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All Journal Priviet Social Sciences Journal Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan
Rosalina , Venny
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The social functions of the Galombang Dance in the dynamics of Minangkabau community life in Padang City Aulya, Vinna; Palindo, Frendy Satria; Rosalina , Venny; Ferdian, Robby; Yuda, Fabio
Priviet Social Sciences Journal Vol. 5 No. 12 (2025): December 2025
Publisher : Privietlab

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55942/pssj.v5i12.1250

Abstract

This study aims to explain the social functions of the Galombang Dance within the dynamics of the Minangkabau community life in Padang City. The Galombang Dance serves not only as a form of entertainment or aesthetic expression but also as a sociocultural medium that reflects traditional values, communal solidarity, and respect for guests. This research employed a qualitative method, with data collected through observations, interviews, and documentation. The data were analyzed descriptively and analytically using an interpretive approach to understand the social and cultural meanings embedded in the performance of the Galombang Dance. The findings reveal that the Galombang Dance functions to strengthen community solidarity, reaffirm Minangkabau cultural identity, and adapt to ongoing social changes. Although its forms and modes of presentation have undergone transformation, the traditional values and social functions it embodies continue to be preserved by the supporting community. Thus, the Galombang Dance can be understood as a form of living local wisdom that remains adaptive to contemporary developments.
BENTUK PERTUNJUKAN RANDAI JALIKDALAM UPACARA PERKAWINAN DI KELURAHAN PADANG SARAI KOTO TANGAH Cindy Eka Putri; Rosalina , Venny
Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Vol. 4 No. 1 (2026): Februari
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/myhckm66

Abstract

This study aims to identify and describe the form of the Randai Jalik performance in wedding ceremonies in Padang Sarai Koto Tangah Sub-district. This research is qualitative with a descriptive approach. The research instrument is the researcher themselves, assisted by supporting instruments such as writing tools and a camera. Data was collected through literature studies, observation, interviews and documentation. The steps for analysing the data are data collection, data reduction, data processing and drawing conclusions. The results show that the form of the Randai Jalik performance in wedding ceremonies in Padang Sarai Koto Tangah Sub-district consists of Randai performers, galombang, songs, music, costumes, audience and the performance venue. Randai Jalik features 17 types of movements, namely: Tapuk Sarumpun Sarampak movement, Balabek movement, Mohon Ampun movement, Siku Tigo Duduak movement, Himbauan movement, Patik movement, Anta Japuik Tabao movement, Sipak Belaan Sambutan attack movement, Jago Jalik movement, Tamparan block movement, Sipak Lapeh movement, Tapuak Galembong inside-out movement, Manuai Padi movement, Mananam Padi movement, Siku Tigo Tagak movement, Sipak Kudo movement, and Sambah movement. Randai Jalik is performed by 4 men and 8 women with a duration of approximately 25 minutes. The accompanying music uses traditional instruments, namely, gandang tambua, talempong, pupuik batang padi, and tasa. The costume used is a black silek costume.
Co-Authors Cindy Eka Putri Ferdian, Robby Palindo, Frendy Satria Vinna Aulya Yuda, Fabio