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Ahlan Romadhona
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MAKNA KIAS DAN IDIOM BERMETAFORA DALAM BUKU HIDUP ITU HARUS PINTAR NGEGAS DAN NGEREM KARYA EMHA AINUN NAJIB: KAJIAN SEMANTIK Ahlan Romadhona; Rani Jayanti
Jurnal Padamu Negeri Vol. 3 No. 2 (2026): April : Jurnal Padamu Negeri (JPN)
Publisher : CV. Denasya Smart Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69714/e5km3b79

Abstract

The book Hidup Itu Harus Pintar Ngegas dan Ngerem by Emha Ainun Najib is a reflective work that employs symbolic language to convey ideas about life balance, spiritual awareness, and human values. This study aims to describe the types of semantic meanings and to reveal the moral and spiritual messages embedded in the reflective language of the book. This research adopts a qualitative approach with a descriptive-analytical method. The data consist of selected sentences and expressions containing figurative meaning, conceptual metaphors, conceptual–religious meaning, and metaphorical idioms. Data were collected through close reading and note-taking techniques, while data analysis was conducted contextually based on semantic theory. The findings indicate that the language used in the book is dominated by figurative meaning and conceptual metaphors that function to map abstract concepts of life and faith into concrete everyday experiences. In addition, conceptual–religious meanings and metaphorical idioms are used to convey ethical values, Sufi perspectives, and social criticism indirectly. These findings confirm that Emha Ainun Najib’s reflective language serves as a medium of contemplation and life learning that emphasizes the balance between courage and self-control.
“RESISTENSI TOKOH ANI TERHADAP DOMINASI PATRIARKI DALAM NASKAH BUNGA RUMAH MAKAN KARYA UTUY TATANG SONTANI: KAJIAN FEMINISME TENTANG OTONOMI PEREMPUAN DAN PEMBEBASAN DIRI.” Ahlan Romadhona; Muhammad Afif Ardiansyah; Kartika Auliyah; Wawan Hermawan
Jurnal Padamu Negeri Vol. 3 No. 2 (2026): April : Jurnal Padamu Negeri (JPN)
Publisher : CV. Denasya Smart Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69714/13ds2972

Abstract

This study is motivated by the persistence of patriarchal structures in society that limit women’s roles, life choices, and autonomy, which are also represented in literary works. One work that reflects this condition is the drama script Bunga Rumah Makan by Utuy Tatang Sontani. This study aims to describe the forms of patriarchal domination experienced by the character Ani and to reveal the forms of resistance and self-liberation she undertakes. The research employs a qualitative descriptive method with a textual analysis approach. The research data consist of dialogues and stage directions in the drama script that illustrate power relations between male and female characters. The data are analyzed through the stages of data reduction, data presentation, and conclusion drawing using a feminist perspective. The findings show that the character Ani experiences various forms of patriarchal domination, including subordination, gender stereotyping, objectification, restriction of mobility, and verbal violence. This study concludes that Bunga Rumah Makan represents women as agents of self-liberation who struggle to break free from patriarchal structures, thereby positioning literary works as a medium of social and gender critique.