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DIKSI DALAM KUMPULAN PUISI MANIFESTO KOPLO KARYA ADITYA ARDI N Siti Maisaroh; Mu'minin; Anton Wahyudi
Jurnal Bastra (Bahasa dan Sastra) Vol. 10 No. 1 (2025): JURNAL BASTRA EDISI JANUARI 2025
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia, FKIP, Universitas Halu Oleo Kampus Bumi Tridharma Andounohu Kendari, Provinsi Sulawesi Tenggara – Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36709/bastra.v10i1.1166

Abstract

This research related to diction in poetry collections shows that the author's creativity is very sharp and detailed in using linguistic devices that can beautify the work itself. It is proven by the efforts to empower poetry or rhyme that it is very productive and complex, almost all the poems contained in this poetry collection contain very interesting rhymes so that the aesthetic effect is very well maintained and is able to show the individual characteristics of the author. The beautiful effect in this collection of poetry is apart from the use of various rhyme patterns as well as the way the author displays the number of lines in each stanza. Each stanza in a poem does not always consist of four lines (like most poems) but these vary widely. Apart from the way the rhyme is arranged, the uniqueness of the lines in the poetry verses by the author can be seen from the naming of the title of each poem. The poetry titles are all related to the components that surround the dangdut koplo group community, some are related to the name of the singer, the name of the musician, the guitar, the drummer, the flute, and so on.
STYLISTIC ANALYSIS ON THE ALBUM OF SONGS BY REY MBAYANG Anisa Kurniawati; Mu'minin
Al-Mubin Jurnal Ilmiah Islam
Publisher : Department of Research and Community Service at the Ummul Quro Al-Islami Bogor Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51192/almubin.v9i2.2947

Abstract

This study is motivated by the fact that language in song lyrics serves not only as a medium for conveying messages but also possesses aesthetic value through word choice, stylistic devices, and imagery. An album by Rey Mbayang was selected as the object of study due to its polite, religious, emotional, and poetic linguistic characteristics. The study aims to describe the forms and types of diction, analyze stylistic devices, and describe the imagery and meanings constructed through the use of stylistic elements in Rey Mbayang's song lyrics. This research employs a qualitative approach using a descriptive-analytical method. The data sources consist of the lyrics of six songs by Rey Mbayang: “Di Sepertiga Malam”, “Sempurnakan Hariku”, “Ku Yakin Bahagia”, “Untuk Apa”, “Selamat Tinggal”, and “Tentang Setelahnya”. Data collection techniques involved documentation, the "listen-and-note" method, and data classification. Data analysis techniques included identification, classification, interpretation, and drawing conclusions. The results indicate that Rey Mbayang's lyrics employ diverse diction that is religious, affective, contemplative, euphemistic, and visionary in nature. Stylistic devices identified include metaphor, personification, hyperbole, repetition, and rhetorical questions. The imagery utilized encompasses visual, auditory, tactile, kinesthetic, gustatory, and emotional imagery. These elements serve to enhance aesthetic value, establish an emotional atmosphere, and convey meanings related to prayer, love, happiness, contemplation, sincerity, and hope for the afterlife. Overall, the stylistics in Rey Mbayang's lyrics demonstrate a blend of modern, romantic, polite, and religious language, resulting in poetic expressions that possess depth of meaning