Article Per Year (5 Year)
p-Index From 2021 - 2026
0.408
P-Index
This Author published in this journals
All Journal Alinea: Jurnal Bahasa, Sastra, dan Pengajaran
Thalia Ayu Wardani, Dea
Unknown Affiliation
Religion Education Languange, Linguistic, Communication & Media

Published : 2 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 2 Documents
Search

 1 
The Representation of Patriarchy in the Movie Enola Holmes 1: A Feminist Literary Criticism Thalia Ayu Wardani, Dea; Gusthini, Misyi
Alinea: Jurnal Bahasa, Sastra dan Pengajaran Vol. 5 No. 3 (2025): Alinea: Jurnal Bahasa, Sastra, dan Pengajaran
Publisher : Bale Literasi: Lembaga Riset, Pelatihan & Edukasi, Sosial, Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58218/alinea.v5i3.2019

Abstract

Patriarchy is a form of cultural domination that generates gender inequality within society. In this culture, patriarchy is understood as a social system that places men in dominant positions, thereby producing gender disparities. As a result, women experience inequality in various aspects of life. In response to this condition, the feminist movement emerged as a form of resistance against such disparities, aiming to advocate for and strengthen women's rights. This study seeks to examine the representation of patriarchy in the film Enola Holmes 1 using Sylvia Walby's theory of the six structures of patriarchy (1990). A qualitative descriptive method was employed, with data collected through observation of dialogues using a feminist literary criticism approach, particularly focusing on the concept of radical feminism. The findings reveal eight pieces of evidence that represent three main categories of radical feminism: (1) resistance against patriarchy, demonstrated through the rejection by female characters of male control and restrictive social structures; (2) rejection of traditional gender roles, reflected in Enola's refusal to conform to the idealized image of Victorian women; and (3) self-empowerment and personal autonomy, visible through Enola’s awareness and actions in determining her own future without submitting to patriarchal norms. These findings affirm that Enola Holmes 1 not only presents feminist issues but also illustrates the struggle for women's liberation from patriarchal structures embedded within familial, cultural, and political domains.
The Representation of Patriarchy in the Movie Enola Holmes 1: A Feminist Literary Criticism Thalia Ayu Wardani, Dea; Gusthini, Misyi
Alinea: Jurnal Bahasa, Sastra dan Pengajaran Vol. 5 No. 3 (2025): Alinea: Jurnal Bahasa, Sastra, dan Pengajaran
Publisher : Bale Literasi: Lembaga Riset, Pelatihan & Edukasi, Sosial, Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58218/alinea.v5i3.2019

Abstract

Patriarchy is a form of cultural domination that generates gender inequality within society. In this culture, patriarchy is understood as a social system that places men in dominant positions, thereby producing gender disparities. As a result, women experience inequality in various aspects of life. In response to this condition, the feminist movement emerged as a form of resistance against such disparities, aiming to advocate for and strengthen women's rights. This study seeks to examine the representation of patriarchy in the film Enola Holmes 1 using Sylvia Walby's theory of the six structures of patriarchy (1990). A qualitative descriptive method was employed, with data collected through observation of dialogues using a feminist literary criticism approach, particularly focusing on the concept of radical feminism. The findings reveal eight pieces of evidence that represent three main categories of radical feminism: (1) resistance against patriarchy, demonstrated through the rejection by female characters of male control and restrictive social structures; (2) rejection of traditional gender roles, reflected in Enola's refusal to conform to the idealized image of Victorian women; and (3) self-empowerment and personal autonomy, visible through Enola’s awareness and actions in determining her own future without submitting to patriarchal norms. These findings affirm that Enola Holmes 1 not only presents feminist issues but also illustrates the struggle for women's liberation from patriarchal structures embedded within familial, cultural, and political domains.
Co-Authors Gusthini, Misyi