Article Per Year (5 Year)
p-Index From 2020 - 2025
0
P-Index
This Author published in this journals
All Journal Jurnal Penelitian Arkeologi Papua dan Papua Barat
Djami, Erlin Novita idje
Pusat Penelitian Arkeologi Nasional
Arts

Published : 9 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 9 Documents
Search

 1 
MAKNA MOTIF LUKISAN MEGALITIK TUTARI [The Meaning of Tutari Megalitical Motif] Djami, Erlin Novita Idje; Suroto, Hari
Jurnal Penelitian Arkeologi Papua dan Papua Barat Vol 9, No 1 (2017): Juni 2017
Publisher : BALAI ARKEOLOGI PAPUA

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1068.519 KB)

Abstract

In the megalithic period, humans living around the Tutari hill have poured their minds through paintings on rocky boulders spread across the slopes of Tutari Hill. Painting Megalithic Tutari describes ideas or ideas and behavior of society in the form of symbols, which express the natural environment and socio-cultural conditions of the community. The existence of these paintings is very interesting to know the shape and meaning. The purpose of this paper is to know the meaning of motifs megalithic painting Tutari. The methods used are stylistic analysis and contextual analysis. The motifs of the paintings contained in the Tutari Megalithic Site are human motifs, anthropomorphic images, flora, fauna, cultural objects, and geometric. These motifs have meaning related to the beliefs, daily life, and environmental circumstances of Lake Sentani in prehistoric times.  ABSTRAKPada masa megalitik, manusia yang hidup di sekitar bukit Tutari telah menuangkan alam pikiran mereka melalui lukisan pada bongkah-bongkah batu yang tersebar luas di lereng Bukit Tutari. Lukisan Megalitik Tutari menggambarkan gagasan atau ide dan perilaku masyarakat dalam bentuk simbol-simbol, yang mengekspresikan lingkungan alam dan keadaan sosial budaya masyarakatnya. Keberadaan lukisan-lukisan tersebut sangat menarik untuk diketahui bentuk dan maknanya. Tujuan tulisan ini adalah untuk mengetahui makna motif lukisan megalitik Tutari. Metode yang digunakan adalah analisis stilistik dan analisis kontekstual. Motif lukisan yang terdapat di Situs Megalitik Tutari berupa motif manusia, gambar antropomorfik, flora, fauna, benda budaya, dan geometris. Motif-motif ini memiliki makna yang berkaitan dengan kepercayaan, kehidupan seharihari, serta keadaan lingkungan Danau Sentani pada jaman prasejarah.
Pengelolaan Situs Megalitik Tutari : Studi Pengembangan Djami, Erlin Novita Idje
Jurnal Penelitian Arkeologi Papua dan Papua Barat Vol 1, No 1 (2009): Juni 2009
Publisher : BALAI ARKEOLOGI PAPUA

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (5329.495 KB)

Abstract

Compared with other megalithic sites in Indonesia, Tutari site has its uniqueness in the drawings that can be found on rock’s hunks that widely cover the area, some arranged temugelang rocks, a pair of stones in a row, some carved stones and a group of menhirs that topped the hill. Archeological researches found that Tutari site was a center for religious activities of Tutari’s people. But the site was destroyed long ago due to the war brought by the Ebe tribe from Kwadeware (anchestors of Doyo’s people) that vanished the Tutari tribe. Since then, the site was abondoned until it was found and then confirmed as a protected cultural heritage. It is necessarily for the site to have a protective model to ensure its preservation. For the objective, the site needs to be divided into 3 group zones which are core, support and development zone. The division surely to be followed by continuum operation supported by structure and substructure to make the site can be fully developed to enrich our cultural landscape and to add substantial value to local tourism.
MIGRASI MANUSIA DI PESISIR SELATAN PAPUA (Tinjauan Berdasarkan Motif Bumerang Pada Seni Cadas) Djami, Erlin Novita Idje
Jurnal Penelitian Arkeologi Papua dan Papua Barat Vol 2, No 2 (2010): November 2010
Publisher : BALAI ARKEOLOGI PAPUA

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (148.378 KB)

Abstract

Boomerang is one of the cultural object or weapon known as the aborigines (indigenous Australian). Its presence in the territory of Papua in the form of motifs in rock art as an illustration of the influence of foreign culture, because the boomerang is not the result of indigenous Papuan culture. Findings boomerang motifs spread over several sites on the southern coast of Papua from the region of Kaimana, Fak-Fak district to the Raja Ampat area. Its existence illustrates the existence of human migration in the past from where and who their supporters. Studies on the motive of a boomerang and the environment became the main target to reveal the influence of human migration and supporters. In addition, studies on the relationship boomerang motifs with other paintings to describe the motives of acculturation.
SENI CADAS DI WILAYAH BIAK TIMUR Djami, Erlin Novita Idje
Jurnal Penelitian Arkeologi Papua dan Papua Barat Vol 3, No 1 (2011): Juni 2011
Publisher : BALAI ARKEOLOGI PAPUA

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (188.73 KB)

Abstract

Rock art in East Biak is an interesting subject to be examined. Its carved technique and motifs offer many important informations about cultural activities in the past, including the arts ’ benefits toward the society. This research will explore findings of rock art in East Biak in order to giving meanings or thorough description about the people and their culture in Biak. At least, there are five main motifs or objects which can be explored and revealed through the study: human, animal, vegetation, material culture and abstract or unidentified object. In addition to the understanding of rock art, the art can also contribute in learning human migration from Southeast Asia islands to Pacific region in the past since the art found widely in both area.
BENTUK MATA PENCAHARIAN MASYARAKAT PENDUKUNG SITUS GUNUNG SROBU [Prehistory Livelihood in the Srobu Site] Djami, Erlin Novita Idje
Jurnal Penelitian Arkeologi Papua dan Papua Barat Vol 7, No 2 (2015): November 2015
Publisher : BALAI ARKEOLOGI PAPUA

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1097.719 KB)

Abstract

Research on the form of the people’s livelihood support Gunung Srobu sites is very important. This research aims to determine the extent of the development of human knowledge and ability to face the challenges of the natural environment to maintain the existence of the community, as well as expertise in generating technology equipment. Since the public support for culture Gunung Srobu Site does not exist any longer, so the study of forms of livelihood can be done through cultural material remnants preserved their activities. This study uses a qualitative approach to the form of inductive reasoning, while strategies are applied through literature and field observations. All the data collected in this study is then processed by indentifying by type and analyzed qualitative description that aims to know the meaning or interpret the empirical reality that the objects contained in the study. The results of this study are in the form of various types of artifacts such as pottery, stone tools, tool shells, animal bone remains, and shells litter. Culture material is closely related to the public livelihood support form Gunung Srobu site namely horticulture, hunting, gathering, fishing, farming, and industry. AbstrakPenelitian tentang bentuk matapencaharian masyarakat pendukung situs Gunung Srobu sangat penting dilakukan. Penelitian ini bertujuan untuk mengetahui perkembangan pengetahuan manusia dan kemampuannya dalam menghadapi tantangan lingkungan alam demi mempertahankan eksistensi komunitasnya, serta kemahirannya dalam menghasilkan teknologi peralatan hidup. Karena masyarakat pendukung budaya situs Gunung Srobu sudah tidak ada, maka kajian tentang bentuk matapencahariannya dapat dilakukan melalui kajian terhadap materi budaya sisa-sisa aktivitasnya yang terawetkan. Penelitian ini menggunakan metode pendekatan kualitatif dengan bentuk penalaran induktif, sedangkan strategi pengumpulan data dilakukan melalui studi pustaka dan observasi di lapangan. Semua data yang berhasil dihimpun dalam penelitian ini kemudian diolah dengan mengidentifikasi berdasarkan jenisnya dan kemudian dianalisis deskriptif kualitatif untuk memahami makna atau menafsirkan realitas empiris yang terkandung pada objek-objek kajian. Penelitian ini berhasil menemukan beragam jenis artefak seperti tembikar, alat batu, alat kerang, sisa tulang binatang, dan sampah kerang. Materi-materi budaya tersebut berkaitan erat dengan bentuk matapencaharian masyarakat pendukung situs Gunung Srobu yaitu bercocoktanam, berburu, meramu, nelayan, beternak, dan industri.
MANUSIA PENDUKUNG BUDAYA KOMPLEKS SITUS KAMPUNG TUA PADWA DISTRIK YENDIDORI BIAK (Human Prehistoric Activity in the Padwa Village Site, Biak) Djami, Erlin Novita Idje
Jurnal Penelitian Arkeologi Papua dan Papua Barat Vol 6, No 2 (2014): November 2014
Publisher : BALAI ARKEOLOGI PAPUA

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (196.234 KB)

Abstract

such as the burial niche activity that is closely related to the religious system supportingcommunity. The purpose of this study to remove the entire cultural information buriedso as to address concerns about human and supporting culture sites. This is adescriptive study with a form of inductive reasoning and qualitative approaches, aswell as the environmental approach. Artifacts results of excavations in the KampungTua Padwa describe diversity of human cultural activities supporting, ie fi shermenwho exploit ocean and also perform activities of hunting, gathering, and farming aswell as making equipment supporting livelihood activities such as stone tools, bonetools, and tools shellfi sh. In addition there are artifacts of pottery as a tool to processand store food. This is an object of cultural artifacts that appear and thrive in theplant or neolithic period, ie a period which is identical to the Austronesian speakerswho are the creators of the cultural work.ABSTRAKPada masa prasejarah di kompleks situs Kampung Tua Padwa telah terjadibanyak peristiwa budaya seperti aktivitas penguburan ceruk yang erat kaitannyadengan sistem religi masyarakat pendukungnya. Tujuan penelitian ini untukmengangkat seluruh informasi budaya yang terkubur sehingga dapat menjawabpermasalahan tentang manusia dan kebudayaan pendukung situs. Penelitian inibersifat deskriptif dengan bentuk penalaran induktif dan pendekatan kualitatif, sertapendekatan lingkungan. Artefak hasil ekskavasi di kompleks situs kampung TuaPadwa menggambarkan ragam aktivitas budaya manusia pendukungnya, yaitunelayan yang mengeksploitasi hasil laut dan juga melakukan aktivitas berburu,mengumpul, dan bercocok tanam serta membuat peralatan penunjang kegiatanmatapencahariannya seperti alat-alat batu, alat tulang, dan alat kerang. Selain ituterdapat artefak tembikar sebagai alat mengolah dan menyimpan makanan. Atrefakini merupakan benda budaya yang muncul dan berkembang pada masa bercocoktanam atau masa neolitik, yaitu suatu masa yang sangat identik dengan penuturAustronesia yang adalah pencipta karya budaya tersebut.
SITUS SENI CADAS SEBAGAI ASET BUDAYA DAN PEMBANGUNAN PARIWISATA (Studi pengembangan situs seni cadas di kawasan Teluk Bicari dan Selat Maimai, Kabupaten Kaimana, Papua Barat) Djami, Erlin Novita Idje
Jurnal Penelitian Arkeologi Papua dan Papua Barat Vol 3, No 2 (2011): November 2011
Publisher : BALAI ARKEOLOGI PAPUA

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (120.872 KB)

Abstract

Rock art sites in the area of the cultural assets worth Kaimana high for the sake of history, science and culture, so it’s worth it if it is developed and utilized. It is also considering the condition of the site is supported with the surrounding natural beauty of the ocean and coral islands, as well as the charm, the expanse of the forest in karst area and village-village population is about. To optimize the potential of art rock then needs to be done the study development on rock art sites in the region, as a form of Kaimana policy implementation in the management of cultural heritage and its environment so that it can have an impact on the increase of living adequate for the present society (especially the local community) in the field of persons coming. Results of the survey has been conducted showing that in the process of development of tourism in the region need to involve local communities Kaimana as key stakeholders, both in the planning and implementation of policies in a bottom up, determined policy along community, as well as patisipasi actively involved in community development programs and support the development of business and economics which is the economic base of society, as well as the need to be supported by regulation as runway departure formally related protection, preservation and utilization of cultural objects.
Ciri Budaya Prasejarah pada Sistem Bercocoktanam Masyarakat Suku Dani di Lembah Baliem Djami, Erlin Novita Idje
Jurnal Penelitian Arkeologi Papua dan Papua Barat Vol 1, No 2 (2009): November 2009
Publisher : BALAI ARKEOLOGI PAPUA

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (118.9 KB)

Abstract

Prehistoric featured life is still found in Dani tribe society who inhabit Baliem valley in the mountainous area of central Papua. The tribe’s simple life still maintain their gathered way of life. They live their nomadic cultivating while using sheer technology such as stone, digging stick and spade. In their cultivation activities, The Danis share strict rules between their male and female members. Men obliged to open new land, to build fench and shed, while women binded to do plantation until harvesting which makes women time are spent mostly in the field.The Danis livelihood is so affected by environment and kinship factors in governancing and managing land, social strata in task division between men and women, and also their belief in their anchestor’s spirits which can bring about fortune and prosperity.
PERDAGANGAN MASA PRASEJARAH DI PAPUA (TINJAUAN BERDASARKAN TINGGALAN ARKEOLOGI) Djami, Erlin Novita Idje
Jurnal Penelitian Arkeologi Papua dan Papua Barat Vol 2, No 1 (2010): Juni 2010
Publisher : BALAI ARKEOLOGI PAPUA

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (69.503 KB)

Abstract

Prehistoric trade in Papua characterized by the existence of material culture beyond the diffusion of cultural products such as pottery, stone axes, bronze axes, nekara bronxe and beads of Indo-Pacific found in several sites in the territory of Papua. The existence of those cultural objects is indicated as a result of longdistance trade activities and is supported by progress in the field of maritime. In addition to long-distance trade, there was also a local trade proved by the existence of shells of shellfish in inland areas and there was even one species of molluscs gastropods class family cypraea moneta that was used as currency (mege/ siwol/tinale) by rural communities, particularly Ekagi, Ngalum and Timorini ethnic in the central Papua. Related to trade, there was not only merchandise but also production and distribution of goods and trade processes which occurred with reference to the trade proces in traditional societies of Papua
Co-Authors Hari Suroto, Hari