exel Stevanel; Matey, Meyer W.; Pangkey, Ferdinand
SoCul: International Journal of Research in Social Cultural Issues Vol. 3 No. 6 (2023): SoCul: International Journal of Research in Social Cultural Issues
Publisher : Faculty of Language and Arts (Fakultas Bahasa dan Seni) Universitas Negeri Manado

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53682/soculijrccsscli.v3i6.8391

Abstract

Sikayu woven fabric not only has historical value as a cultural expression, but is also recognized as a work of art that has aesthetic value, so the purpose of this study is to identify the history of Sikayu woven fabric and identify the aesthetic value of each supporting element of Sikayu woven fabric. This research adopts a qualitative method that produces descriptive data, utilizing observation, interviews with sources, and literature studies to obtain accurate information, this research was basically carried out in Mogolain Kotamobagu as a research location because it supports researchers in conducting data analysis. The results showed that Sikayu woven fabric is not only a textile product, but also a symbol of historical and cultural values. The visualization of these values is reflected in the form, motif, art structure, art style, and art function that form the elements of the work. The unity, complexity, and solemnity of each work are clear evidence of the rich artistic values contained in the Sikayu woven fabric. The implications of this research are the history and aesthetics of the Sikayu woven fabric.
THE ANALYSIS ON THE DEVELOPMENT OF THE KABELA AS A SYMBOL OF TRADITIONAL HONOUR FOR THE PEOPLE OF BOLAANG MONGONDOW Sumardiko; Kolibu, Ronald M. P.; Pangkey, Ferdinand
SoCul: International Journal of Research in Social Cultural Issues Vol. 3 No. 6 (2023): SoCul: International Journal of Research in Social Cultural Issues
Publisher : Faculty of Language and Arts (Fakultas Bahasa dan Seni) Universitas Negeri Manado

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53682/soculijrccsscli.v3i6.8393

Abstract

This research aims to explain the development of Kabela in Bolaang Mongondow culture and its philosophical meaning. Kabela is a container for placing betel (obuyu'), areca nut (mama'an), whiting and tobacco (tabaku') as a banquet for guests. The type of research used in this study is qualitative using a descriptive approach. Data collection techniques through observation, interviews, and documentation. Data sources in this study are divided into two, namely primary data from interviews and secondary data from written records. Data analysis in this study uses data reduction, data review and conclusion drawing. The results of this study show that there are several developments in the form of Kabela from simple forms to having decorations. There are past motifs such as pata' lumandai, pata' malasai, and current motifs such as coconut, flower and geometric motifs. The colours used in the past were red, white and black while today additional colours such as green, yellow, blue, purple and others are used. Each creation of Kabela used to have various philosophical meanings while the current Kabela emphasises more on aesthetic value. It is hoped that the community, especially Bolaang Mongondow, can continue to preserve this historical art object so that it is not lost or forgotten by future generations.
ORNAMEN RUMAH ADAT SUKU TORAJA DI DESA BONORAN KECAMATAN KESU KABUPATEN TORAJA UTARA: KAJIAN MAKNA DAN ESTETIS Sari, Thesa Erliana; Matey, Meyer W.; Pangkey, Ferdinand
KOMPETENSI Vol. 4 No. 10 (2024): KOMPETENSI : Jurnal Ilmiah Bahasa dan Seni
Publisher : Fakultas Bahasa dan Seni, Universitas Negeri Manado

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53682/kompetensi.v4i10.9363

Abstract

Ornamen rumah adat Tongkonan< em> merupakan bukti peninggalan kebudayaan yang ada hingga sekarang dan banyak mengandung arti dan nilai estetik yang di ukir pada bagian dinding rumah Tongkonan< em> dengan berbagai macam bentuk motif tertentu Penelitian ini bertujuan mendeskripsikan makna makna dari setiap ukiran yang ada bentuk yang tergambar dari motif motif yang ada kepercayaan kepada beberapa motif dalam penempatannya fungsinya dan estetika dari ornamen rumah adat Tongkonan< em> suku Toraja di Desa Bonoran Penelitian ini sifatnya kualitatif dengan melakukan observasi analisis visual studi pustaka dan wawancara dengan harapn untuk menjawab semua persoalan Penelitian dilakukan di Desa Bonoran Kecamatan Kesu Kabupaten Toraja Utara Data dianalisi dengan interaksi analisis terhadap kajian historis kajian estetik dan kajian makna Data data dari penelitian yang dilakukan yaitu berusumber dari observasi yang berupa peritiwa aktivitas pelaku tempat atau lokasi dan benda serta rekaman gambar Kemudian wawancara mendalam dalam konteks struktur terkini tentang individu peristiwa kegiatan organisasi perasaan motivasi tanggapan atau pengamatan dan lain sebagainya Yang terakhir data diperoleh dari dokumentasi dokumentasi yang didapatkan dari berbagai buku peninggalan kebudayaan setempat buku dari perpustakaan daerah serta buku buku penunjang lainnya Hasil penelitian ini menunjukkan bahwa ornamen ornamen yang terdiri dari motif tumbuhan motif benda motif hewan serta motif geometris Ornamen rumah adat Tongkonan< em> diletakkan pada dinding rumah adat pintu jendela dan beberapa tiang rumah telah terjadi perubahan konsep atau pandangan masyarakat dari perkembangan motif dan aturan peletakannya demikian pula makna sehingga dari hasil penelitian tersebut menjadi pertimbangan penting untuk konservasi bersejarah bagi generasi yang akan datang < p>