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All Journal Ekspresi: Indonesian Art Journal Gondang: Jurnal Seni dan Budaya SEMAR Multidiciplinary Output Research for Actual and International Issue (Morfai Journal)
Rio Fernandez Tamba
Politeknik Wilmar Bisnis Indonesia
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Culture Ministry Meeting G20 Cultural Carnival as an Introduction to the Value of Borobudur Temple Relief Rio Fernandez Tamba
Gondang: Jurnal Seni dan Budaya Vol 6, No 2 (2022): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2022
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v6i2.40186

Abstract

The implementation of the Cultural Carnival at the 2022 G20 Culture Ministers Meeting Series was carried out by taking values from the Jataka of the Borobudur Temple. Not from the implementation of the Cultural Carnival using 20 Jataka reliefs by combining dances, costumes, props, and ogoh-ogoh to be performed. Jataka reliefs is a medium to introduce and instill the value of Jataka reliefs in everyday life. This study uses an approach of processing research data in a descriptive way to explain how to instill the value of the temple's jataka reliefs in implementing the G20 Cultural Carnival. Implementing the CMM G20 Cultural Carnival can be carried out well by presenting performances from 20 villages in Borobudur District using performances in the Cultural Carnival. The results of this study explain the planting of values from the Jataka Reliefs of Borobudur Temple in implementing the production of the Cultural Carnival. This activity gains a positive perspective from character by developing the abilities of local communities and increasing creativity so that it becomes a new type of art that instills value from the Jataka reliefs of Borobudur Temple. The values depicted from each of the fable reliefs of Borobudur Temple are expected to become cultural icons of the community in welcoming tourists visiting Borobudur Temple, Central Java, Indonesia.
TOURIST PERCEPTION OF ATTRACTIONS, ACCESSIBILITY AND AMENITIES AT THE KARO REGENCY FRUIT AND FLOWER FESTIVAL Juni Anggraini; Rio Fernandez Tamba; Enty Simanjuntak
Multidiciplinary Output Research For Actual and International Issue (MORFAI) Vol. 6 No. 1 (2026): Multidiciplinary Output Research For Actual and International Issue
Publisher : RADJA PUBLIKA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5281/zenodo.18639642

Abstract

The Karo Regency Fruit and Flower Festival is an annual event held in Karo Regency. This festival is rooted in local traditions such as thanksgiving for fertile soil and abundant harvests. This study aims to determine tourist perceptions of attractions, accessibility, and amenities at the Fruit and Flower Festival. The method used in this study is descriptive quantitative. In this study, the data source is domestic tourists who have visited the Fruit and Flower Festival one or more times. The number of respondents in this study was 124 respondents. Based on Descriptive Statistical Analysis, tourist perceptions of Attractions, Accessibility, and Amenities at the Karo Regency Fruit and Flower Festival are generally classified as very good, when associated with the range of interpretation of the average score on a Likert scale of 1–5. Attractions and Accessibility received consistent ratings from tourists, indicating that the attractiveness of the festival and ease of access to the location were considered satisfactory and were the main factors in shaping their experience. Meanwhile, tourist perceptions of Amenities were also classified as very good, but showed slightly higher variations, indicating differences in individual experiences regarding comfort, supporting facilities, and additional services during the festival.
Integrasi Arsip Musik Batak sebagai Inovasi Strategis dalam Pengelolaan Konvensi dan Acara Berbasis Budaya Rio Fernandez Tamba; Taufiqurrahman Taufiqurrahman; Jhon Fawer Siahaan; Novita Selvitri Nabilla
SEMAR (Jurnal Ilmu Pengetahuan, Teknologi, dan Seni bagi Masyarakat) Vol 14, No 2 (2025): November
Publisher : LPPM UNS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/semar.v14i2.108774

Abstract

Penelitian ini mengembangkan platform digital arsip musik Batak sebagai inovasi strategis dalam pengelolaan konvensi dan acara berbasis budaya. Musik Batak dipilih karena memiliki nilai historis sekaligus potensi sebagai diferensiasi acara, namun sebagian besar arsipnya masih tersebar dan belum terdigitalisasi sehingga sulit diakses oleh penyelenggara acara maupun masyarakat. Melalui pendekatan Research and Development (R&D), penelitian ini melaksanakan eksplorasi lapangan, menghimpun 30 arsip musik dari kolektor, musisi, dan pelaku budaya di Medan, Samosir, dan Tanah Karo, serta mendigitalisasi 18 arsip dengan standar audio dan metadata yang terstruktur. Data dianalisis secara tematik untuk memastikan relevansi budaya sekaligus kebutuhan industri MICE. Hasilnya berupa prototipe platform digital yang tidak hanya berfungsi sebagai dokumentasi, tetapi juga sebagai sarana komunikasi, rekomendasi musik, dan media pembelajaran. Kontribusi utama penelitian ini adalah menghadirkan model integrasi arsip musik tradisional ke dalam ekosistem ekonomi kreatif melalui event management, yang memperkuat identitas budaya, memperluas akses legal, serta membuka peluang kolaborasi lintas aktor antara musisi, penyelenggara acara, dan akademisi.
Musik Pop Batak sebagai Representasi Identitas Kultural: Sebuah Kajian Historis dan Sosial 1990-2010 Rio Fernandez Tamba
Ekspresi Vol 15, No 1 (2026)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ekspresi.v15i1.17374

Abstract

Artikel ini ditulis sebagai kajian mengenai dinamika historis musik pop Batak yang ditelaah dalam periode khusus yakni dari tahun 1990-2010. Artikel ini berfokus pada transformasi musik tradisional dari sub-etnik Batak seperti Karo, Pakpak, Simalungun, Toba, Mandailing, dan angkola. Transformasi yang ditelaah menyorot perubahan dari yang semula tradisional menjadi bentuk musik populer yang terintegrasi dalam industri rekaman dan hiburan nasional. Penelitian yang dilakukan melibatkan metode kualitatif deskriptif dengan pendekatan studi literatur dengan melakukan juga analisis terhadap isi terhadap lirik, visual album, serta dokumentasi pertunjukan. Hasil penelitian menunjukkan bahwa musik Pop Batak berfungsi sebagai ruang hibridisasi antara tradisi dan modernitas. Elemen musik tradisional diadaptasi ke format pop modern melalui peran tokoh pionir dan media rekaman. Musik tidak hanya menjadi hiburan, tetapi juga menjadi medium artikulasi nilai sosial, spiritual, dan identitas kolektif masyarakat Batak di tengah perubahan sosial dan perkembangan teknologi media. Musik pop Batak hadir sebagai representasi identitas kultural mereka. Temuan pada artikel ini menegaskan bahwa musik Pop Batak memiliki kontribusi penting dalam memperkuat keberlanjutan budaya, membangun rasa kebanggaan etnis, serta memperluas wacana musik populer Indonesia melalui perspektif etnomusikologi.Kata kunci: Musik Pop Batak, Identitas Kultural, Industri Musik, Kajian Historis, Representasi Budaya This study examines the historical and social dynamics of Batak Pop music from 1990 to 2010, as a form of representation of the cultural identity of the Batak people. The study focuses on the transformation of traditional music from Batak sub-ethnicities (Karo, Pakpak, Simalungun, Toba, Mandailing, Angkola) into a form of popular music integrated into the national recording and entertainment industry. The method employed is a descriptive, qualitative approach with a historical perspective, incorporating content analysis of lyrics, album visuals, and performance documentation. The results show that Batak Pop music functions as a hybrid space between tradition and modernity, where traditional musical elements are adapted to a modern pop format through the role of pioneering figures and recording media. Music is not only entertainment, but also a medium for articulating social, spiritual values, and collective identity of the Batak people amidst social change and the development of media technology. These findings confirm that Batak Pop music makes a significant contribution to strengthening cultural sustainability, building a sense of ethnic pride, and expanding the discourse of Indonesian popular music from an ethnomusicological perspective.Keywords: Batak Pop Music, Cultural Identity, Music Industry, Historical Studies, Cultural Representation
Co-Authors Enty Evasari Simanjuntak Jhon Fawer Siahaan Juni Anggraini Novita Selvitri Nabilla Taufiqurrahman Taufiqurrahman