Chayara Evrillica
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DARI JALUR SUTRA KE NUSANTARA: AKULTURASI ARSITEKTUR TIONGHOA ISLAM DI INDONESIA Chayara Evrillica; Jesselyn Yobella Shalom; Vina Putri Aryani
Jurnal Ilmiah Multidisiplin Ilmu Vol. 2 No. 6 (2025): Desember : Jurnal Ilmiah Multidisiplin Ilmu (JIMI)
Publisher : CV. Denasya Smart Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69714/7k7y9t97

Abstract

This study examines the acculturation of Chinese Islamic architecture in Indonesia through cultural interactions that have taken place since the Silk Road era. This acculturation is reflected in the presence of Chinese Islamic–style mosques, such as the Muhammad Cheng Hoo Mosque in Surabaya, the Lautze Mosque in Jakarta, and the Siti Djirzanah Mosque in Yogyakarta, which integrate elements of traditional Chinese temple architecture with Islamic principles. This study is directed toward analyzing the process of development of Chinese Islamic architectural acculturation as well as examining the forms of cultural integration and social meanings reflected in mosque buildings. This study employs a qualitative approach using a library research method to obtain an in-depth understanding of the acculturation of Chinese Islamic architecture in Indonesia. This approach was selected because the research focuses on the interpretation of meaning, cultural context, and architectural symbols that cannot be reduced to numerical data. The data were analyzed using a descriptive qualitative method by synthesizing findings from various relevant and credible scholarly sources. The primary contribution of this study lies in the formulation of the characteristics of Chinese Islamic–style mosque architecture as a form of cultural acculturation and as a representation of social meanings within the context of Islamic diversity in Indonesia.
ANALISIS REAKSI DAN TINGKAT PEMAHAMAN GEN Z TERHADAP WAYANG KULIT Mohamad Andhika Tangguh Pradana; Chayara Evrillica; Jocelyn Sharon Givenia Hutagalung
Jurnal Ilmiah Multidisiplin Ilmu Vol. 2 No. 6 (2025): Desember : Jurnal Ilmiah Multidisiplin Ilmu (JIMI)
Publisher : CV. Denasya Smart Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69714/qarz2r43

Abstract

This study examines Generation Z's understanding of Wayang Kulit amidst cultural transformation triggered by digitalization. Using a descriptive-quantitative approach with 60 respondents, this study analyzes three key components: cognitive understanding, affective responses, and cultural consumption behavior. Results indicate that while Gen Z possesses high awareness of Wayang Kulit, their understanding remains superficial, limited to popular characters and accessible narratives. Affectively, respondents demonstrated consistent cultural pride; however, this paradoxically contrasts with a low interest in watching traditional full-length performances. Behaviorally, exposure occurs primarily through short-form digital content, shifting Wayang's position from a moral education tool to merely visual art. Consequently, the study concludes that cultural preservation requires repackaging through digital storytelling and interactive formats to maintain Wayang Kulit's relevance in the future.