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All Journal Busyro : Jurnal Dakwah dan Komunikasi Islam Lingua Technica: Journal of Digital Literary Studies
Yahya Auliya Abdillah
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Education Languange, Linguistic, Communication & Media Social Sciences Other

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The Role of YouTube as a Digital Da'wah Medium in Preventing Drug Abuse Among Teenagers Yahya Auliya Abdillah; Ahmad Mirzaq Miftahul Huda; Abdillah, Wiwin Warliah
Busyro: Jurnal Dakwah dan Komunikasi Islam Vol. 7 No. 1 (2025): November : Busyro : Jurnal Dakwah dan Komunikasi Islam
Publisher : Institut Pesantren Sunan Drajat Lamongan, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55352/kpi.v7i1.2264

Abstract

This study examines the role of YouTube as a medium for digital da’wah in preventing drug abuse among adolescents. It aims to describe the dangers of drugs, identifies effective prevention strategies, and assesses the contribution of digital da’wah content to youth awareness. The research employs a descriptive qualitative approach based on literature review and content analysis of 12 YouTube videos consistently addressing anti-drug themes. Primary data were obtained from observations of video titles, view counts, durations, and audience interactions, while secondary data were drawn from journals, official BNN (National Narcotics Agency) reports, and relevant literature. The analysis reveals that anti-drug da’wah content combining religious and educational approaches is more effective in attracting adolescents’ attention and encouraging positive responses including intentions to avoid drugs rather than normative preaching. Three dominant strategies identified are persuasive and educational da’wah, collaborative da’wah (featuring interfaith and institutional dialogues such as with the BNN), and creative da’wah through interesting animations and visuals. However, its effectiveness is limited by competition with entertainment content, issues of credibility, and disparities in digital access and literacy. The study recommends strengthening cross-sector collaboration, improving content quality and validity, involving families and educational institutions in anti-drug campaigns, and innovating content formats to make them more appealing to adolescents. These findings support the use of YouTube as an integral part of a holistic strategy for drug abuse prevention.
Poetics of algorithmic excess: digital aesthetics in Indonesia’s Twitter poetry bot Yahya Auliya Abdillah
Lingua Technica: Journal of Digital Literary Studies Vol. 2 No. 1 (2026): Literature and computation: mapping, modeling, and mediation
Publisher : Asosiasi Relawan dan Pengelola Jurnal LPTNU (ARJUNU)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.64595/lingtech.v2i1.138

Abstract

Background: The rapid expansion of social media platforms has transformed literary production, enabling algorithmic poetry to emerge as a digital-native form that challenges conventional notions of authorship, meaning, and aesthetic value. Objective: This study examines how Indonesian Twitter bot poetry operates as a poetics of algorithmic excess, with attention to formal patterns, semantic instability, and platform-mediated authorship. Method: Using a qualitative digital humanities approach, the research analyzes a corpus of 240 poems generated by an Indonesian Twitter poetry bot through close reading, pattern identification, and platform-aware interpretation. Results: The findings show that algorithmic repetition and structural fragmentation function as dominant formal strategies, displacing expressive intentionality with procedural regularity. Semantic noise and randomness produce episodic meaning, shifting interpretive responsibility from author to reader. Platform circulation redistributes authorship among algorithms, users, and infrastructural systems, positioning Twitter/X as a co-author in literary production. Implications: Algorithmic poetry constitutes a legitimate literary practice shaped by platform capitalism and posthuman creativity. Novelty: The study offers a Global South perspective on digital poetics by theorizing algorithmic excess as an aesthetic principle within platform-mediated literature.
Co-Authors Abdillah, Wiwin Warliah Ahmad Mirzaq Miftahul huda