Azril Azifambayunasti
Universitas Negeri Malang

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Bias atau Realita: Analisis Wacana Konflik Timor Timur dalam Buku Teks Sejarah Indonesia Pasca Orde Baru Azril Azifambayunasti; Annisaa Khansa Labibah; Raisha Hafandi; Athifa Raissa Putri; Linda Tiya Wati; Shendy Dyah Pramesti
Jurnal Humanitas: Katalisator Perubahan dan Inovator Pendidikan Vol 11 No 4 (2025): Desember
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/jhm.v11i4.32735

Abstract

This research aims to analyze the discourse of the East Timor conflict presented in post New Order history textbooks. It will also explore the background of its presentation. This research is departing from the facts that: first, During the 1975-1999, the Indonesian military occupied East Timor (often called integration by the Indonesian government) and was involved in a conflict related to human rights violations. Second, the conflict is part of Indonesian history that should be conveyed and become a lesson. Thus, it is necessary to explore how the curriculum and history textbooks produce and reproduce discourse related to the East Timor conflict. This research is expected to be a consideration in the process of updating the history curriculum to be more critical and open to marginalized narratives. The result show that the presentation of the East Timor conflict in post-New Order history textbooks tends to position the Indonesian government as the primary actor and ignores the complex roots of the problem. The balanced narrative is deemed unacceptable to the wider public. This is inextricably linked to the prevailing discourse that the conflict between East Timor and Indonesia was limited about the separation from the republic. However, the underlying issues involving human rights violations have never been resolved justly.
Upcycling Used Cement Sacks into Wayang Beber Paintings: A Participatory Approach to Environmental Sustainability and Cultural Preservation in Rural Schools Gandung Senatama; Nasikhun Amin; Alvina Rizqy Octivani; Azril Azifambayunasti; Luthfi Alif Dinar Choirunnisa
Aktualisasi Pengabdian Masyarakat Vol. 4 No. 1 (2026)
Publisher : Fakultas Tarbiyah dan Ilmu Keguruan UIN Syekh Wasil Kediri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30762/akdimas.v4i1.8624

Abstract

The increasing accumulation of industrial waste, particularly used cement sacks that are difficult to decompose naturally, has become a significant and pressing environmental problem. The traditional art of Wayang Beber, as a national cultural heritage, also faces a slow but real threat of degradation, due to the decreasing relevance of its conventional presentation medium among the younger generation. This study aims to explore the potential of used cement sacks as an alternative medium for Wayang Beber paintings, while also evaluating their contribution to the reduction of non-organic waste and the revitalization of traditional art. This study uses a Participatory Rural Appraisal (PRA) model, which was implemented in two locations: SDN Widoro and MI Guppi Widoro. The experimental results show that the physical characteristics of cement sacks, including their absorbency and distinctive surface texture, present a new aesthetic dimension that enriches the visual expression of Wayang Beber. Utilization of this material also significantly contributes to the reduction of industrial waste, in line with the principles of sustainable development. The positive response from the community, especially the younger generation, indicates that a recycling-based approach can increase the appeal of traditional art without sacrificing its cultural authenticity. For the sustainability value, this activity is carried out periodically with further development of batik motifs.