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All Journal Panggung Jurnal bahasa, sastra, seni, dan pengajarannya
Prihatin, Wahyu
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Arts Education Languange, Linguistic, Communication & Media Library & Information Science Other

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Model Pengembangan Iringan Tari Jaran Kepang Kiswanto, Kiswanto; Nugroho, Wahyu; Prihatin, Wahyu
PANGGUNG Vol 34 No 3 (2024): Kreativitas, Seni Kontemporer, dan Pariwisata Berkelanjutan
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v34i3.3216

Abstract

ABSTRAK Penelitian ini bertujuan untuk mengkonseptualisasikan dan memformulasikan karakteristik bentuk pola ke dalam suatu model yang merepresentasikan mengenai bangunan sistem musikal gending jaranan, metode (tahapan dan strategi) pengembangannya, serta hasil karya dari pengembangan itu sendiri. Penelitian dilakukan melalui pendekatan etnografi yang berlatar kegiatan partisipatif dan kolaboratif dengan teknik pengumpulan data melalui aktivitas pengamatan, wawancara, dokumentasi, dan studi pustaka. Penelitian ini menghasilkan temuan berupa model pengembangan sajian gending jaranan yang mengacu pada aspek penataan dan penggarapan sajian gending (musik). Model pengembangan sajian gending jaranan dapat diidentifikasi dan dijelaskan berdasarkan (1) pola dasar sajian gending jaranan, (2) metode pengembangannya, serta (3) bentuk dari hasil pengembangan tersebut. Tulisan ini didasarkan pada suatu argumen bahwa seni pertunjukan rakyat Jawa yang dahulu sering diremehkan dan dipandang sebelah mata, kini telah bertransformasi menjadi sebuah kekuatan budaya yang adaptif dan dinamis untuk menyesuaikan diri terhadap konteks kebutuhan serta perkembangan estetika dan selera masyarakat. Kata kunci: Jaran Kepang, Model Pengembangan Kesenian, Gending Jaranan, Seni Kerakyatan
Flexibility in Javanese Folk Performing Arts: Adaptation, Creation, and Innovation Kiswanto, Kiswanto; Paimin, Paimin; Prihatin, Wahyu
Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya
Publisher : citeus

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Abstract

This study aims to uncover and explain the concept and model of flexibility as a mechanism for the sustainability of folk performing arts amidst conditions of social and cultural change. The study was conducted using an ethnographic approach, based on participatory and collaborative activities within the Turonggo Seto Boyolali group, and supported by data collection techniques including observation, interviews, documentation, and literature review. The results of this study indicate that flexibility is a principle and approach applied through the process of adaptation, creation, and innovation. This process is carried out to preserve and develop traditional performing arts, ensuring they continue to exist and evolve amid changes in their social and cultural context. Adaptation, creation, and innovation in the form and variety of artistic presentations are carried out by considering several aspects, namely the development of aesthetic needs (tastes) of performing artists, audience segmentation (social and market), the needs or requirements of the performance organization, and the spatial and temporal context of the performance organization. The process occurs through the practice of diversification and differentiation of artworks, followed by developments in almost every type of artwork. The results of this process make the TSB group more flexible in determining and selecting the types of artworks to be offered and presented for performance. In general, folk performing arts performances are divided into Full Performance Formats and Limited Performance Formats.
Co-Authors Kiswanto Kiswanto PAIMIN Wahyu Nugroho