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All Journal Pendas : Jurnah Ilmiah Pendidikan Dasar YASIN: Jurnal Pendidikan dan Sosial Budaya
Margareta P. E. Djokaho
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Social Sciences Other

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KEMAMPUAN MENULIS CERITA PENDEK BERDASARKAN UNSUR INTRINSIK DENGAN MENGGUNAKAN MEDIA GAMBAR OLEH SISWA KELAS XI SMK NEGERI 6 KUPANG Margaretha Dulce Da Costa Tokan; Semuel H. Nitbani; Margareta P. E. Djokaho
Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 11 No. 01 (2026): Volume 11 No. 01 Maret 2026 Published
Publisher : Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/jp.v11i01.42761

Abstract

The focus of this study is to examine the ability of eleventh-grade students of SMK Negeri 6 Kupang to write short stories based on intrinsic elements using picture media. The purpose of this research is to describe students’ ability to write short stories based on intrinsic elements through the use of picture media among eleventh-grade students of SMK Negeri 6 Kupang. Picture media were used by the researcher to attract students’ interest and serve as visual media to stimulate students’ thinking in developing ideas or concepts that would be expressed in the form of short story texts. The method employed in this study is a qualitative descriptive method. The theory applied in this research is writing theory. Based on the results of data analysis on students’ ability to write short stories based on intrinsic elements using picture media among eleventh-grade students of SMK Negeri 6 Kupang, out of 33 students studied, 3 students (9.09%) were categorized as very good in writing short stories, 6 students (18.18%) were categorized as good, 18 students (54.54%) were categorized as fair, and 6 students (18.18%) were categorized as poor in writing short stories. Based on the scores obtained, it can be concluded that the average score of the eleventh-grade students of XI PPLG 1 at SMK Negeri 6 Kupang is 77.63. This indicates that some students are able to produce very good short stories, while others have not yet been able to produce good short stories. These findings show that the short story writing ability of the eleventh-grade students of XI PPLG 1 at SMK Negeri 6 Kupang, in accordance with intrinsic elements and the linguistic rules of short stories, has met the Minimum Mastery Criteria (KKM) of 75.
Analisis Kepribadian Tokoh Utama Orpa dalam Film Woman from Rote Island Intan Julia A. Pandie; Marselus Robot; Margareta P. E. Djokaho
YASIN Vol 6 No 5 (2026): YASIN: Jurnal Pendidikan dan Sosial Budaya
Publisher : Lembaga Yasin AlSys

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58578/yasin.v6i5.11661

Abstract

Although Orpa’s personality in the film Woman from Rote Island represents the complexities of family conflict, patriarchal culture, and the struggle to uphold justice, studies analyzing it based on Sigmund Freud’s psychoanalytic theory remain limited. This study aimed to describe the personality of Orpa, the main character, based on the personality structures of the id, ego, and superego. This study employed a qualitative descriptive method with a content analysis approach. The data source was the film Woman from Rote Island, while the research data comprised Orpa’s dialogue, actions, expressions, and gestures that represented her personality structure. Data were collected through observation, close examination and note-taking, dialogue transcription, screenshot documentation, and coding using coding cards. The data were analyzed through the stages of identification, classification, interpretation based on Sigmund Freud’s psychoanalytic theory, and conclusion drawing. The findings showed that the id was represented through Orpa’s emotional impulses and instincts to protect her family. The ego was evident in her ability to make rational decisions when confronting customary pressures and patriarchal culture, while the superego was reflected in her commitment to moral values, justice, and humanity by continuing to pursue legal remedies despite various social pressures. This study concludes that Orpa’s personality is constructed through a balance among the id, ego, and superego, thereby representing a resilient, courageous, rational, and principled woman in her struggle for truth and justice. These findings contribute to the development of literary psychology studies, particularly the application of psychoanalytic theory in analyzing representations of female characters’ personalities in film.
Analisis Unsur Intrinsik dan Ekstrinsik dalam Cerita Rakyat Suri Ikun dan Bui Ikun pada Masyarakat Belu Destin Agustina Ndolu; Marselus Robot; Margareta P. E. Djokaho
YASIN Vol 6 No 5 (2026): YASIN: Jurnal Pendidikan dan Sosial Budaya
Publisher : Lembaga Yasin AlSys

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58578/yasin.v6i5.11663

Abstract

Although folklore plays an important role in preserving cultural, moral, and educational values, studies comprehensively examining the intrinsic and extrinsic elements of the folktale Suri Ikun dan Bui Ikun remain limited. This study aimed to describe the intrinsic and extrinsic elements of the folktale Suri Ikun dan Bui Ikun among the Belu community. This study employed a qualitative descriptive method with a structural approach. The research data consisted of phrases, sentences, and paragraphs from the story Suri Ikun dan Bui Ikun, published in the 2014 book Cerita Rakyat Nusa Tenggara Timur Sekolah Dasar Kelas V. The data were collected through a literature review and analyzed qualitatively and descriptively. The findings showed that the story’s intrinsic elements included the themes of kinship and affection, a chronological plot, characters and characterization, setting, a third-person point of view, personification, and moral messages concerning the importance of kinship, responsibility, and loyalty within the family. Its extrinsic elements reflected the life of the Belu Regency community, which highly values kinship, customary law, mutual cooperation, and harmonious relationships with nature. This story also represents the cultural identity of the Belu community and serves as a medium for transmitting cultural values to younger generations. This study concludes that Suri Ikun dan Bui Ikun contains cultural, moral, and educational values that contribute to understanding the identity of the Belu community and preserving regional literature.
Analisis Unsur Intrinsik Cerita Rakyat Ulumbu dari Manggarai Juliandro Ferdian Harjoni; Marselus Robot; Margareta P. E. Djokaho
YASIN Vol 6 No 5 (2026): YASIN: Jurnal Pendidikan dan Sosial Budaya
Publisher : Lembaga Yasin AlSys

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58578/yasin.v6i5.11664

Abstract

The Ulumbu folktale from Manggarai is a cultural heritage that contains moral values and local wisdom, but the intrinsic elements that constitute the unity of the story have not been widely examined in specific studies. This study aimed to identify and describe the intrinsic elements of the Ulumbu folktale. This study employed a qualitative descriptive method with a structural approach. The data source was the text of the Ulumbu folktale contained in Mauritius Fardy Jebaru’s undergraduate thesis entitled Analisis Struktur Naratif Teks Cerita Rakyat Ulumbu dalam Perspektif Seymour Chatman. The text was derived from interviews conducted with informants in the previous study and was used as the object of analysis. Data were collected by reading, recording, and classifying excerpts using coding cards and were then analyzed through the stages of identification, classification, description, interpretation, and conclusion drawing. The findings showed that the Ulumbu folktale was constructed through seven intrinsic elements: major and minor themes; a plot comprising five stages; four characters and their characterizations; spatial, temporal, and social settings; a third-person point of view; personification and repetition as figures of speech; and a moral message. This study concludes that these seven elements collectively constitute the structural unity of the story, thereby producing a coherent and meaningful literary work. These findings contribute to an understanding of the structure of Manggarai folktales and support the documentation and preservation of regional literature as part of cultural heritage.
Co-Authors Destin Agustina Ndolu Intan Julia A. Pandie Juliandro Ferdian Harjoni Margaretha Dulce Da Costa Tokan Marselus Robot Semuel H. Nitbani