Saefullah, Aris
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PROPAGANDA SIMBOL DAJJAL DALAM BUDAYA VISUAL JEPANG: ANALISIS SEMIOTIKA FILM YU-GI-OH! THE MOVIE – HIKARI NO PYRAMID Bintoro Wibisono, Muhammad; Saefullah, Aris
Hujjah: Jurnal Ilmiah Komunikasi dan Penyiaran Islam Vol. 9 No. 2 (2025): Hujjah: Jurnal Ilmiah Komunikasi dan Penyiaran Islam
Publisher : Universitas Nahdlatul Ulama Al Ghazali Cilacap

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52802/hjh.v9i2.1854

Abstract

The objective of this research is to pinpoint and scrutinize the symbolic depictions of the antichrist figure, often known as Dajjal, as they appear in the Japanese anime film Yu-Gi-Oh! The Movie – Pyramid of Light, with the intention of deciphering the underlying ideological messages embedded within the movie. This study adopts a qualitative methodology, employing Charles Sanders Peirce's semiotic analysis to concentrate on both spoken and unspoken cues, including icons, indexes, and symbols. Information was gathered by means of visual documentation, specifically screen captures from the film, and subsequently examined descriptively to expose the underlying system of signs employed. The results of the research highlight the presence of eleven symbols associated with the depiction of Dajjal, comprising two verbal symbols and nine nonverbal symbols. These symbols construct a visual narrative that alludes to themes such as the singular eye, the illumination of darkness, and supernatural capabilities, which are understood as a symbolic form of propaganda related to the religious idea of the antichrist. The findings indicate that widely enjoyed films, such as anime, have the potential to serve as conduits for spreading specific ideological symbols that shape viewers' perceptions of spiritual and moral principles. Consequently, semiotic analysis of popular works is crucial for comprehending the ways in which religious meanings are portrayed and disseminated through worldwide visual culture. The qualitative approach is employed as the research method for this thesis. The investigation took place in libraries and at home, spanning from March to May 2016. The researcher used a method of gathering data through documentation consisting of images for this research. A laptop, relevant books, and internet connection served as tools for the researcher in this investigation.This thesis research employs a qualitative approach. The research was conducted in libraries and at home from March to May 2016. For this study, the researcher used documentary data collection methods focusing on image data. The research tools included an Acer laptop, books relevant to the research subject, and internet access. The research subject comprises the symbols of Dajjal found in the Japanese anime film Yu-Gi-Oh! The Pyramid of Light. Data processing was conducted qualitatively by classifying the symbols identified in the film Yu-Gi-Oh! The Pyramid of Light. Data analysis was performed using Charles Sanders Peirce's semiotic analysis, specifically analyzing verbal and non-verbal symbols, as well as analyzing iconic signs within the Dajjal symbols in Yu-Gi-Oh! The Pyramid of Light. The analysis is presented both in tabular and descriptive forms. Based on the findings and analysis of the collected data, the researcher concludes the following: Eleven symbols were identified, consisting of 2 verbal symbols and 9 non-verbal symbols. All symbols contain icons associated with Dajjal. Keywords: Propaganda, Dajjal Symbols, Film Yu-Gi-Oh! The Pyramid of Light
ISLAM NUSANTARA SEBAGAI PARADIGMA MODERASI ISLAM DI ERA GLOBALISASI DAN MODERNISASI Khoeriyah, Wahyu; Saefullah, Aris
Hujjah: Jurnal Ilmiah Komunikasi dan Penyiaran Islam Vol. 9 No. 2 (2025): Hujjah: Jurnal Ilmiah Komunikasi dan Penyiaran Islam
Publisher : Universitas Nahdlatul Ulama Al Ghazali Cilacap

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52802/hjh.v9i2.1871

Abstract

Islam Nusantara merupakan representasi khas praktik keislaman di Indonesia yang menekankan nilai-nilai moderasi, toleransi, dan inklusivitas, sekaligus berakar kuat pada kearifan lokal dan budaya Nusantara. Konsep ini lahir sebagai respons terhadap dinamika sosial-budaya di tengah arus globalisasi dan modernisasi yang menuntut adaptasi nilai keagamaan tanpa menanggalkan identitas budaya. Penelitian ini menggunakan pendekatan kualitatif deskriptif melalui studi kepustakaan untuk menganalisis literatur dan dokumen terkait Islam Nusantara, moderasi Islam, serta pengaruh globalisasi terhadap praktik keberagamaan. Hasil kajian menunjukkan bahwa Islam Nusantara menegaskan keseimbangan antara ajaran agama dan budaya lokal, memperkuat nilai-nilai toleransi dan inklusivitas, serta berkontribusi terhadap penguatan moderasi beragama dalam masyarakat pluralistik. Selain itu, Islam Nusantara berperan signifikan dalam mencegah radikalisme, memperkuat harmoni sosial, dan memfasilitasi dialog antarbudaya. Dengan demikian, Islam Nusantara dapat diposisikan sebagai paradigma moderasi Islam yang relevan dan strategis dalam menghadapi tantangan global kontemporer.
RESEPSI AUDIENS TERHADAP DAKWAH HUMANIS DI INSTAGRAM: ANALISIS KONTEN REFLEKTIF AKUN INSTAGRAM @SANTOSIM: ANALISIS KONTEN REFLEKTIF AKUN INSTAGRAM @SANTOSIM Artanti, Desnas; Saefullah, Aris
Hujjah: Jurnal Ilmiah Komunikasi dan Penyiaran Islam Vol. 9 No. 2 (2025): Hujjah: Jurnal Ilmiah Komunikasi dan Penyiaran Islam
Publisher : Universitas Nahdlatul Ulama Al Ghazali Cilacap

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52802/hjh.v9i2.1910

Abstract

Abstrak Perkembangan media sosial telah mendorong pergeseran dakwah menuju pendekatan yang lebih dialogis dan humanis di ruang digital. Penelitian ini menganalisis resepsi audiens terhadap dakwah humanis yang disampaikan melalui akun Instagram @santosim, yang menonjolkan nilai refleksi, empati, dan spiritualitas keseharian. Menggunakan pendekatan kualitatif interpretatif melalui analisis isi netnografis, penelitian ini mengamati interaksi audiens pada kolom komentar, like, dan share. Hasil penelitian menunjukkan tiga bentuk resepsi utama: afirmatif, introspektif, dan partisipatoris. Temuan ini menegaskan bahwa keberhasilan dakwah humanis tidak hanya ditentukan oleh isi pesan, tetapi oleh kemampuan membangun ruang dialogis yang memungkinkan audiens turut membentuk makna dakwah. Dakwah humanis potensial memperkuat spiritualitas inklusif dan moderasi beragama di media digital. Kata Kunci: dakwah humanis, resepsi audiens, netnografi, media sosial Abstract Social media has encouraged a shift in Islamic preaching toward more dialogical and humanistic approaches in digital public spheres. This study analyzes audience reception of humanistic dakwah conveyed through the Instagram account @santosim, which emphasizes reflection, empathy, and everyday spirituality. Using a qualitative interpretive approach and netnographic content analysis, audience interactions through comments, likes, and shares were examined. The findings reveal three dominant reception types: affirmative, introspective, and participatory. The study highlights that the effectiveness of humanistic dakwah lies not only in message content but in its ability to construct dialogical digital spaces that enable shared meaning-making between creator and audiences. Humanistic dakwah has strategic potential in promoting inclusive spirituality and religious moderation within digital environments. Keywords: humanistic dakwah, audience reception, netnography, social media