Adita Widara Putra
Universitas Siliwangi, Indonesia

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KAJIAN ANTROPOLOGI SASTRA PADA NASKAH DRAMA “DR. ANDA” KARYA WISRAN HADI Muhammad Firhan Ariz; Ninda Dawilatul Aliyah; Natasya Marthasifa; Dimas Hermawan; Asma Izzati; Dzikry Aqbil Rais; Adita Widara Putra
Jurnal Bastra (Bahasa dan Sastra) Vol. 11 No. 1 (2026): JURNAL BASTRA EDISI JANUARI 2026
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia, FKIP, Universitas Halu Oleo Kampus Bumi Tridharma Andounohu Kendari, Provinsi Sulawesi Tenggara – Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36709/bastra.v11i1.1416

Abstract

Drama is a literary work that expresses stories about the various portrait of human life through dialogues among it’s characters and is performed as a staging on stage. However sometimes a drama script is not considered as one of the parts of the drama itself, even though if studied fundamentally a drama performance would never succeed without a drama script. In the field of literature, the study of literary becomes an important activity in an effort to uncover and understand the hidden meanings that the author wishes to convey in their literary work. At present, there are various approaches that can be used to study literary work, one of which is the literary anthropology approach. This study to examine in an effort to uncover cultural elements and understand the hidden meanings that Wisran Hadi wants to convey in his drama script titled “Dr. Anda”. This study uses a qualitative method with a hermeneutic approach. In the meantime, the data collection technique using documentation with data analysis techniques using deconstruction. Based on the results of the literary anthropology study, the drama script “Dr. Anda” by Wisran Hadi tells the story of an character named Dr. Anda who delivers a lecture on the culture of the Minangkabau society, particularly the traditional ceremony of the appointment of a penghulu. The author depicts elements of Minangkabau society’s culture, which are rich in meaning and quite philosophical to the readers. Furthermore, this study hopes to provide additional references and relevance to the study of literature in Indonesia, particularly in the study of drama.
PURE STRUCTURALISM ANALYSIS OF THE MONOLOGUE MANUSCRIPT "AENG" PUTU WIJAYA Tia Nurhayati; Anissa Nur Fatwa; Zita Fany Puteri Pratama; Wulan Safirah Permata; Adita Widara Putra
PENTAS : Jurnal Ilmiah Pendidikan Bahasa dan Sastra Indonesia Vol 11 No 1 (2025): PENTAS: Mei 2025
Publisher : Pendidikan Bahasa dan Sastra Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52166/pentas.v11i1.9336

Abstract

The objective of this analysis is to thoroughly dissect the intrinsic structure of the text, which includes themes, characters and characterization, plot, setting, point of view, language style, and messages. AENG features the character Alimin, a prisoner reflecting on his life journey as he faces imminent execution. Through dense and emotional narration, the script presents profound inner turmoil, social critique, and existential irony. The methodology employed is descriptive-qualitative, utilizing structural analysis based on pure structuralism literary theories. Data is gathered through literature review of the script, supplemented by scholarly studies from literary journals. The findings indicate that AENG embodies complex humanitarian values and a robust dramatic structure, making this monologue a reflection of the moral crisis in modern society. By addressing social realities through a structural approach, AENG offers a narrative that not only resonates with the reader's inner self but also stimulates collective awareness of justice and humanitarian values.